Edward mit den Scherenhänden

BIG SPOILERS.

"Give it to my loved ones?" - Edward Scissorhands.

Created by an inventor who dies before finishing his creation, and so leaving him with razor-sharp shears as hands - Edward Scissorhands (JOHNNY DEPP) isn't like other people.

When kindly Avon lady Peg Boggs (DIANE WIEST) finds him one day, hidden away in a Gothic mansion on top of a hill, she takes him under her wing and decides to take him back to the suburbs to live with her.

When we see Edward in this pastel paradise for the first time, it is apparent that he doesn't belong: his wild, dark and frightening appearance contrasting against the immaculate, sweetly colored people and homes of the suburbs. It's an ironic contrast too, as both of these 'worlds' reflect feelings and thoughts that should not associated with them - as Edward is a good-hearted person, whereas the people of the suburbs are unkind and intolerant.

When Edward arrives there he is welcomed and loved, due to the way in which he can sculpt hedges, dogs and hair into amazing works of art. But eventually, due to human trickery and greed, and Edward's want of acceptance and love, Edward is painted by the townspeople as a monster when he is told to rob a house by the boyfriend of Peg's daughter, Kim (WINONA RYDER), and he is ostracized by the town.

Throughout the course of the movie, Edward falls in love with Kim. Originally treating him as an outcast, she falls in love with him too, realizing what a kind and remarkable being he is. In the end, she is the only one who accepts him, when the entire town turns against him. Kim's boyfriend, Jim, enraged by jealousy of Edward, tries to kill him. In defense of Kim and himself, Edward plunges his scissor-hands into Jim's chest and kills him. Realising both that by what he has done they can never see each other again for his safety they share a final kiss and part ways, Edward remaining in his mansion and Kim returning to the shocked town below. The ending of this movie is one of the most wonderful I've seen. Poignant and bittersweet, it is hard to forget quickly.

Johnny Depp is outstanding as Edward Scissorhands, showing a kind of curious and bemused innocence within in the character, but at the same time a restrained passion. Every expression on his face is full of raw emotion: every cautious smile, and every time of hurt and confusion. Johhny Depp is Edward Scissorhands.

This is a wonderful fable from the brilliant imagination of Tim Burton. It's a twisted and sophisticated Gothic fairytale with a dose of comedy, and a good helping of morality, too. While a family movie, it's not really for kids - some things in there even shocked me.

This movie is amazing, and I was entranced by it the very first time I watched it. I'm not usually one for ridiculous hyperbole about movies, but there is very little wrong with this one. I love this movie.

10/10

Other films that are genuinely moving are The Elephant Man, Fearless and Camille. Edward Scissorhands is a film of darkness and beauty, that makes it such a wonderful and unique film to see. One thing that I really liked about Edward Scissorhands was the music score by Danny Elfman, which was very beautiful, sensitive and mysterious. A good example is in the beginning credits, with the angelic choir accompanying the Christmas-like images on screen. The cinematography was gorgeous, with bright imaginative close-ups contrasted with genuinely Gothic scenes, like when we first meet Edward in the dark house. The script, while not the strongest category of the film, was still very touching, and added to the charm and suspense that was already ensured in the film. The direction by Tim Burton had all his trademarks, very dark and suspenseful, evident in films like Batman and Sleepy Hollow, if a little odd at times, which is fairly typical of Burton. While there were one or two funny moments, the film is genuinely poignant, with a heart-rending ending. I will say I was most impressed with the acting, topped by Johnny Depp's tragic and poignant portrayal of the title character, and then Winona Ryder as Kim, while not quite as convincing is still very sensitive. I was shocked that Depp didn't get an Oscar for his performance, he doesn't say much, but his facial expressions fully justify. There was also sterling support from Dianne West, Kathy Baker et al, while Vincent Price in a minor role as the inventor also impresses, such a shame he died three years later, he was a brilliant actor, if you see him as the truly Machiavellian villain in Great Mouse Detective, or the sadistic Matthew Hopkins in Witchfinder General, you'll know what I mean. As I have already said, the ending is so heart-rending, that I will confess I got through half'a box of tissues. Overall, a remarkably beautiful and poignant film that had me speechless. My advice to anyone who hasn't seen it, and is planning to, have a box of tissues at the ready, it is that sad. 10/10 Bethany Cox.

Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.

The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.

Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.

The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.

The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.

The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.

Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.

4.5/5

This film shows us Edward, a humanoid created by a scientist who died before he could finish his creation. Because of this, Edward has big scissors instead of fingers and a strange looking, almost industrial. But he ends up being found amid the ruins of the mansion where he was born and taken to a suburban neighborhood, where life is always the same, made of perfection appearances. Directed by Tim Burton, has a screenplay by Caroline Thompson and counts on the participation of Johnny Depp and Winona Ryder.

This film is a modern Christmas tale and, for a decade, was very broadcast on televisions around this time of year. The story is very beautiful and touching, and makes us think about issues such as the right to be different from others, the difference between being and seeming, the exaggerated importance we give to appearances and the little importance we give to what is genuine, and how our society corrupts what is naturally good (Rousseau revisited?). Despite it usually have a parental rating accessible to children, this film seems to have been designed for public since the age of ten. The cast is reasonable but not surprising, except for Johnny Depp and Winona Ryder, actors who had, in this movie, the first major opportunity to shine, and where Depp inaugurated a long and fruitful partnership with Burton, which lasts until today. The photography and the visual effects are very good. The sets and costumes are interesting, helping to get the message proposed in the film, and the soundtrack is marked by the main theme, composed by Danny Elfman. This piece remained in the memory of the audience for its beauty and magic, becoming one of the most beautiful musical pieces made for film.

I really cannot add too much more to the wealth of praise directed toward this film...much of it very deserved. Tim Burton really shows us his ability to transcend mere comedic situations(Pee Wee and Beetlejuice) and tell a story of humour love, pity, conformity, and so on in an eerie and entertaining way. The way this film is constructed is amazing...the sets are wonderful as they depict something so real and yet so far away. Burton takes us into a kind of fairy land of Suburbia...with a haunting, empty castle at the end of the block that just happens to house a man with scissors for hands. The music in this film helps create a great deal of atmosphere and really lends to character development; I particularly enjoyed his use of the music of Tom Jones. The acting in the film is superb on all accounts. Burton got a subtle and effective performance from Johhny Depp, whose talents cease to amaze me. A nice Burton touch was the use of Vincent Price in one of his final roles. Although only in three scenes, seeing Vincent again was a real joy.