IMDb-BEWERTUNG
6,9/10
4953
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth.When an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth.When an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth.
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The distinctly pedestrian and realist style to this little caper was quite refreshing as it avoided most clichés of the thriller genre like sexy protagonists and high energy gun battles etc etc to give something a little like a racy cigarette smoke-filled real-life documentary. The miry setting, in the midst of the sectarian wars of Ireland, and including within the tawdry bowels of the Royal Ulster Constabulary, also Republican bars, minor hotels, and humble households was most intriguing, but then the 'hidden agenda' plot panned away some distance from the psycho-realism onto a rather disappointing vein about incredulous or just uninteresting high level parliamentary dirty tricks, ho hum... Thatcher (of course), well not her exactly, anyway... It felt great in the main though, in the unique way the drama was directed, somewhat over the shoulder camera positions where the context is always in view, and conjuring easy naturalistic performances - with Cox doing a great turn as kind of big Yorkshire terrier. The story muddled its way along in a way that felt pretty convincing as a slice of real life in all its convolutions and routine failures of trust, up until the final segment which as I say pulled back I feel a little far, with its ambition to be a big Political thriller, somewhat betraying the best bit, the human narrative of the everyday fog of war and enduring terror that was no doubt an everyday reality for the citizens of northern Ireland.
Ken Loach has made a career out of directing movies about politically charged topics. A lot of his movies have addressed class issues in the United Kingdom, but he has also looked at foreign policy. One example is "Hidden Agenda", about an investigation into the murder of a human rights lawyer in Belfast. Loach not only indicts the British occupation, but also finds time to take a swipe at Margaret Thatcher's government.* While I was watching the movie I assumed that it was based on the murder of solicitor Pat Finucane. It turns out that the movie is a fictional story, but it still makes sure to show the sorts of things that had become commonplace in Northern Ireland. I read that Loach had the cast members meet with people who had gotten abused by British forces to give them an idea of what the movie was dealing with.
Ken Loach also looked at Ireland in "The Wind that Shakes the Barley", about Ireland's war for independence in the early 20th century. Both movies take unflinching looks at what the English did to the Irish for over 800 years. To be certain, "Hidden Agenda" features a scene that should give people pause in the era of the so called war on terrorism: a man sings a song that has the line "you take our land and call us terrorists for resisting". I recommend the movie. Other movies focusing on Northern Ireland that I recommend are "In the Name of the Father", "Bloody Sunday" and "Breakfast on Pluto".
*After Thatcher died, Loach proposed that her funeral should be privatized, since she would've wanted it that way.
Ken Loach also looked at Ireland in "The Wind that Shakes the Barley", about Ireland's war for independence in the early 20th century. Both movies take unflinching looks at what the English did to the Irish for over 800 years. To be certain, "Hidden Agenda" features a scene that should give people pause in the era of the so called war on terrorism: a man sings a song that has the line "you take our land and call us terrorists for resisting". I recommend the movie. Other movies focusing on Northern Ireland that I recommend are "In the Name of the Father", "Bloody Sunday" and "Breakfast on Pluto".
*After Thatcher died, Loach proposed that her funeral should be privatized, since she would've wanted it that way.
Not top-drawer Ken Loach; the "thriller" elements are well-done, but the warmth and depth Loach brings to his working-class stories has no place here. There's a structural flaw in the script, too--it presents itself as a film about Northern Ireland but then jumps headlong into something equally involving but quite different.
It is, all the same, a well-crafted, atmospheric film that never lacks excitement and raises some substantial issues. More importantly, the entire film is sadly prescient. The opening torture narratives could have been translated from accounts of Abu Ghraib prison. Change a couple of proper names and the scenery, and this would be the best film around on the U.S. occupation of Iraq. Even the second half of the story (no spoiler warning, so I give no details) rings truer and truer as time goes by.
Richly deserves reissue.
It is, all the same, a well-crafted, atmospheric film that never lacks excitement and raises some substantial issues. More importantly, the entire film is sadly prescient. The opening torture narratives could have been translated from accounts of Abu Ghraib prison. Change a couple of proper names and the scenery, and this would be the best film around on the U.S. occupation of Iraq. Even the second half of the story (no spoiler warning, so I give no details) rings truer and truer as time goes by.
Richly deserves reissue.
Hidden Agenda (1990) is a somewhat enjoyable political cover-up drama about the Northern Ireland conflict (the troubles). Starring Brian Cox and the ever wonderful Frances McDormand. Somewhat enjoyable is about as good as it gets though sadly. Very interesting history and plot, well written and well acted but drawn-out and one sided.
"Hidden Agenda" was an enjoyable political thriller. The story was a somewhat typical Irish against the bloody English set in the late 1980's. The strength of the movie was in the fine acting by Frances McDormand, as usual, Brian Cox and many others. The ending some may find unsatisfactory. It tends to be open ended. I thought it provided much speculation on what Frances McDormand would do. I also thought it to be true to life.
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- WissenswertesThe 'Six Irishmen,' mentioned by Sir Robert Neil of MI5 (with politician Alec Nevin) to Kerrigan is in reference to the 'Birmingham Six.' In 1974 the pub Tavern In The Town and Mulberry Bush, in Birmingham England, was bombed, killing 21 persons and injuring 182 people. The police picked up the nearest six Irishmen and subjected them to 'in-depth interrogation' to obtain false confessions. Patrick Hill, Gerard Hunter, Richard McIlkenny, William Power, John Walker and Hugh Callaghan all served 16 horrific years in jail until the convictions were overturned in 1991. Hugh Callaghan details his ordeal in the book, *Cruel Fate,* co-authored with Sally Mulready in 1994-1995. The movie Im Namen des Vaters (1993), was based on the Guildford Four, who were similarly jailed using false confessions, along with members of their extended family living in London. That's how the Brits induced Gerry Conlon, Daniel Day-Lewis' character, to confess, by throwing his father, aunts, uncles, and cousins in jail, too. Members of the Guildford Four ordeal were released in 1989 and 1991, where illegal police tactics and hidden evidence were brought to light. The appeals trials of the Guildford Four paved the way for the release of the Birmingham Six, who were in jail longer, and their pleas for appeals were ignored, and never heard until after the Guildford Four / Conlon Family convictions were finally thrown out. All of the innocent Birmingham Six and Guildford Four were still in jail at the time this movie was released.
- Zitate
Sir Robert Neil: You know Ireland can be a wonderful place... if it wasn't for the Irish!
- SoundtracksJoe McDonnell
Written by Brian Warfield
Re-arranged by Ron Kavana
Performed by Ron Kavana and Terry Woods
Published by Skin Music
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.030.938 $
- Eröffnungswochenende in den USA und in Kanada
- 49.827 $
- 25. Nov. 1990
- Weltweiter Bruttoertrag
- 1.232.210 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Geheimprotokoll (1990) officially released in India in English?
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