Der mit dem Wolf tanzt

Many people regard a lot of films as "top class" but I always keep a little shelf in my mind for the films that I regard as the best films of all time - films that are simply timeless masterpieces. Welcome to the top of that shelf! There are certain criteria by which films are judged and greatness is only obtained when all the criteria are satisfied in full. Dances with Wolves is the greatest timeless masterpiece of cinema to date because it satisfies all these criteria: 1) Cinematography: the sweeping landscape photography of the Frontier combined with the subtle night-time photography earns top marks. Aside from Oscars for Cinematography and editing, it also won the ASC award for Outstanding achievement in Cinematography - as well as a host of other industry recognition awards. In short - the cinematography is breathtaking.

2) Sound/Score: the score is one of the best ever written. Again, awards rained from the sky for magical and moving score that combined seamlessly with the film/story.

3) Screenplay: The dialogue and plot is magnificent. The film does not fall into the common plot formulas found in other films that attempt to pass themselves off as epics. The story combines as both of celebration of life and a somber rumination of the history of mankind.

There are comical moments, dramatic moments and tear-jerking moments - that all make their entry (and exit) into the story with flawless timing.

4) The Acting: for all that has been said about Kevin Costner, this was the peak of his career and he played the role of John Dunbar to perfection. A relatively unknown band of actors gave magnificent, heart-felt and down-to-earth performances in support. It was actually refreshing to see an "EPIC" where the producers didn't feel the need to throw famous actors in with cameo roles to improve it marketability. As far as I was concerned, there were no weak links in the chain on the acting side of things. Kevin Costner certainly proved his worthiness as a director by getting the best out of the cast.

5) The ONLY film in history to.... Have an extended (director's cut) version that was better than the original. Due to concerns about the length of the film, Dances with Wolves was stripped back to three hours. Some complained that it was still too long, but I thought that the film was patient - it included good relevant detail but managed to keep the story moving at a good pace. The director's cut added an hour to the cinematic release and was, without a doubt, better than the original. It somehow added more intrigue to the story and included many sobering insights into the destruction of the American Indian race.

Over all, I regard it as the greatest most masterful epic of all time.

What the heck are people thinking! There are way too many Costner bashers on the internet. This was a revolutionary motion picture at its time, never has a story about the American indians ever been told with such emotion and grace. What a sham. For the record Costner is not that bad of an actor.

9/10

It's hard to think of blockbuster films that portray Native Americans as well as this one does. They are human beings here, with different personalities, intelligence, dignity, culture, and humor. The fact that a major Hollywood film had a good portion of its dialogue spoken in Lakota, subtitled in English, is fantastic. The portrayal of white cruelty, such as in the scene with rotting buffalo carcasses littering the prairie, invert the classic narrative, both in the genre of Westerns and in how history is often taught. The film identifies who the real savages were, and Kevin Costner should get a lot of credit for that.

The film is of epic length, and by no means perfect. I would have preferred it without the love story, and for more centering on the native characters. The soundtrack is also intrusive, and there were many instances where I found myself thinking that the scene would have played more effectively had it been set to minimal audio. As for the criticism that it uses the 'white savior' trope, I didn't see it that way - if anything, Costner's character is the one saved, both spiritually and then physically as he's about to be hanged for treason. It's much more about the beauty of coexistence and of respecting other cultures, and how tragic the historical genocide was.

The film is clearly a labor of love, and Costner took a lot of risks with it. The casting of Native actors quite honestly felt decades ahead of its time, and Graham Greene (Kicking Bird), Rodney A. Grant (Wind In His Hair), and Floyd Red Crow Westerman (Chief Ten Bears) are all wonderful. The cinematography on location mostly in South Dakota is simply stunning. However, what I love most about it is its heart, and how it shows simple appreciation for the Sioux people. "They were a people so eager to laugh, so devoted to family, so dedicated to each other. The only word that comes to mind is harmony," the main character says. Would love to see more films like this, and from a native perspective. 31 years later, it's long overdue, but give Costner credit for what he accomplished in 1990.

`Dances With Wolves'

When I first saw the movie Dances With Wolves several years ago the story affected me in a heavy way, so much so that I decided that it would be a long time before I watched it again. The story is not entertainment. It is a lesson. Last week I watched the movie again with a new understanding. Many of the published reviews seem to dislike the movie for various reasons. They are the ones that missed the point of the story.

The story is, of course, fiction based on a novel by Michael Blake. Fortunately, Michael Blake also wrote the screenplay for the movie insuring fidelity with his vision. To the credit of Kevin Costner, who was one of the producers and the director, he allowed the story to be what Michael Blake had originally created. Costner showed great sensitivity in not only capturing the personalities of all the major characters, but making the land itself (in this case South Dakota) one of the major players.

The land was not just a backdrop or playing field. It was the main character and very much alive. The cinematography was some of the best I've ever seen and in the tradition of the great movie director, John Ford. Ford had an ability to present the land in all its beauty, which also just happened to have a story occurring on it.

In Dances With Wolves, the land of South Dakota might initially appear to be a bleak place, but as Lieutenant Dunbar (Costner) spends more time at his isolated fort, he somehow slowly merges his soul with the surrounding territory. The life on the land eventually stumbles onto his location, including a wolf and a tribe of Sioux. The Sioux and Dunbar mistrust each other initially but through curiosity learn how to communicate with each other, however painfully slow. The wolf too was curious about the soldier, but kept his distance for a while. Finally, the wolf trusts Dunbar enough to play with him on the prairie. The Sioux see them playing. Here was a white man not killing the animals. He had earned a new name: Dances-With-Wolves.

