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Fegefeuer der Eitelkeiten

Originaltitel: The Bonfire of the Vanities
  • 1990
  • 12
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
5,6/10
27.798
IHRE BEWERTUNG
Tom Hanks, Bruce Willis, and Melanie Griffith in Fegefeuer der Eitelkeiten (1990)
Home Video Trailer from Warner Home Video
trailer wiedergeben2:08
2 Videos
69 Fotos
SatireSchwarze KomödieDramaKomödieRomanze

Nachdem seine Geliebte einen Teenager angefahren hat, gerät das Leben eines Wall-Street-Stars ins Rampenlicht und zieht das Interesse eines sensationsgierigen Reporters auf sich.Nachdem seine Geliebte einen Teenager angefahren hat, gerät das Leben eines Wall-Street-Stars ins Rampenlicht und zieht das Interesse eines sensationsgierigen Reporters auf sich.Nachdem seine Geliebte einen Teenager angefahren hat, gerät das Leben eines Wall-Street-Stars ins Rampenlicht und zieht das Interesse eines sensationsgierigen Reporters auf sich.

  • Regie
    • Brian De Palma
  • Drehbuch
    • Michael Cristofer
    • Tom Wolfe
  • Hauptbesetzung
    • Tom Hanks
    • Bruce Willis
    • Melanie Griffith
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,6/10
    27.798
    IHRE BEWERTUNG
    • Regie
      • Brian De Palma
    • Drehbuch
      • Michael Cristofer
      • Tom Wolfe
    • Hauptbesetzung
      • Tom Hanks
      • Bruce Willis
      • Melanie Griffith
    • 186Benutzerrezensionen
    • 47Kritische Rezensionen
    • 27Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 5 Nominierungen insgesamt

    Videos2

    Bonfire of the Vanities
    Trailer 2:08
    Bonfire of the Vanities
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?

    Fotos69

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    + 61
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    Topbesetzung99+

    Ändern
    Tom Hanks
    Tom Hanks
    • Sherman McCoy
    Bruce Willis
    Bruce Willis
    • Peter Fallow
    Melanie Griffith
    Melanie Griffith
    • Maria Ruskin
    Kim Cattrall
    Kim Cattrall
    • Judy McCoy
    Saul Rubinek
    Saul Rubinek
    • Jed Kramer
    Morgan Freeman
    Morgan Freeman
    • Judge Leonard White
    John Hancock
    John Hancock
    • Reverend Bacon
    Kevin Dunn
    Kevin Dunn
    • Tom Killian
    Clifton James
    Clifton James
    • Albert Fox
    Louis Giambalvo
    Louis Giambalvo
    • Ray Andruitti
    Barton Heyman
    Barton Heyman
    • Det. Martin
    Norman Parker
    Norman Parker
    • Det. Goldberg
    Donald Moffat
    Donald Moffat
    • Mr. McCoy
    Alan King
    Alan King
    • Arthur Ruskin
    Beth Broderick
    Beth Broderick
    • Caroline Heftshank
    Kurt Fuller
    Kurt Fuller
    • Pollard Browning
    Adam LeFevre
    Adam LeFevre
    • Rawlie Thorpe
    Richard Libertini
    Richard Libertini
    • Ed Rifkin
    • Regie
      • Brian De Palma
    • Drehbuch
      • Michael Cristofer
      • Tom Wolfe
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen186

    5,627.7K
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    Empfohlene Bewertungen

    4AlsExGal

    The casting is all wrong, the nuances all missed

    It's been a long time since I read the book or saw the movie, but the casting in this film was all wrong. I saw the trailer on TV, saw the disaster the film might be, but I went to see it anyways and I was very disappointed. Tom Hanks, even before Philadelphia or Forrest Gump or Sleepless in Seattle, played the likable every-man. Hanks' character, Sherman McCoy, is a wall street tycoon, aged 38, with a wife two years older, a daughter he adores, and a young mistress that he insists he deserves all because he is a "master of the universe". In the book, Judy McCoy, Sherman's wife, is described as handsome but matronly at aged 40. Sherman remembers his mother telling him a wife two years older would not make a difference when he was 24 and she was 26, but 20 years later it would, and actually it took only ten years.

    But then one night when he is with his mistress, Sherman takes a wrong turn off the freeway into the South Bronx and ends up hitting a black youth with his car because he perceives his life is in danger, and decides to not report the accident to police, to "hit and run". However, he is tracked down and arrested and soon realizes he is not the master of anything compared to the grifters, community leaders, ambulance chasers, and prosecutors who finally have a completely unlikable rich white perp and a poor black victim.

    The novel was wonderful and nuanced. The movie is obvious and almost farcical. Hanks is too likable to play any of the characters in this film, I had Bruce Willis pictured as Sherman McCoy more than the drunken yellow journalist, and Kim Cattrell, who plays Sherman's wife, doesn't look like the matronly 40 year old and barely tolerated wife of anybody in 1990. Only Morgan Freeman as the judge rings remotely true. I'd pass on this one if I were you, but for sure read the book. After the 2008 crash and the banksters walking away without a scratch, Sherman McCoy seems more real than ever.
    MovieMusings

    splendid cartoon

    Before I talk about the movie itself, I'd like to get ugly for a quick sec..

    I am sick and tired of people whining that a movie isn't as good as a book. First of all, we all already know that 99% of the time a book is not equally rendered in film. How can it? The physiological experience of reading is totally different from that of taking in audio-video. Hello? A book often can't fit into a 90 minute movie anyway, and we all complain when a director tries to stretch our minute-rice attention span more than 2 hours, which would allow the space to capture more of the subtle nuances that we love in a book.

