Ein Student beabsichtigt eine Reise durch das Land zu unternehmen, um Sex zu haben, aber am Ende reist er mit einer jungen Frau. Sie hassen sich gegenseitig, also ...Ein Student beabsichtigt eine Reise durch das Land zu unternehmen, um Sex zu haben, aber am Ende reist er mit einer jungen Frau. Sie hassen sich gegenseitig, also ...Ein Student beabsichtigt eine Reise durch das Land zu unternehmen, um Sex zu haben, aber am Ende reist er mit einer jungen Frau. Sie hassen sich gegenseitig, also ...
- Regie
- Drehbuch
- Hauptbesetzung
- Frat Guy
- (as Marty Layton)
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The plot is simple enough, but Reiner's direction makes the movie a true gem; as do the efforts of Cusack and Zuniga--plus the supporting cast, which include a pre-'Goose' Anthony Andrews and a truly funny Tim Robbins (he's less funny nowadays, of course, but in '85 he exhibited definite comedic talent).
I've decided that this one's right up there with my favorites. One of those movies, with endless quotable lines, that charms you out of your wits without even trying.
Till Noever, Author: KEAEN, Edge Science Fiction and Fantasy Publishing, www.owlglass.com
The story is nothing new: boy (an effervescent Cusack as Walt Gibson) meets girl (Daphne Zuniga), and an antagonistic relationship is formed. He hates her studious, organised approach to life; she frowns upon his laddish, devil-may-care attitude. Inevitably, they are soon thrown together - namely by Gib's trip to California on the promise of a blond, beautiful "sure thing" from best friend Lance (Anthony Edwards) coinciding with her journey to visit her boyfriend - and opposites begin to attract.
Yet to complain that the plot is predictable would be to miss the point. You know the ending within the first five minutes: it is the journey there which is important. Director Rob Reiner handles the script with a necessarily light touch, and allows the humour to be more character-driven than situational. To the writers' credit, even the film's most obvious scenes are always relieved through it's witty and eminently quotable dialogue.
What elevates 'The Sure Thing' above the ranks of its genre contemporaries is Reiner's deft hand with a character; in particular his ability to transcend stereotypes yet create instantly recognisable, believable people, a feat he later put to effective use in 'Stand By Me'. This is underpinned by Cusack's energetic performance, showcasing what has become his staple character: the spikily droll male whose shining qualities just avoid being undermined by his easily discernible flaws.
'The Sure Thing' is also notable for its treatment of - and fondness for - the minor characters, few of whom suffer from the "obvious spare part" phenomenon of so many high school based films. Particularly commendable are Tim Robbins' disappointingly brief turn as one half of the cutesy couple from hell, and a remarkably young-looking Anthony Edwards in the long-term buddy role (notable especially for what must be one of the worst 80s fashion statements since Vanilla Ice decided on baggy trousers - see the pool scene featuring Lance's phone call from California).
Despite its premise, this film always endeavours to be about love rather than sex. A refreshing angle on a well-worn tale, 'The Sure Thing' provides a welcome escape from the 'American Pie' view of teenage romance. With consistently endearing performances from both Cusack and Zuniga, this is one romantic comedy I would happily give a second viewing.
I've now come back five years after originally posting this review (it's now May, 2007) and I say, this film STILL stands as a classic Cusack, even after I have (in the interim) loved "Pushing Tin," "Being John Malkovich" and of course the amazing "High Fidelity." And to this day, I have been known to say, in bars, "BARKEEP! Bring this man...a TROUGH... of spritzer!"
And just remember...
"Credit cards work on a completely different kind of lock!"
Wusstest du schon
- WissenswertesThe scene where Gib teaches Alison to shotgun a beer was added to the script after John Cusack told Rob Reiner it was something he knew how to do.
- PatzerThe trees and the grass are too green in the Midwest for a trip that is supposed to take place in the middle of winter.
- Zitate
Professor Taub: [reading Gib's Paper] 'It could be tonight,' he though as he stood in the corner, pretending to have a good time. He would meet her tonight. All his young life, he had dreamed of a girl like this. 5'6, silky hair, trim, nubile body. Nubile, by the way, is spelled with a "u".
[Continuing]
Professor Taub: Trim, nubile body that really knew how to move. And soft, deeply tanned skin. Now as for personality traits, she needed only one. She had to love sex and all the time. To arrive at this moment, he had traveled vast distances enduring many hardships. Abject poverty, starvation, show tunes, you name it. From across the room, he saw her. She was perfect. He knew almost nothing about her and she didn't know much more about him. It was exactly how it was supposed to be. He brought her to his room. The lights were soft, the moment was right. Then she leaned over and whispered in his ear, 'Do you love me?' Thoughts raced through his mind. Did she really want him? What had he done to deserve this bounty? Does God exist? Who invented liquid soap and why? 'Do you love me?' Staring into her eyes he knew that she really needed to hear it but for the first time in his life, he knew these were no longer just words and if he said it, it would be a lie. 'Do you love me?' she whispered. 'Do you love me?' It would not be tonight. The answer was no.
- Alternative VersionenThis film has an alternate version. The first scene of the alternate version starts with the scene right before Lance's dialogue "Private Gibson" to Gibson (John Cusack) where Gibson is sitting alone. This version doesn't have scenes with Gibson's dialogue to two women. This version delete the scene where Gibson's roommate is making love to his girlfriend. This version also doesn't have the scene where John Cusack kisses the girl in Lance's room close to the end of the film.
- SoundtracksInfatuation
(Main Title Song)
Written by Rod Stewart (as R. Stewart), Duane Hitchings (as D. Hitchings) and Roland Robinson (as R. Robinson)
Performed by Rod Stewart
Courtesy of Warner Bros. Records, Inc.
By Arrangement with Warner Special Products
Published by Rod Stewart/Hitchings Music/Rowland Robinson Music
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
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Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.135.531 $
- Eröffnungswochenende in den USA und in Kanada
- 3.124.782 $
- 3. März 1985
- Weltweiter Bruttoertrag
- 18.135.531 $