She - ... eine verrückte Reise in die Zukunft

Mix together sword-and-sorcery and post-apocalyptic elements, add a dose of political allegory (note the Communist and Nazi symbols), a contemporary music score and some surreal moments that seem to have come straight out of Monty Python (a bridge guard who multiplies every time you chop off one of his limbs) and you have this bizarre film that is neither a straight adventure nor exactly a spoof. It suffers from an overly episodic structure, but it benefits from Sandahl Bergman and Quin Kessler as the two muscular, beautiful Amazon warriors who are as proficient with a sword as with any other weapon. Both actresses are perfectly cast and do their roles justice, capturing the right "always-ready-for-a-fight" mentality. How anyone can give this film a "1" when there are, at the very least, these two amazing women to look at is beyond me! (**)

This is an hysterical romp, a mix of Conan and Mad Max, made with a lot of colorful, unfinished ideas, mixed up in a total mess, a bad movie that is fun to watch because you ever know what will come next. In this, it is a great Z-movie, almost fun as Plan 9 from outer space, but if you search for a serious sword and sorcery clone, stay away. For fun of B-movies only

This is exactly what bad movies are supposed to be: a magnificent accident; bizarre; terrible dialog; insipid acting; but most importantly, uncontrived. Not like that Troma crap. Troma wishes its movies were bad, but all I see are contrivances: people who try to pawn off badly made bad movies as something special, like She. She is everything you want and more. Badly executed scenes for even more badly conceived plot points. Terrible costuming including spiked football helmets intended to look "post- apocalyptic". Male sexual fantasies enacted on screen, masquerading as female empowerment. But through all of it, an effortless "badness" that leaves one questioning, simply, "how?". How did this make it to film? How did it actually get made, and who actually looked at the final cut and said 'yep, it's just like I imagined it. Trust me, this is a golden turd. It's the reason we bother to watch terrible movies.

The land of the unused wardrobe, misfits from Ork, Cheeks falling out of loin clothes, war of the pronouns, or what do we settle for after Conan. I really like Sandahl Bergman and wish she had a better agent to get her the parts she deserved. She was the only one who knew how to act in this movie. She could have started her own acting school with the actors from this movie.

If Monty Python threw together a Road Warrior spoof after a 3 day binge using a paint sprayer weilded by a rhesus monkey as their key script writing tool...

Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!

There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.

But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!

The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.

And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!

Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role

But let such quibbles go. Acceptable outrageously awful mindless fun!