The main difference between this movie and a John Ford movie was the way Costner humanized the Sioux characters. In a John Ford movie, most Indians were the enemy. The only 'good' Indians were the cavalry scouts, but we never really met these scouts as people. John Ford hired Navaho people to play the parts of Indians in his cavalry trilogy, Fort Apache, She Wore a Yellow Ribbon and Rio Grande, which were filmed in Monument Valley on the Navaho Reservation. Years later, Ford attempted to humanize the Native Americans in a movie called Cheyenne Autumn, but by then Ford was an old man and had lost most of his creative genius. It is a hard movie for me to watch.

Costner's movie takes great pains to allow us to know the Sioux characters. The story is about them as seen through the eyes of a perceptive white man, who had been given a new life by the gods when his attempt at suicide ended with his recognition as a war hero.

What I see when I watch the movie: I see ten thousand years of evolution and experience of a human tribe on the North American continent with the most recent characters at the leading edge of the current (1860) time. The character's lives are so well presented that I sense the history of their past In other words, I understand why they do what they do. What depresses me about the movie is that I know the ending but the characters don't. I know that their natural way of life is coming to an end. The characters don't know. To me, the movie is a story of the 4 billion, six hundred million years of natural evolution which is about to meet technology. Technology will be as devastating to this tribe and the land as if an asteroid had hit the earth.

The beauty of the Sioux life is so precisely shown in this movie. Their everyday routine of just living off the land is seen the same way as a buffalo eating the grass. The Sioux adapted to the land the way it was. You see the grass move in waves like the ocean does when the invisible winds touch the surfaces. You see the effects of the same winds that blow across the face and hair of Stands-With-a-Fist. You hear the same winds. The same winds take the smoke from the lodges away from the village. The land and air and life merge in a poetic movement.

The horses seem more natural and free in their herd next to the village. They are part of the tribe. You can see the magnificence of the Sioux riders as they become one with the horse as they hunt the buffalo. I suppose, in a way, the horse was a step in technology for the Sioux since they didn't have the horse until the Spanish Conquistadors brought them. But when they adapted their life to the horse, they became a great people. I look at it as a step in evolution, not a step in technology.

We find that the holy man, Kicking-Bird, played by Graham Green, was a hen-pecked husband, something we can all identify with no matter what race or ethnic group. His wife saw more than he did, especially the budding love between Lieutenant Dunbar and Stands-With-a-Fist, who was played by the heavy-duty stage actress Mary McDonnell. She is important to our story because we understand the Sioux from her translations. As an actress, she was so convincing in her struggle to remember long forgotten English words from her childhood, from the time before she came to live with the Sioux. Kicking-Bird on the other hand represented the soul of the Sioux People. He was patient and was the type of person you would want as a friend.

We have Rodney Grant playing the part of Wind-in-His-Hair, the warrior who was quick to anger but was smart enough to listen to his elders and not kill the white soldier. Rodney Grant represented the beauty and pride of the Sioux People. He speaks the last relevant words in the story by proclaiming that he is the friend of Dances-With-Wolves. Before Dunbar became Dances-With-Wolves, Wind-in-His-Hair would have been happy to kill him.

`Red Crow' Westerman played the part of the chief, Ten-Bears. We've seen him play the part of a shaman in other movies. He represented the wisdom and of the Sioux People and was also their prophet.

What movie about Native Americans could be told without Wes Studi? In this movie he plays the enemy Pawnee so convincingly that you really hate him. Not only is he the enemy to the white man but the Sioux also. Wes Studi can be very intense in his savagery, but in the eyes of the Pawnee, he was only protecting his tribal interests.

So we see the Sioux and, to a lessor degree, the Pawnee in their soon-to-end natural states. We immediately feel at home with the Sioux. The Pawnee aren't quite as lovable, especially when we see Wes Studi scalping the muleskinner. The first disturbing scene is when the Pawnee attack the Sioux village and we see that to save themselves, the Sioux need the technology (the rifles) of the white soldier. The Pawnee were so fierce looking (again convincingly by Wes Studi) that we fear for the Sioux tribe but see that the rifles are out of place in this natural world. It is another technological step in the same magnitude as the horse. But for all their beauty and greatness, we know they cannot win the final battles with the white civilization because they are so grossly outnumbered.

There is the core of the problem. The over-population of the modern civilization overruns their own land so they come to the land of the Sioux and destroy without asking. You could see it in the face of every tribal member as they walked past dead and skinned buffalo which were left to rot in the sun after the buffalo hunters had skinned them for their hides. They were absolutely stunned and sick at the sight. Whoever did this had no soul. I extend the message of this movie to today and see population running amuck, stripping the land of resources and changing the atmosphere. It is too painful to contemplate.

To emphasize the loss and waste of the beautiful prairie life, near the end of the movie we see the soldiers shooting at the wolf for fun. The wolf is confused and doesn't understand that bullets are hitting near him. Eventually a bullet strikes the wolf and we hear him cry out. For me that was the most painful scene of all because I know that's what people do. I see people kill a beast for the trophy. They take it home and hang it on the wall. The soul of that animal has been cast aside by a human, which has no soul.

The beauty is not in the trophy. The beauty is in the life. The ending for the wolf represents the ending for the Sioux and all the other tribes that lost the natural way of life. Therefore I am just as disturbed for the Sioux as I am about the wolf. I am disturbed for the future of the Earth.

It's hard for me to believe this movie is not in the top 250 on IMBD all time list. Without question my favorite movie. We live in a strange world when Pulp Fiction ranks #18, and Dances with Wolves just misses the top 250. Maybe people thought the movie was too long. I thought it was too short if anything. I wish they would have gone on forever. What an incredible story. The way Costner continued to get closer and closer to the Indians way masterfuly done.