GoodFellas - Drei Jahrzehnte in der Mafia

The gangster film has been redefined so many times in cinema history it will be interesting to see how it is redefined once again. Goodfellas is a milestone film in that regard because just as Public Enemy and Little Caesar defined it in the Thirties, The Godfather trilogy in the seventies and eighties, Goodfellas set the standard that all other films including Martin Scorsese similar Casino try to meet. The interesting thing is that Martin Scorsese is young enough to redefine it again with another work.

With Ray Liotta narrating his own life in crime in a flashback as real life criminal Henry Hill, Martin Scorsese offers us one fascinating glimpse of the criminal life in the Eisenhower to Reagan era. Henry Hill even as a child got sucked into the criminal life as a kid, as he said all he ever wanted to be was a gangster. Tutored by both Robert DeNiro and Paul Sorvino, Liotta takes part in one of the biggest heists of all time of Lufthansa Airlines at JFK Airport during the seventies. Goodfellas is the story of the events from Henry Hill's perspective leading up to the heist and the aftermath.

For myself I've never seen the gangster mentality better expressed on screen except maybe by Sean Connery in Family Business. Liotta and Connery operate from the same mindset. If you work hard and hope it pays off in success, you're a dope. If you want something, just take it. When you come right down to it, that's how criminals think, it's the rest of us who are fools.

Goodfellas was nominated for several Oscars, but came away with only one winner, Joe Pesci in the role of crazy Tommy DeVito. He's another criminal type, one who's driven by a terrible inferiority complex due to his short stature and does terrible things even to his own peers. And those peers don't forget as you see what happens to Pesci in Goodfellas. This turned out to be a career role for Pesci. He's a multi-talented man who's got an incredible range and can play everything from the Home Alone comedies to stone killers like here in Goodfellas or in Casino.

There's usually a contest in which Scorsese fans argue whether Casino or Goodfellas is better. I happen to like Casino, but without the success of Goodfellas, Casino would not have been made.

For a fascinating look at the criminal mindset, Goodfellas is an absolute must.

Needs to be seen to be believed; in one word: perfection. Every frame, every voice-over, every song - it all comes together at the exact right moment to create the perfect film experience. This film makes you really understand and feel what makes the American mafia so compelling; in the eyes of a kid, who was unfortunate enough to grow up in a tough neighborhood, those gangsters are rock stars. Live fast, die young - but when you die, it ain't gonna be of a glamorous suicide or drug overdose - the ending will be brutal, ugly and sad. And it may very well be one of your best friends that will blow your brains out.

I'll never get tired of watching Goodfellas; the entertainment value of this film is just amazing. It doesn't happen very often that every person involved in the process of making a film is at the peak of his/her game. And rarely do art and entertainment come together the way they did here. Storytelling with impeccable pacing, this is what it's like when a master composer conducts his masterpiece. All hail the king; the most versatile and talented filmmaker of his generation: Martin Scorsese.

My vote: 10 out of 10

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

"GoodFellas" may be the most important film of the 1990s in the fact that its incredible success led to some of the other great movies of the decade. Films like "The Silence of the Lambs", "The Crying Game", "Pulp Fiction", "The Usual Suspects", "Fargo", and "L.A. Confidential" would have likely never been made as well as they were without the influence of Scorsese's "GoodFellas". The film is an intense study of a Mafia family over a 30-year stretch. Ray Liotta plays the half-Irish, half-Sicilian kid from Brooklyn whose only dream is to be a gangster. Although Liotta's story is at the heart of "GoodFellas", it is the supporting cast that is the film's calling card. Robert DeNiro gives one of his greatest performances, Paul Sorvino is quietly effective, and Lorraine Bracco (in an Oscar-nominated role) does the best work of her career. However, it is Joe Pesci (in his well-deserved Oscar-winning turn) who steals every scene as the one who does the "dirty work". This is probably the definitive film in a decade that produced many film-noir styled classics. 5 stars out of 5.

If there was one word that I could use to describe Martin Scorsese's "Goodfellas": it'd be priceless.

A surreal and deeply fascinating take on life of Henry Hill who was involved in the Mob for three decades and his rise throughout the time span (and Nicholas Pileggi's book "Wiseguy").

There isn't a single moment in the movie where it doesn't miss a beat, you could only tell by the atmosphere of the time period and it seems so real.

The performances in this film simply make it even more memorable and how the characters are portrayed here especially by Ray Liotta, Robert De Niro, Joe Pesci (who won an Oscar for Best Supporting Actor), and Paul Sorvino are believable and easy to understand that they were a family, very close and tightly knit to the core. Also, how director Martin Scorsese lets the movie pace itself and keeps the viewer off guard in what happens deserves a lot of credit.

This is the gangster film at its finest. Scorsese is on top form as are Pesci and De Niro. Liotta has never bettered the performance he gives here. The film starts as it means to go on - violent, full of profanity, fast paced and very stylish. The story follows Liotta's character from boy to man as he climbs his way up through the ranks of organised crime. We see all the highs and lows of his life and meet a host of very believable and very undesirable characters along the way. It's a film full of memorable scenes whilst remaining much more than the sum of its individual parts at the same time. This is what all movies should be like. It draws you in and won't let you out of its grasp at any point. When it finishes you feel exhausted and exhilarated at the same time. If ever the word 'masterpiece' was meant to be used, it was for this film.