IMDb-BEWERTUNG
5,5/10
4064
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.A horror film director is stalked by a mad psychiatrist/serial killer bent on killing people to model the killings after the director's gory death scenes from his movies.
Brett Halsey
- The Monster
- (Archivfilmmaterial)
Ria De Simone
- The Soprano
- (Archivfilmmaterial)
- (as Ria Desimon)
Sacha Darwin
- Woman in Oven
- (Archivfilmmaterial)
Robert Egon
- Second Monster
- (Archivfilmmaterial)
- …
Malisa Longo
- Katya Schwarz
- (as Melissa Lang)
Paola Cozzo
- Nurse Lilly
- (as Judy Morrow)
Adriana Russo
- Nightmare Victim
- (Archivfilmmaterial)
- (as Layla Frank)
Luciana Ottaviani
- Nightmare Victim
- (Archivfilmmaterial)
- (as Georgia Moore)
Paul Muller
- Nightmare Victim
- (Archivfilmmaterial)
Marco Di Stefano
- Nightmare Victim
- (Archivfilmmaterial)
Maurice Poli
- Nightmare Victim
- (Archivfilmmaterial)
Lubka Lenzi
- Nightmare Victim
- (Archivfilmmaterial)
Claudio Aliotti
- Nightmare Victim
- (Archivfilmmaterial)
- (Nicht genannt)
Annie Belle
- Nightmare Victim
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
As one who often paid good coin to see Fulci movies during their brief theatrical runs, I can appreciate the guilty pleasure of kicking back to hoot at badly-dubbed sadism and cheesy gore. But I draw the line at clods who insist that Lucio Fulci was some kind of tortured, misunderstood artist. Better you should write theses on the mise-en-scene of AIRPORT 1975, or maybe the underlying theme of ROLLER BOOGIE. There's no doubt Fulci was intending to shock his audience with mean-spirited viciousness; however, his ham-handed obviousness and ineptitude are what make his films "classics". I haven't seen BEATRICE CENCI or that DUCKLING one, so maybe there was some real talent there once. But from ZOMBIE onward, Fulci delivered more unintentional comedy than on-purpose terror. CAT IN THE BRAIN is probably his worst ever, a hopeless porridge of old gore-fx footage spliced into new scenes in an excruciating attempt at a psychological thriller. A horror-film director slowly losing his ability to distinguish reality from fantasy IS a scenario ripe with possibilities: wait till you see how badly this simple-yet-solid premise is botched. Or better yet, take my word for it and pass altogether. I hold no personal animus against the late Fulci, but it irritates me no end that this guy is slowly gaining a reputation as some kind of great Italian moviemaker - mostly from lazy gorehounds who can't be bothered to check out De Sica, Rossellini, Visconti or legit horror masters like Bava and Freda. Maybe CAT IN THE BRAIN isn't representative of Fulci's best -he was in failing health at the time- but I've seen his other "triumphs" and his only genius was in aiming low - and missing.
Fulci himself had a clever concept for a movie: have the director be the main character around whom the boundaries that separate reality & movies begin to crumble. This idea prefigured Wes Craven's New Nightmare by years, but sadly the growing health problems Fulci was suffering from are clearly evident in the resulting movie.
The movie is pieced together with footage from some of his previous works and the new material looks like it was shot in and around the area where Fulci lived, so he did not have to travel far.
It is sad to see such a legendary talent slowly eroded, but Cat in the Brain, along with the awful Voices from Beyond show the inexorable decline in Fulci's work.
Remember him for Zombi 2, Don't Torture A Duckling and The Beyond, rather than this sorry affair.
The movie is pieced together with footage from some of his previous works and the new material looks like it was shot in and around the area where Fulci lived, so he did not have to travel far.
It is sad to see such a legendary talent slowly eroded, but Cat in the Brain, along with the awful Voices from Beyond show the inexorable decline in Fulci's work.
Remember him for Zombi 2, Don't Torture A Duckling and The Beyond, rather than this sorry affair.
I don't know what it is exactly, but the film is happily sitting on my shelf, with no thought of ever leaving me...Fulci has crafted one of the most ridiculous, bizzare, cheez-infested and well unique movies I've ever seen. Not sure what else to say about it, but I LOVE THIS MOVIE!!! The steak tartar scene is absolutely uproarious, and the whole nazi torture orgy fiasco is strangely hilarious...I'm not sure what Fulci was trying to do, but has anyone heard that, based on this film, Fulci accused Wes Craven of ripping him off with "Scream"? "Cat in the Brain" is a must for bad movie lovers everywhere...Yes I'll definitely say it's not a "good" film, but I guarantee certain scenes will stick in your mind forever! This is an exercise in craziness, people...I guess if I were a "serious" critic I'd give it a 3, but on sheer enjoyability (again I can't really explain my affections) I'd give it a 7....Really whacked out flick...
"Cat In The Brain" is a series of extremely violent sequences knitted together by a plot that feels more like an overview, describing director Lucio Fulci's most notorious years of film-making. The movie could also be seen as a dark comedy of sorts, effectively spoofing the various claims that violent cinema causes violence in real life. Fulci goes further than that, he casts himself as the star, the central figure of the film thus showing the audience who is the man behind all the cinematic gore. "Cat in The Brain" is not about presenting a clear story and following it. Instead it pokes fun at some of the clichés that have been surrounding the horror genre for years.
