Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.
- Regie
- Drehbuch
- Hauptbesetzung
- 3 Oscars gewonnen
- 9 Gewinne & 37 Nominierungen insgesamt
Marvellee Cariaga
- Soprano
- (as Marvelee Cariaga)
Empfohlene Bewertungen
An all-star cast, vivid colors that could give you a headache and Madonna's sizzling performance made many think that "Dick Tracy" is much better than it actually is. It is one of those typical quantity over quality projects that uses smoke and mirrors to make the audience think that it is something unique and intriguing. However, the film is little more than a comic strip that jumps up at you ala the "Superman" or "Batman" group of films. Warren Beatty's performance and in-your-face direction are not totally successful. The seemingly endless name of cast members also becomes dizzying. Al Pacino (Oscar-nominated) steals every scene and pulls a Jack Nicholson from "Batman" out of his hat. "Dick Tracy" is a good film, but it is far from being a masterpiece. 4 stars out of 5.
After seeing Dick Tracy in the 6.99$ bin at Future Shop I decided to give it a go with no previous knowledge and being a big fan of Mafia and Crime movies. I was very surprised to see a very fun, smart entertaining movie with solid performances throughout. The movie moves along well, it has of course another solid performance from Warren Beatty, but the real standouts of the film are Al Pacino and Madonna. I was happy to find out that Pacino was nominated for his performance as an over the top gangster trying to take down the city. Madonna was great as the damsel in distress, she really impressed me and added depth to her performance. If you go in with the attitude of wanting to watch a fun, smart movie with great acting and a solid script then give Dick Tracy a try. I don't think you will be disappointed. And Watch for the cameos from Paul Sorvino, James Caan, Kathy Bates and Dustin Hoffman among others.
If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.
This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.
If you were a fan of previous incarnations of Dick Tracy, then this is the film for you. If not, find another film to watch...
Warren Beatty does a decent enough job as Dick Tracy who battles the underworld. Warren also directed this film and did a good job.
Dick Tracy was always a great character complete with an unrivalled rogues gallery of villains (except for Batman). The villains are all here and kudos to the make-up department who made the bad guys totally hateful. The plot is also quite good as well and the colour is good too. I believe the film was shot in only six (or maybe seven) colours and the sets of the city are totally faithful to the original Dick Tracy comic strips.
Obviously, this film tried to emulate Batman but immitation is the sincerest form of flattery. This film is almost as good as Batman and certainly not deserving of the criticism it had when it first came out.
One more thing-Madonna as Breathless Mahoney. I don't know if a film like this suited Madonna but it was great to see her in it because she is beautiful and improves with age.
All in all, a cracker of a film which I urge youngsters to see because they will enjoy it.
Warren Beatty does a decent enough job as Dick Tracy who battles the underworld. Warren also directed this film and did a good job.
Dick Tracy was always a great character complete with an unrivalled rogues gallery of villains (except for Batman). The villains are all here and kudos to the make-up department who made the bad guys totally hateful. The plot is also quite good as well and the colour is good too. I believe the film was shot in only six (or maybe seven) colours and the sets of the city are totally faithful to the original Dick Tracy comic strips.
Obviously, this film tried to emulate Batman but immitation is the sincerest form of flattery. This film is almost as good as Batman and certainly not deserving of the criticism it had when it first came out.
One more thing-Madonna as Breathless Mahoney. I don't know if a film like this suited Madonna but it was great to see her in it because she is beautiful and improves with age.
All in all, a cracker of a film which I urge youngsters to see because they will enjoy it.
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- WissenswertesDanny Elfman was hired to compose the film score because Warren Beatty was impressed with his work on Batman (1989). On working with Beatty, Elfman has said "Warren was insane".
- PatzerWhen Dick Tracy jumps out of a window and slides down the lamp post, he bangs his head on the curve of the pole towards the top. (This was Beatty doing his own stunt.)
- Zitate
Dick Tracy: No grief for Lips?
Breathless Mahoney: I'm wearing black underwear.
Dick Tracy: You know, it's legal for me to take you down to the station and sweat it out of you under the lights.
Breathless Mahoney: I sweat a lot better in the dark.
- Crazy CreditsThe opening Touchstone Pictures logo appears in black and white.
- VerbindungenFeatured in The Arsenio Hall Show: Folge vom 1. Mai 1990 (1990)
- SoundtracksSooner Or Later (I Always Get My Man)
Written by Stephen Sondheim
Performed by Madonna
Arranged by Jeremy Lubbock
Strings Arranged by Shirley Walker
Courtesy of Sire Records
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- Erscheinungsdatum
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Box Office
- Budget
- 47.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 103.738.726 $
- Eröffnungswochenende in den USA und in Kanada
- 22.543.911 $
- 17. Juni 1990
- Weltweiter Bruttoertrag
- 162.738.726 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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