IMDb-BEWERTUNG
5,4/10
4369
IHRE BEWERTUNG
Die ultimative Waffe, die für die Menschheit ungefährlich sein sollte, hat globale Nebenwirkungen wie Zeitverschiebungen und Verschwinden.Die ultimative Waffe, die für die Menschheit ungefährlich sein sollte, hat globale Nebenwirkungen wie Zeitverschiebungen und Verschwinden.Die ultimative Waffe, die für die Menschheit ungefährlich sein sollte, hat globale Nebenwirkungen wie Zeitverschiebungen und Verschwinden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Nominierungen insgesamt
Terri Treas
- Computer Voice
- (Synchronisation)
Empfohlene Bewertungen
Frankenstein Unbound is one of those movies that is almost impossible to categorize. Part horror, part science fiction, part fantasy, and part comedy. And what is even more interesting is the cast of all stars. Roger Corman is able to put all of these together to form a truly mesmerizing film that you will never forget.
It is in the future. John Hurt plays Dr. Joe Buchanan, a slightly mad scientist who has developed a weapon for the government that harness's the power of a black hole. In the process, he has inadvertently created a worm hole that might destroy the world. On his way home from work, Buchanan is sucked into the hole and sent back in time to Europe 1812. It is here he meets Victor Frankenstein (played wonderfully by Raul Julia) and discovers that the story of Frankenstein's Monster is in fact a true story.
I believe what makes this movie so much fun is that as serious as the story appears to take itself it is actually rather humorous. Most of the scenes with the Monster in them are actually laugh out loud funny. There are a few scenes with the monster that just need to be seen to be fully understood as most of the movie is quite a bleak comedy. The ending to the movie is truly one of the bleakest endings I have ever seen.
For a Roger Corman film this is really well done. John Hurt and Raul Julia really compliment each other in this movie. It is too bad that Bridget Fonda and Jason Patric didn't have bigger roles in the movie as their characters are fascinating as well.
Well, I certainly enjoyed this film. I have watched it countless times throughout the years and I still have not grown tired of it. For me, truly a timeless film that I will watch many more times. 9/10
It is in the future. John Hurt plays Dr. Joe Buchanan, a slightly mad scientist who has developed a weapon for the government that harness's the power of a black hole. In the process, he has inadvertently created a worm hole that might destroy the world. On his way home from work, Buchanan is sucked into the hole and sent back in time to Europe 1812. It is here he meets Victor Frankenstein (played wonderfully by Raul Julia) and discovers that the story of Frankenstein's Monster is in fact a true story.
I believe what makes this movie so much fun is that as serious as the story appears to take itself it is actually rather humorous. Most of the scenes with the Monster in them are actually laugh out loud funny. There are a few scenes with the monster that just need to be seen to be fully understood as most of the movie is quite a bleak comedy. The ending to the movie is truly one of the bleakest endings I have ever seen.
For a Roger Corman film this is really well done. John Hurt and Raul Julia really compliment each other in this movie. It is too bad that Bridget Fonda and Jason Patric didn't have bigger roles in the movie as their characters are fascinating as well.
Well, I certainly enjoyed this film. I have watched it countless times throughout the years and I still have not grown tired of it. For me, truly a timeless film that I will watch many more times. 9/10
I first saw this little known early ninties title on HBO not long after its release. I must say I found it to be quite memorable, with excellent performances by John Hurt and Raul Julia as well as Bridget Fonda. I love the 1800 settings in Geneva (actually filmed in Italy) and the way Hurt slipped back in time and found where he was. (according to his car "we are alone") so cool. The monster was real creepy and he actually talks. All in all, a very good movie I highly recommend. As of this writing, its not out on DVD that I am aware of but if it does come out, it will definately be worthy of my collection.
First I must admit I have never been a Corman fan - all that spurting blood just never appealed to me. Yet something drew me to this, despite that concern, and I am not sorry I followed my hunch and rented this so many years ago. I tend to read the book either before or instead of watching movies, and Shelly wrote one amazing story. As much as I loved them, Karloff's movies had next to nothing besides the names to do with the book. As far as I am concerned, even though the story clearly does not precisely follow Shelly's tale, it is by far truest to the underlying depth of the book, and quite possibly the only film version that captures her primary theme of personal responsibility. The acting all around was good, especially considering some of the stretches required, and I quite enjoyed the special effects. Without going to wild extremes they were subtly effective and quite haunting. There were, of course, a few of Corman's trademark touches, but they fit the story so well even I could find no objection. As of this writing I have just watched this for the fifth time - quite a record considering I am still not really a Corman fan ;-)
Legendary independent filmmaker Roger Corman returned to a directors' chair for the first time in almost 20 years with this ambitious, offbeat project, an adaptation of the novel by Brian Aldiss. It's fun to a degree, and certainly interesting, if not a patch on his best work, the Edgar Allan Poe adaptations of the 1960s. Fortunately for him the budget does look like it was bigger on this thing than on some movies in his filmography. That allows for decent production values and a whole smorgasbord of special effects. The main attraction is the cast, especially our two leads, John Hurt and Raul Julia.