Lucio Fulci plays himself as a horror director struggling to keep his humanity intact. Years of violent film making have finally began to reach him. It starts slowly, steaks and meat in general begin to disgust him, his colleagues assure Fulci that all he needs is some rest. But that doesn't help and soon the grotesque ideas for his movies begin to overwhelm his daily thoughts. In an attempt to find a cure for his dangerously maddening mental state Lucio starts going to the local psychiatrist. Unfortunately that does more wrong than good and Fulci is thrown into an even bigger mess, as the psychiatrist turns out to be a psychopath, who mimics the murders from Fulci's films in real life.
The film retains all the trademarks of Italian splatter cinema, good or bad they are all here. So any comments about the acting or the technical aspects and budget constrains are quite irrelevant as to the quality of the film. It is a visual experience, no doubts about it. Fulci throws in an incredible amount of violence easily surpassing pretty much everything he's made. Amputated by chainsaw limbs, cannibalism, child murder, decapitation, these are just some of the many grotesque acts witnessed in "Cat In The Brain". Some of them are obviously recycled from a few the director's less profile movies but they don't stand out of the context, and actually feel quite at home here. As I noted before the movie exists much better as a satire of the genre rather than a serious piece. The way some of the violence is presented does help establish that idea. Such sequences shortly after climax are rejected by the reality in the film, as they are revealed to be actually scenes inside a movie that Fulci's character is directing. This sort of "film in film" presentation lessens somewhat the impact of the gore. But in no way does it make it an easy to watch film. Oh no this is far beyond and above the levels of gore found in mainstream horror, and gorehounds will in no doubt be satisfied with that fact.
Lucio Fulci was a very polarized figure. People either hate his work or love it. "Cat in the Brain" won't convince any of Fulci's detractors in the opposite but it is nevertheless an interesting part of his filmography. One that fans should really check out.
Lucio Fulci plays himself as a horror director struggling to keep his humanity intact. Years of violent film making have finally began to reach him. It starts slowly, steaks and meat in general begin to disgust him, his colleagues assure Fulci that all he needs is some rest. But that doesn't help and soon the grotesque ideas for his movies begin to overwhelm his daily thoughts. In an attempt to find a cure for his dangerously maddening mental state Lucio starts going to the local psychiatrist. Unfortunately that does more wrong than good and Fulci is thrown into an even bigger mess, as the psychiatrist turns out to be a psychopath, who mimics the murders from Fulci's films in real life.
The film retains all the trademarks of Italian splatter cinema, good or bad they are all here. So any comments about the acting or the technical aspects and budget constrains are quite irrelevant as to the quality of the film. It is a visual experience, no doubts about it. Fulci throws in an incredible amount of violence easily surpassing pretty much everything he's made. Amputated by chainsaw limbs, cannibalism, child murder, decapitation, these are just some of the many grotesque acts witnessed in "Cat In The Brain". Some of them are obviously recycled from a few the director's less profile movies but they don't stand out of the context, and actually feel quite at home here. As I noted before the movie exists much better as a satire of the genre rather than a serious piece. The way some of the violence is presented does help establish that idea. Such sequences shortly after climax are rejected by the reality in the film, as they are revealed to be actually scenes inside a movie that Fulci's character is directing. This sort of "film in film" presentation lessens somewhat the impact of the gore. But in no way does it make it an easy to watch film. Oh no this is far beyond and above the levels of gore found in mainstream horror, and gorehounds will in no doubt be satisfied with that fact.
Lucio Fulci was a very polarized figure. People either hate his work or love it. "Cat in the Brain" won't convince any of Fulci's detractors in the opposite but it is nevertheless an interesting part of his filmography. One that fans should really check out.
Forget THE BEYOND--CAT IN THE BRAIN is Lucio Fulci's masterpiece. If Dario Argento is the John Ford of Italian splatter cinema, the lyric poet and publicly acknowledged grand-master, then Fulci was surely its Howard Hawks--the caretaker and solid storyteller who knew how to sink a hole in one with the easiest flick of the wrist. Splatter-geeks somehow seem to have dismissed this picture with a contemptuous shrug--maybe it's too highbrow and "conceptual" for their red-meat tastes. In a stroke of daring even Fellini and Michael Powell never tried in their self-reflexive classics, Fulci plays himself--or rather, a particularly tormented and increasingly unhinged version of himself, driven mad by the combination of guilt and bloodlust triggered by making hyperviolent horror movies. "Fulci" wonders whether he is responsible for a string of gruesome murders breaking out around him...and the movie's combination of a fiendish, id-driven love of cinema, and a shuddering revulsion at its consequences, makes this for me the most painful and personal of all movies about moviemaking. The author's conflicting emotions are played out as nakedly as in VERTIGO or BLOW OUT--only this movie has the illicit fun of its grindhouse origins. Horror afficianados may have given this picture the high hat, but I know it has at least one fan...Jean-Luc Godard.
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- WissenswertesThe original script was 49 pages long and contained no dialogue. It consisted of descriptions of bodily mutilations/imagery and sound effects that would compliment them on screen.
- PatzerWhen one of the victims gets her throat slit with a piano wire, we see blood running from her mouth and onto her chin - however between shots, we don't see the woman spitting up the blood.
- Alternative VersionenGerman video version was cut down to 67 minutes but still got a "Not under 18" rating.
- VerbindungenEdited from Il fantasma di Sodoma (1988)
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Details
Box Office
- Budget
- 100.000 $ (geschätzt)
- Laufzeit
- 1 Std. 6 Min.(66 min)
- Seitenverhältnis
- 1.66 : 1
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