Füge eine Handlung in deiner Sprache hinzuIn 1955 Florida, a Korean vet has a breakdown and is incarcerated in a "maximum security" mental health prison, where patients are abused.In 1955 Florida, a Korean vet has a breakdown and is incarcerated in a "maximum security" mental health prison, where patients are abused.In 1955 Florida, a Korean vet has a breakdown and is incarcerated in a "maximum security" mental health prison, where patients are abused.
- Clarence
- (as Gary Klar)
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Gary Oldman's performance as Emmett was a good one. He was clearly the highlight of the movie. There are a lot of other familiar faces in this, but it's Oldman's movie. I appreciated his take on Emmett - who was really quite clear-headed in most respects. Once he's incarcerated, Emmett becomes an advocate for the prisoners being abused, writing letters to their families to tell them what's happening, and, with the help of his sister (played by Pamela Reed) getting state officials involved in the case. That's where the movie really let me down. It just fizzled out. The Governor learns about the situation and establishes a committee that Emmett testifies in front of - and then it's over. Just the captions telling us about some reforms that were made to the system. Surely it wasn't that easy? One piece of testimony in front of a committee and the problem is solved? It was just too easy. I was left thinking that there should have been more - not wanting more in a positive sense, but thinking that there should have been more as in "that's it?" Oldman gets points for a good performance. The movie itself disappoints.
It's a compelling movie, and it's powered by some fine performances, including Oldman, Pamela Reed as his sister, Frances MacDormand is his wife, Dennis Hopper as a fellow patient, and Ned Beatty as the head of the institution. For those of you used to seeing Beatty in comic or bizarre roles, this movie may be a revelation. He's smart, smug, and utterly despicable.
Were those the totality of the movie, it would be a fine one. However, the film makers have made an error common to this sort of crusading movie. They have stretched it out too long, letting the dull oppression of Oldman's long captivity seep into the audience, relieved only occasionally by something actually happening, like Miss Reed storming into the place. The intent of this pace is doubtless to let the audience understand the situation from the inmates' perspective. I found that it just makes the movie long and dull, and the ending abrupt. It's a common mistake, confusing sheer size for importance, and sloth for thoughtfulness. The result is a movie worth watching, but badly in need of a lot of trimming.
If you are a true movie-lover, please take the time to view this brilliantly acted story. Perhaps we can all then get together to get Mr. Oldman his due for a KILLER performance. He certainly deserves it.
Wusstest du schon
- WissenswertesThe "Emmet Foley" character is based on real life Christopher Calhoun (b.1934), an inmate of the Florida State Hospital in Chattahoochee, Florida from 1956 to 1962. He moved to Los Angeles after his release and wrote about and became an activist for similarly abused people. In a more modern time he would have been diagnosed with Post-Traumatic Stress Disorder (PTSD) because of his combat in Korea, which is depicted at the beginning of the film.
- PatzerWhen Emmett leaves the house a second time, he fires eight shots from his six-shot revolver without reloading.
- Zitate
Emmett Foley: I got one for you, Baker. There's these two goldfish, see, having this argument. And then one of them gets madder than hell. He gets so mad, he just swims away... and sits there for a long time in the corner of his goldfish bowl, sulking. And then all of a sudden, he gets this real smirky look on his face. So he sidles up to this other fish... and real smart-like, he says: 'Oh, good. If there's no God, then who changes the water?'
- Crazy CreditsThe producers would like to thank the people of Columbia and Newberry, South Carolina for their generosity and support during the making of this film.
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Box Office
- Bruttoertrag in den USA und Kanada
- 259.486 $
- Eröffnungswochenende in den USA und in Kanada
- 17.471 $
- 22. Apr. 1990
- Weltweiter Bruttoertrag
- 259.486 $