Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.Der Comic-Detektiv findet sein Leben enorm kompliziert, als Breathless Mahoney sich ihm nähert, während er versucht, Big Boy Caprice's vereinten Mob zu bekämpfen.
- Regie
- Drehbuch
- Hauptbesetzung
- 3 Oscars gewonnen
- 9 Gewinne & 37 Nominierungen insgesamt
Marvellee Cariaga
- Soprano
- (as Marvelee Cariaga)
Empfohlene Bewertungen
First and Formost, this movie hits the comic strip right on the nose (it was goofy looking and freak'n violent). The one thing that always gets me is that we have detectives, feme fatales, rutheless gangsters, exploding cars and machine guns, all done in super bright rainbow colors. I find that the bright colors really pull this movie off, It conveys the whole "comic book" idea, better than the giant balloons from Batman, the verbaitum sound effects from X men, and certainly those annoying "panel" shots from hulk.
An all-star cast, vivid colors that could give you a headache and Madonna's sizzling performance made many think that "Dick Tracy" is much better than it actually is. It is one of those typical quantity over quality projects that uses smoke and mirrors to make the audience think that it is something unique and intriguing. However, the film is little more than a comic strip that jumps up at you ala the "Superman" or "Batman" group of films. Warren Beatty's performance and in-your-face direction are not totally successful. The seemingly endless name of cast members also becomes dizzying. Al Pacino (Oscar-nominated) steals every scene and pulls a Jack Nicholson from "Batman" out of his hat. "Dick Tracy" is a good film, but it is far from being a masterpiece. 4 stars out of 5.
If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.
After seeing Dick Tracy in the 6.99$ bin at Future Shop I decided to give it a go with no previous knowledge and being a big fan of Mafia and Crime movies. I was very surprised to see a very fun, smart entertaining movie with solid performances throughout. The movie moves along well, it has of course another solid performance from Warren Beatty, but the real standouts of the film are Al Pacino and Madonna. I was happy to find out that Pacino was nominated for his performance as an over the top gangster trying to take down the city. Madonna was great as the damsel in distress, she really impressed me and added depth to her performance. If you go in with the attitude of wanting to watch a fun, smart movie with great acting and a solid script then give Dick Tracy a try. I don't think you will be disappointed. And Watch for the cameos from Paul Sorvino, James Caan, Kathy Bates and Dustin Hoffman among others.
"Dick Tracy" is one of our family's favorites -- the actors are great -- the art direction is exceptional -- the music is magic. It's not supposed to be "To Kill A Mockingbird" -- it's a fun experience.
Stephen Sondhemim's songs are stellar: "Back in Business" is energetic, "Sooner or Later" is just right, "What Can You Lose" is haunting -- even tunes like "Live Alone and Like It" add to the story
Got to love the giddily over-the-top performances of Al Pacino, Dustin Hoffman, Glenn Headly, Charlie Korsmo, Mandy Patinkin, James Caan, Dick Van Dyke, supporting villains... The list is far too long. And, yes -- even Madonna and Warren Beatty are awesome. Written with a smile a minute (how many times have we looked at each other and said, "Wait a minute -- I'm having a thought -- it's gone!"?).
However, one of most telling things about in this film is that everyone involved seems to be having a good time -- and that above all adds to the enjoyment for the viewer. So, if you haven't already, why not give "Dick Tracy" a chance -- accept it for what it is -- a Sunday comic strip brought to life -- and in a wonderful way!!
Stephen Sondhemim's songs are stellar: "Back in Business" is energetic, "Sooner or Later" is just right, "What Can You Lose" is haunting -- even tunes like "Live Alone and Like It" add to the story
Got to love the giddily over-the-top performances of Al Pacino, Dustin Hoffman, Glenn Headly, Charlie Korsmo, Mandy Patinkin, James Caan, Dick Van Dyke, supporting villains... The list is far too long. And, yes -- even Madonna and Warren Beatty are awesome. Written with a smile a minute (how many times have we looked at each other and said, "Wait a minute -- I'm having a thought -- it's gone!"?).
However, one of most telling things about in this film is that everyone involved seems to be having a good time -- and that above all adds to the enjoyment for the viewer. So, if you haven't already, why not give "Dick Tracy" a chance -- accept it for what it is -- a Sunday comic strip brought to life -- and in a wonderful way!!
Wusstest du schon
- WissenswertesDanny Elfman was hired to compose the film score because Warren Beatty was impressed with his work on Batman (1989). On working with Beatty, Elfman has said "Warren was insane".
- PatzerWhen Dick Tracy jumps out of a window and slides down the lamp post, he bangs his head on the curve of the pole towards the top. (This was Beatty doing his own stunt.)
- Zitate
Dick Tracy: No grief for Lips?
Breathless Mahoney: I'm wearing black underwear.
Dick Tracy: You know, it's legal for me to take you down to the station and sweat it out of you under the lights.
Breathless Mahoney: I sweat a lot better in the dark.
- Crazy CreditsThe opening Touchstone Pictures logo appears in black and white.
- VerbindungenFeatured in The Arsenio Hall Show: Folge vom 1. Mai 1990 (1990)
- SoundtracksSooner Or Later (I Always Get My Man)
Written by Stephen Sondheim
Performed by Madonna
Arranged by Jeremy Lubbock
Strings Arranged by Shirley Walker
Courtesy of Sire Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
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Box Office
- Budget
- 47.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 103.738.726 $
- Eröffnungswochenende in den USA und in Kanada
- 22.543.911 $
- 17. Juni 1990
- Weltweiter Bruttoertrag
- 162.738.726 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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