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"Guns" was an easy way to kill an afternoon with some friends. The low budget action is passable but it's the women and the nudity that keep your attention. Not a lemon in the bunch. I don't plan on watching "Guns" again. I don't even think I'll remember much of it tomorrow. I do hope I remember what was maybe the greatest piece of dialogue ever: "Don't do something, stand there!" Honorable mention: a dreamy Roberta Vasquez.

When I was a wee tot I never cared about superfluous things like plot, characterization or people yakkin' exposition for more than 30 seconds. What I wanted to see was the car chases, explosions, high kicks and bikini girls with machine guns. Happy happy happy, joy joy joy! Of course, one day we have to grow old and abide to the rules of Society, that forces us to become, uh, "sophisticated". We ditch Hollywood blockbusters in public and pretend to like Finnish art movies and David Lynch. But deep down inside, in the heart of that happy child we once were, we really want to get home in time for the Baywatch rerun. And that, friends and foes, is the spirit of Sidaris' work. I've seen the polls at IMDb and voters aren't fond of Andy's flims. They're completely missing the point AND the fun.

Dona Speir and Roberta Vasquez play sexpot federal agents in their first outing for writer / director Andy Sidaris. Donna Hamilton and Nicole Justin must foil the plans of bad guy Degas (Erik Estrada), a gun runner who continually sends hired guns after the two women. But Donna and Nicole have plenty of allies - the standard assortment of movie protagonists who make up for in visual appeal what they lack in acting ability - and firepower at their disposal.

Sidaris is once again following his expected formula to a tee - action, eye candy, exotic settings. You know the drill. Still, fervent Sidaris fans will likely enjoy the various goings-on, especially the way that he will always contrive ways to have the lovely ladies bare as much skin as possible. Fortunately, his sense of cheesy humour is apparent once again as well, and among the highlights along the way are a pair of assassins (Chu Chu Malave, Richard Cansino) who often dress in drag, a grenade sent by remote control boat, and a corpulent, cheerful good guy named Ace (veteran actor Chuck McCann, "The Heart is a Lonely Hunter") whose day job is magician for a night club. He interrogates two inept villains in a way that would make any "bad cop" proud.

Estrada does look like he's relishing this rare chance to be the bad guy, plus it's good to see grizzled tough guy actor Danny Trejo as his primary henchman. Overall, "Guns" is pretty similar to its follow-up, "Do or Die", and features a number of the same cast members, including Malave and Cansino. In the latter movie, they supplied heavy comedy relief. Here, they play it a little more "straight", even as they doll themselves up. Cynthia Brimhall sings two songs quite nicely. Devin DeVasquez ("Society") plays Degas' gal pal who wants to prove her worth as a killer, Phyllis Davis ("Beyond the Valley of the Dolls") is Speirs' mother, and George Cheung (the Vietnamese heavy in "Rambo: First Blood Part II") appears briefly.

Oh, and the story? Dumb as hell, but who ever watches *these* things for the story?

Six out of 10.

Only five films into my 'Girls, Guns and G-Strings' Andy Sidaris box set and I'm already struggling to find new ways of describing what is essentially the same damn movie every time: the same actors; the same characters; the same location; the same silly ingredients.

Guns replaces Sidaris regular Hope Marie Carlton with the equally gorgeous Roberta Vasquez and introduces a couple of reasonably cool B-movie stars as villains (Erik 'Ponch from CHiPs' Estrada and Danny 'Machete' Trejo)—everything else is exactly as one would expect: dumb plot; big breasted women in very skimpy outfits; hunks with bad hair; ridiculously large hand weapons; deadly remote control toys; and assorted men in drag (in this case, a pair of trannie assassins).

With a fraction more action than usual (there are some nice 'n' bloody squib shots), Roberta Vasquez getting topless on a motorbike, and suitably nasty deaths for both Estrada and Trejo, this one is possibly my favourite of the series so far. Then again, it might not be. It's hard to tell.

5.5 out of 10, generously rounded up to 6 for IMDb.

When the character, Taryn was dropped, his movie afterward lost its comic timing.In every Andy Sidaris movies, it was Hope who provided the humor in the movie as well as good look. As much as I like Roberta Vasquez, she is no replacement for the much better tandem of Hope and Dona Speir in their movies. The director should have just kept Hope character along with the Dona Spear, while bringing along Roberta. Meanwhile Gun is good fun action that sometime dark with no humor to restraint it. It was Hope's Taryn that kept the action with little humor to keep it interesting. I hate to say this, the best Andy Sidaris movies with the female spies was with the pairing of Taryn and Donna Hamilton in the early parts of the series. The facial expression that Taryn gave in a tight situation was priceless, and it sadly why Gun doesn't hold up as well as Picasso Trigger or A Hard Ticket To Hawaii. Finally Gun is good on action, but it is boring without the humor and dark sarcasm that usually comes from Hope Marie Carlton's character, Taryn.