In einer dystopischen, verschmutzten rechtsradikalen religiösen Tyrannei wird eine junge Frau wegen ihrer jetzt seltenen Fruchtbarkeit in sexuelle Sklaverei versetzt.In einer dystopischen, verschmutzten rechtsradikalen religiösen Tyrannei wird eine junge Frau wegen ihrer jetzt seltenen Fruchtbarkeit in sexuelle Sklaverei versetzt.In einer dystopischen, verschmutzten rechtsradikalen religiösen Tyrannei wird eine junge Frau wegen ihrer jetzt seltenen Fruchtbarkeit in sexuelle Sklaverei versetzt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Reiner Schöne
- Luke
- (as Rainer Schoene)
Robert D. Raiford
- Dick
- (as Robert Raiford)
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This movie is about what can happen when religious nuts take over the country's government. People who are different are either killed or enslaved in one way or another. Let's see...we have murder and public display of anyone who isn't of the religion that took over....women who are fertile enslaved for religious higher-up's in the government...anyone who's different, and ISN'T killed enslaved in radioactive areas...makes you realize why people fight so hard against religion intruding into politics. Like the scholars from the future of this story who have a hard time believing it actually happened, despite hearing the story with their own ears, people nowadays don't believe that "people of God" in government would be so bad. Watch this movie and think on it. This is why there's a separation of church and state.
I finally watched this after watching the TV show and if anything, it shows that some books should not be adapted unless there is enough time to tell the story.
The film tries to feature the key moments that the TV show had time to bring up, and 90 minutes (or so) simply isn't enough.
The casting is flawed on several characters, like many reviewers point at, and the script feels rushed, which of course creates the feeling that the story progresses without any logic.
Nonetheless you will find some scenes are really good, and in fact, those same scenes found their way into the TV show.
The atmosphere of the book is well conveyed, I just wish they had had more time, which the largely superior TV show had.
Watch this for reference after reading the book, after watching the show : great books can make awesome TV shows but poor films sometimes.
The film tries to feature the key moments that the TV show had time to bring up, and 90 minutes (or so) simply isn't enough.
The casting is flawed on several characters, like many reviewers point at, and the script feels rushed, which of course creates the feeling that the story progresses without any logic.
Nonetheless you will find some scenes are really good, and in fact, those same scenes found their way into the TV show.
The atmosphere of the book is well conveyed, I just wish they had had more time, which the largely superior TV show had.
Watch this for reference after reading the book, after watching the show : great books can make awesome TV shows but poor films sometimes.
This is a nightmare vision of the future. It seems 1 out of every 100 women is fertile (for some reason). The ones who aren't perform slave labor. The ones that are are "sold" off to rich families where they have sex with the husband to produce a baby. Kate (the late and missed Natasha Richardson) is one such servant to Serena Joy (Faye Dunaway) and her husband the Commander (Robert Duvall). Kate wants out--but it seems there's no way.
The synopsis only scratches the surface of a VERY dark and disturbing movie. It slowly shows how women are treated and used and it just gets more horrifying as it unfolds. The parallels to Hitler's Nazi Germany are fairly obvious but here we have barren women instead of Jews and gays. The good acting by everybody makes this hard to shake off. Aidan Quinn (as Nick) and Duvall are OK; Victoria Tennant is chilling as a leader of the camps; Elizabeth McGovern is just great as a fellow prisoner who befriends Kate; Dunaway is also very good in her role. Best of all is Richardson. This couldn't have been an easy role but she pulls it off beautifully. She died at far too young an age. This is basically an unknown movie and it's easy to see why--it's far too dark and disturbing for a general audience. However the ending is (sort of) uplifting (and changed from the book). Grim, dark and depressing. View it at your own risk. The ceremony sequences are almost impossible to watch and shocked the hell out of me the first time I saw this.
The synopsis only scratches the surface of a VERY dark and disturbing movie. It slowly shows how women are treated and used and it just gets more horrifying as it unfolds. The parallels to Hitler's Nazi Germany are fairly obvious but here we have barren women instead of Jews and gays. The good acting by everybody makes this hard to shake off. Aidan Quinn (as Nick) and Duvall are OK; Victoria Tennant is chilling as a leader of the camps; Elizabeth McGovern is just great as a fellow prisoner who befriends Kate; Dunaway is also very good in her role. Best of all is Richardson. This couldn't have been an easy role but she pulls it off beautifully. She died at far too young an age. This is basically an unknown movie and it's easy to see why--it's far too dark and disturbing for a general audience. However the ending is (sort of) uplifting (and changed from the book). Grim, dark and depressing. View it at your own risk. The ceremony sequences are almost impossible to watch and shocked the hell out of me the first time I saw this.
I have just one point to make about this film, and that is why on earth did the director decided to name Offred kate. In the book, which I hope to god the producers etc actually read, there is no mention of the name kate what so ever, the only name that we could possibly guess would be June which is supplied to us in the first chapter but even then we never learn her real name. And this is of great significant importance, the fact that we as readers or viewers never learn her name means something and to simply choose a name out of a hat is destroying a piece of the character created for us by Margaret Attwood. Also reading the plot outline makes me wonder whether whoever wrote that even saw the film, especially where it says "Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid." when really "KATE" becomes a handmaid as her husband was married once before and their marriage never really existed in the eyes of the law. Also i read on to see that "After ruthless group training by Serena Joy in the proper way to behave, Kate is assigned as Handmaid to the Commander." Well that is not at all true as anyone who has seen this film will notice that Serena Joy is the commanders wife and not one of the Aunts and the Red Centre. Please in the future get your facts right and also thanks to director Volker Schlöndorff for ruining a perfectly enjoyable book. My advice stick to the book and not the watered down version for the small minded.
There's nothing subtle about this screen adaptation of Margaret Atwood's cautionary fable, but the premise is nothing if not provocative: in a repressive fundamentalist dictatorship (called Gilead, but ostensibly America in the near future) the few remaining fertile women are forced to bear children, in effect becoming sexual servants to the (male) powers-that-be. Gilead may be colored red, white and blue, but there's more than a passing resemblance to Orwell's Oceana; even the act of conception is reduced to a ritual, with the euphemism 'ceremony' doubling for intercourse. A talented cast does its best with Harold Pinter's typically inscrutable screenplay, but under Volker Schlondorff's dispassionate direction the film never achieves a convincing level of oppression or paranoia. Worse, it lacks a story to match its scenario; the handmaid Offred's redemption is achieved only with the help of another man, which seems to deflate the feminist slant. The final result is nowhere near a successful movie, but never less than a fascinating failure.
Wusstest du schon
- WissenswertesWhile working on the film, Robert Duvall became so fascinated with evangelism that it inspired him to write Apostel! (1997).
- PatzerWhen Moira ties up Aunt Lydia and escapes the Red Center, it is late at night, but moments later, when she exits, it is clearly daytime.
- SoundtracksWhispering Hope
Written by Septimus Winner as Alice Hawthorne
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- The Handmaid's Tale - Die Geschichte der Dienerin
- Drehorte
- James Adams Buchanan House, 1810 Cedar St, Durham, North Carolina, USA(Commander Fred's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 4.960.385 $
- Eröffnungswochenende in den USA und in Kanada
- 738.578 $
- 11. März 1990
- Weltweiter Bruttoertrag
- 4.960.385 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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