Henry & June

So some people described this film as: "great cinema", "absorbing movie", "perfectly acted", "amazing story", "stunningly filmed", and so on. I must have been watching a different movie!!!

Maybe we like movies if we see ourselves reflected in them? I couldn't relate to these characters. Were they really like this? I've been curious about Anais Nin for years and if this her actual portrayal, well I'm very disappointed. Henry, June and Anais are all selfish people who actually need to feel pain to feel alive! What a weird lot! And Hugo, what a fool to love someone like Anais.

None of them seem to know the meaning of true love. Anais particularly. June got it right when she criticised her for using people as food for her writing.

There's nothing in this film that makes it endearing or memorable to me. I lost interest early on but watched to the end in the hope that the film would redeem itself. But if you want an experience of erotica, then maybe this is a good example. And June Miller became a social worker (end credits)... give me a break!

"Henry & June" (1990) by Philip Kaufman which is based on the book by Anais Nin is a wonderful film, a rare and admirable example of how an art-house erotic film should be made. It tells an interesting story that concerns the famous and scandalous American writer Henry Miller during the period of work on his first major work, "Tropic of Cancer" in 1931 in Paris and two women without whom the book would not have happened. One of them is his wife, June Miller, who is a constant presence under the different names in all Miller's works. The other - Henry's (and June's) close friend, lover, and confidant, Anais Nin. The film is an adaptation or mediation over the Anais Nin's journal which she wrote for 60 years and described in it the intimate details her inner world, including experiences with sexuality, and the meetings and relationships with prominent bohemian personalities of literature and art, who came from around the world to Paris, always known as the Mecca for creative individuals. Nin said about her life long writing in diary, "This diary is my kief, hashish, and opium pipe. This is my drug and my vice." Anais met in Paris provincial but talented non-conformist Miller and his exotic, sensual, and irresistible wife June (Uma Thurman never looked so attractive, as in this movie) and began affairs with both of them that would change their lives and influence enormously both Miller's and Nin's literary work. Anais is also known and praised as one of the first and the finest female writers of erotica. One of the reasons for film's success was director/writer Philip Kaufman's ability to delicately transfer to the screen the erotic intense atmosphere of Nin's writing as well as the spirit of Bohemian Paris in the beginning of the 1930s.

At the of Anais' request, her journal was published only after the death of all the participants in the events. Anais' relationship with Henry and June, which led to her own realization as writer, served as the basis for the Philip Kaufman's film. Kaufman wrote the script together with his wife Rose, and made a brilliant, disturbing, outrageous film, which had made history by having been the first USA film to receive the NR-17 Rating, so called "kiss of death". Henry and June is an adult film in the literal meaning of this word, it is the movie made for adults which explores in the insightful, exiting and artistic way the motivations, inspirations, and desires of the famous figures of Art. The acting is universally good with terrific Maria de Medeiros as Anais Nin. It is impossible to take one's eyes off her face - so charming, lovely, and desirable she is. She possesses the power of commanding the screen and she is the best thing in the movie which belongs to her Anais Nin.

Director Phillip Kaufman stirred up quite a bit of controversy when this film was first being released, most likely because of the intensity of the love scenes, but after watching the DVD I am now thinking that this film could have maybe slipped by with an R rating. The film faired poorly at the box-office, but seemed to have received generally positive reviews. The best element of this film is the atmosphere, which truly resembles the time period in which the film takes place. The story of the romance between the two writers is interesting on its own, but the great acting gives it a boost. Overall, a highly worthwhile film that will come as a pleasant surprise. The 6.3 rating is too low. I would say it deserves at the very least a 7. Ill give it an 8.

A sexy movie with two very interesting faces - Maria de Medeiros and Uma Thurman - and one ugly and obnoxious one (Fred Ward, playing American writer "Henry Miller.")

I wish Thurman had a bigger role in this movie. The photo of her in this picture - the one Ward stares at periodically - is one of the most fascinating portraits I've ever seen. De Medeiros is shown naked quite a bit but it's her face, with those big eyes and the 1930s look, that's interesting. The nudity and lesbian sex scene gave this a NC-17 rating, the first movie ever to get that rating (from what I read.), and deservedly so. In Paris in the 1930s, where this story is set, they were "ahead" of their time (secuarly speaking) regarding decadence. This movie captures that atmosphere, although it's a bit TOO sleazy at times.

The film features some wonderful photography. One of the best cinematographers in the business, Phillipe Rousselot, filmed this. The worst part of the film was simply no likable characters and a bit too many dull spots. But.....the film really offers some visual treats.

Anaïs Nin is hailed by many critics as one of the finest examples of writers of female erotica. She was one of the first women to really explore the realm of erotic writing, and certainly the first prominent woman in modern Europe to write erotica. Henry and June is based upon her life in Paris around 1931, and her relationship with Henry and June Miller. This relationship strongly influenced her as both a woman and an author.

Phillip Kaufman (Invasion of the Body Snatchers (1978), Quills, Raiders of the Lost Ark) does a superb job of directing his own screenplay and presents a story that flows smoothly as it presents a picture of bohemian life in Paris that consumed the banker's wife.

I am not sure they could have found someone better than Fred Ward (Remo Williams) to play Henry Miller (Tropic of Cancer, Tropic of Capricorn, Black Spring). He just seemed to fit right in with the character.

Uma Thurman (Kill Bill, Pulp Fiction) was fantastic as his wife, June, the bi-sexual who fell in love with Nin. After realizing that she lost Nin to her husband, she left him. What was interesting was that Nin immediately left Miller to return to her husband. You really need a scorecard to figure out who is married to and sleeping with whom.

Nin was played by Portuguese actress Maria de Medeiros (Fabienne in Pulp Fiction). She was sensational as the woman who fell into the bohemian life and lifestyle.

There were brief appearances by Kevin Spacey as a lawyer who wanted to be a writer, and the person who introduced Nin to Miller.

The slice of life in Bohemian Paris in 1931 has to be seen to be believed. It was an exciting time and certainly an exciting place. To see a piece f some of the greatest writers in American erotica, even fictionalized, was also great.

Henry and June holds the distinction of being the first film to receive an NC-17 rating.