    If you want to read the book, do us all a favour, don't watch a movie, go read the #@%$ book. Does anyone think that a painting could represent each facet of a poem? They are two separate and distinct mediums. Sheesh.

    Now, book aside, this movie is trying to talk about an issue. And it does so quite fine. If you need the book to get the message, that's your business.

    Each character was a caricature, a spoof, hyperbolized to help drive home the message that truth is often irrelevant to the socio-political motives behind people's actions. From the "assistant DA" looking for recognition to the "hymie racist" angling for the office of mayor to the "good reverend" looking for sympathy for his people (and a payday) to Fallow trying to save his career to McCoy's lawyer who has to patiently deal with his naive client who doesn't grasp that his life is insignificant to all those who somehow have generated a vested interest in his demise...

    I got the message, it didn't take me the 6 hours or two days (or however long it would take me to make time to read the book), and I had some fun.
    8lou-84

    Under-rated

    This film will probably be re-discovered in later years and be described as the classic--albeit flawed--that it really is. The script is excellent in places and neatly captures the irreverence and cynicism that this kind of satire needs. People have criticised this film merely on the basis of wanting to shoot down the successful careers of those working on it---but I suspect that Willis, Hanks, De Palma,et al, will be secretly pleased that they have this lost treasure in their back catalogues to be resurrected and discussed long after their more popular films might be.
    6a-mar

    Deserves a better pitch and a better rating

    The back cover for the DVD calls this movie "hilarious" and "the quintessential story of the go-for-it '80s." In truth, it is neither. The Bonfire of the Vanities is, however, funny in parts, poignant in parts, and entertaining throughout.

    The protagonist is Sherman McCoy, a man whose one fatal flaw (an affair we know of from the beginning) leads to the downfall from his envious position as a "Master of the Universe." Tom Hanks gives an excellent performance and shows real emotion in bringing this highly plausible character to life. Unfortunately, his character is the only one with enough depth to be realistic. Even Morgan Freeman's Judge White, representing a refreshing dose of intelligence and honesty in the film, is perhaps too good to be believed. All of the other characters are mere caricatures, appearing too greedy, too pretentious, too self-absorbed, or too flighty to be believed. Bruce Willis might have made himself an exception as well, but I feel he simply lacked enough screen time to flesh out the different faces he had to show.

    Nevertheless the story is very well told. If the other characters appear less than convincing, accept them as colorful background for McCoy, who is the real focus anyway. There are numerous laughs, and the other characters represent elements that are definitely present in society - even if not to the extent shown here. Wolfe's story is entertaining enough to make this movie worth seeing. And it might even make you think twice about the names you see next time you open a newspaper.

    7 / 10 stars.
    7triple8

    What was wrong with this movie to get such bad reviews? I actually liked it.

    Bonfire of the vanities. A movie that has the reputation of being awful. I didn't think so. I saw it a long time ago but liked it. I have heard so much about how bad this movie was and never understood why. It isn't the best movie definitely not but there are so many BAD movies-this movie had a message (a pretty sad one) and the story was Involving. My attention was captured. I wanted to see what would happen next.

    This movie is so true to life. There ARE people out there whose actions would be worse then some in this movie. People whose lives are motivated by greed. (The worst bad movie out there that I've seen that tells the story of truly horrendous people motivated by greed and power is "in the company of men". Much more unpleasant then this movie.) This movie, I GUESS is controversial, not considered as good as the book and maybe it was ahead of its time. I think it's worth seeing though and would give it a 7.

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    • Wissenswertes
      The 330-second Steadicam shot of Peter Fallow arriving at the Palm Court of the Winter Garden was a tour de force for operator Larry McConkey. He had to track backwards, get on a golf cart, ride it for 380 feet, get off of it, track backwards 234 feet, get into the elevator, get out, and track for another 250 feet.
    • Patzer
      Maria's luggage fills the entire rear of Sherman's car when they return from the airport. The Concorde allowance was a handbag and a single carry-on bag due to weight restrictions.
    • Zitate

      Judge Leonard White: [to court room] Racist? You dare call me racist? Well I say unto you, what does it matter the color of a man's skin if witnesses perjure themselves. If a prosecutor enlists the perjurers. When a district attorney throws a man to the mob for political gain, and men of the cloth, men of God, take the prime cuts? Is that justice?

      Judge Leonard White: I don't hear you...

      Judge Leonard White: Let me tell you what justice is. Justice is the law, and the law is man's feeble attempt to set down the principles of decency. Decency! And decency is not a deal. It isn't an angle, or a contract, or a hustle! Decency... decency is what your grandmother taught you. It's in your bones! Now you go home. Go home and be decent people. Be decent.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Havana/Mermaids/The Sheltering Sky/Awakenings/The Long Walk Home (1990)
    • Soundtracks
      Pennies From Heaven
      Written by Johnny Burke and Arthur Johnston

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 2. Mai 1991 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • La hoguera de las vanidades
    • Drehorte
      • NBC Building, Rockefeller Center, Manhattan, New York City, New York, USA
    • Produktionsfirma
      • Warner Bros.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 47.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 15.691.192 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.216.063 $
      • 25. Dez. 1990
    • Weltweiter Bruttoertrag
      • 15.691.192 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 5 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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    Tom Hanks, Bruce Willis, and Melanie Griffith in Fegefeuer der Eitelkeiten (1990)
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