Hurt plays Dr. Joe Buchanan, a scientist whose implosion experiments have created "time slips". Joe himself gets caught in a time slip and is transported back to Victorian times where he chances to meet none other than Dr. Frankenstein (Julia), his monster (Nick Brimble), Mary Shelley (Bridget Fonda), Lord Byron (Jason Patrick), and Percy Shelley (Michael Hutchence, the late singer of the rock band INXS). Joe becomes determined to save the life of Justine Moritz (played by Cormans' daughter Catherine) and ultimately put an end to the monsters' rampage.
As scripted by Corman himself and film historian F.X. Feeney, this is fanciful entertainment that does have a good pace going for it. It is amusing to see characters from far different worlds interacting, although Frankenstein and others in this story adjust extremely well to discovering such things as computers and Joes' ultra-sophisticated car (which comes complete with a sexy female voice supplied by Terri Treas). The effects are frequently cheesy but entertaining, Nick Dudmans' makeup for the monster is good, period recreation is acceptable, and the music by Carl Davis provides just the right touch. How well the ending works may be up to the individual viewer.
Must viewing for all Corman devotees, if only to see the kind of project with which he laid his directorial career to rest.
Six out of 10.
Hurt plays Dr. Joe Buchanan, a scientist whose implosion experiments have created "time slips". Joe himself gets caught in a time slip and is transported back to Victorian times where he chances to meet none other than Dr. Frankenstein (Julia), his monster (Nick Brimble), Mary Shelley (Bridget Fonda), Lord Byron (Jason Patrick), and Percy Shelley (Michael Hutchence, the late singer of the rock band INXS). Joe becomes determined to save the life of Justine Moritz (played by Cormans' daughter Catherine) and ultimately put an end to the monsters' rampage.
As scripted by Corman himself and film historian F.X. Feeney, this is fanciful entertainment that does have a good pace going for it. It is amusing to see characters from far different worlds interacting, although Frankenstein and others in this story adjust extremely well to discovering such things as computers and Joes' ultra-sophisticated car (which comes complete with a sexy female voice supplied by Terri Treas). The effects are frequently cheesy but entertaining, Nick Dudmans' makeup for the monster is good, period recreation is acceptable, and the music by Carl Davis provides just the right touch. How well the ending works may be up to the individual viewer.
Must viewing for all Corman devotees, if only to see the kind of project with which he laid his directorial career to rest.
Six out of 10.
as a die hard Gothic horror movie fan i try to watch all the versions of Mary Shelly's Frankenstein,some great some really bad.when i heard that roger corman was going to direct this i was excited,roger corman has'nt directed a movie in a very long time so i knew this was going to be quite special.with Raul Julia,john hurt,Bridgett Fonda,and Jason Patric in the cast,its a big budget production,the story is kind of bizarre,what if Mary Shelly's Frankenstein was based on a true story? well this kind hearted but well meaning mad scientist(hurt)gets sent back to the past with his futuristic talking car(like kit from knight-rider)and meets Mary Shelly(Fonda)and Dr Frankenstein(Julia)and his monster(nick brimble)this movie was based on the novel of the same name.its got a hauntingly good score,everything works,i liked Frankenstein unbound,i believe Mary Shelly would be proud.I'm glad roger corman directed this,he did a great job.8 out of 10.
Wusstest du schon
- WissenswertesThe "futuristic" car that Dr. Buchanan (Sir John Hurt ) drives is a 1988 Italdesign Aztec concept car.
- PatzerWhen Dr. Buchanan (John Hurt) runs across the three slaughtered sheep in the woods at the beginning, closer inspection reveals that not only are they still alive, but asleep and breathing, and the supposed entrails are actually placed strategically on the sheep and not coming out from inside them.
- Zitate
The Monster: You think that you have killed me. But I will be with you forever. I am unbound.
- Alternative VersionenThe Japanese Laserdisc release features 2 scenes of violence cut from U.S. theatrical & video prints: A shot of a man's heart pulled out (Side A at 34 min 11 seconds) and a graphic shot of a woman's chest ripped open (Side B at 13 min 4 seconds).
- VerbindungenFeatured in In Search of Frankenstein (1996)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Frankenstein Unbound
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 11.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 334.748 $
- Eröffnungswochenende in den USA und in Kanada
- 37.017 $
- 4. Nov. 1990
- Weltweiter Bruttoertrag
- 334.748 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Roger Corman's Frankenstein (1990) officially released in India in English?
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