Blutiger Engel

I am of the opinion that this film has an undeserved reputation as "underdeveloped." The better description of the feel of this film lies closer to "stark" or "lean" rather than "limited." I find Descending Angel better in many ways than The Music Box, which explores similar themes (although Jessica Lange and Armand Mueller Stahl are excellent in the latter film). One point of contrast that I find falls fully in Descending Angel's favor is that Roberts, unlike Lange, does not suddenly jet off to Eastern Europe in pursuit of "the truth." The chickens come home to roost messily in the United States, and give the film a nasty political edge I find compelling. I give it 8/10 for cable fare. Roberts, Lane, and Scott are enough reason to see this piece. Some of the scenes between Roberts and Scott are among the most compelling confrontations between past actions and present morals as have been filmed in the 1990s. If you liked True Colors or Storyville, you'll like this one too.

I actually didn't think that "Descending Angel," a 1990 production for HBO, was too awful, and I don't see what was historically inaccurate about it, referring back to a review on this site.

Eric Roberts plays Michael Rossi, who wants to marry Irinia Stroia (Diane Lane). They travel to the Stroia home to meet Irinia's formidable father Florian (George C. Scott) who is prominent in the community.

It doesn't take long for Michael to be told by a survivor of a Romanian concentration camp that Florian was a Nazi collaborator, something the family denies.

Disturbed, Michael investigates and learns that Florian was a member of the Iron Guard and responsible for the murders of men, women, and children. Confronted with this, Irinia is unable to accept the truth.

A review on this site said Romania was on the side of the Allies - well, that was at the end. Of all those joined with Nazi Germany, Romania was responsible for the deaths of more Jews than any country other than Germany itself.

It's true that their alliance with the Allies probably did shorten the war and save many lives. The Iron Guard made the harsh anti-Semitic legislation worse and enacted legislation directed against minority businessmen.

The acting is very good, with Eric Roberts giving a passionate performance, George C. Scott is fine as the guarded and stern Stroia, and a young Diane Lane is lovely as a woman torn between devotion to her father and accepting the reality of his past.

The end was abrupt and strange. The film did have some tense moments.

It's not as good as "The Music Box" but it's okay.

Eric Roberts plays the fiance of Diane Lane who discovers some unpleasant realities about his future father in law played by George C Scott. While the premise, exposing a nazi collaborator, is a good one, the film never really builds any suspense. On a scale of one to ten.. 6

It really is a shame, as "Descending Angel" is a very good film...but by the end of the movie, it degenerates into a stupid action flick. Up until then, I really enjoyed it and wanted more and more.

Michael (Eric Roberts) is engaged to Irina (Diane Lane). So it's not surprising that she is taking him home to introduce to her father, Florian (George C. Scott). Florian seems like a swell guy...which makes it all the weirder when a stranger approaches Michael and tells him his prospective father-in-law is a war criminal! At first, he doesn't believe it....but over time he comes to realize that the father is a monster.

Up until the big confrontation scenes near the end, the story was excellent. But there were two huge problems. First, Irina's reaction AND Michael's reaction to her reaction came off as hard to believe at best. Second, and more importantly, the ending is simply stupid. Despite Florian being a dangerous character with very dangerous friends, Michael deals with this in the silliest and unbelievable manner...so much that my daughter and I found ourselves laughing. Sad...it could have been wonderful...instead, it's a flawed but watchable film...with good performances by Roberts (who, oddly, is cast third even though he is THE star) and Scott.

By the way, the opening credits are very explicit...and you see a LOT of DIane Lane. Odd, as the rest of the film has no nudity at all and it did seem out of place.

This drama compels us to feel empathetic towards an old Nazi war criminal because well, it's George C. Scott. Sorry no deal. Not only the plot is a shameful exploitation of historical tragedies to suit the Holocaust-slot-machine genre, but the film is a confusing, sloppy mess in many ways. It was made by HBO in the days before they were Game for Thrones. Eric Roberts is the hallmark to this "it's taboo but not risky" made-for-TV movie with lackluster direction. Roberts finds out that his father in law (Scott) was a prison guard at a WWII concentration camp, a Romanian collaborator to Nazis, and participated in some historical massacres. The script dictates that Scott not only massacred women and children in Romania, but continues to order murders to this day when anyone comes close to discovering his secret. Since Roberts knows the secret, his own life is in danger. The rest of the script simply aligns various nonsense, improbabilities, and implausibilities. Director Kagan isn't at all bad (The West Wing, The Journey of Natty Gann, The Sting II, The Big Fix, The Chosen) but this was one of his descending moments.