IMDb-BEWERTUNG
7,8/10
1087
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuRecounts the 1985-86 strike against the Hormel Foods Corporation in Minnesota after its employees' wages and benefits were cut.Recounts the 1985-86 strike against the Hormel Foods Corporation in Minnesota after its employees' wages and benefits were cut.Recounts the 1985-86 strike against the Hormel Foods Corporation in Minnesota after its employees' wages and benefits were cut.
- 1 Oscar gewonnen
- 12 Gewinne & 3 Nominierungen insgesamt
Dan Rather
- Self
- (Archivfilmmaterial)
Ronald Reagan
- Self
- (Archivfilmmaterial)
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"American Dream" is a sobering and fascinating documentary depicting the social, economic and emotional ramifications of a labor strike initiated by employees at a Hormel meatpacking plant in Austin, Minnesota. Although the film depicts events that take place in 1986, the content is every bit as relevant today on the subject of the perennial gap that exists between rank-and-file workers and top executives at major U.S. corporations, and the general greed and mercenary attitude that drives said corporations at the expense of hard-working employees. Like "Roger & Me," the acclaimed documentary by Michael Moore that savaged General Motors and the 80's corporate ethos of "profits above everything else," "American Dream" is a priceless portrait of blue-collar work and life in small-town America, the kind of place that people who live in New York, Washington D.C., Los Angeles or any other major metro area will probably never see.
Austin is a town where one company is the largest employer (in this case, the Hormel meat company), on whom generations of workers depend for their livelihood. The film puts a human face on the repercussions that result when Hormel, despite record profits, cuts the salaries of its workers. If the balding, grey-suited, humorless Hormel executives depicted here (wearing huge eyeglasses in the style of Lee Iaccoca) are not the epitome of 80's greed, I don't know what is. They are Gordon Gekko come to life, caring only about their bottom line and how to maximize profit, completely indifferent to the plight of their workers. The Enron debacle shows that, for all their economic might and wealth creation, there is a dark side to corporate America. "American Dream," its ironic title aside, is a journey to that dark side that should be seen by every worker, blue-collar or white-collar. Try to catch it on the Sundance or Independent Film Channel.
Austin is a town where one company is the largest employer (in this case, the Hormel meat company), on whom generations of workers depend for their livelihood. The film puts a human face on the repercussions that result when Hormel, despite record profits, cuts the salaries of its workers. If the balding, grey-suited, humorless Hormel executives depicted here (wearing huge eyeglasses in the style of Lee Iaccoca) are not the epitome of 80's greed, I don't know what is. They are Gordon Gekko come to life, caring only about their bottom line and how to maximize profit, completely indifferent to the plight of their workers. The Enron debacle shows that, for all their economic might and wealth creation, there is a dark side to corporate America. "American Dream," its ironic title aside, is a journey to that dark side that should be seen by every worker, blue-collar or white-collar. Try to catch it on the Sundance or Independent Film Channel.
This Oscar-winning 1991 documentary is captivating, personal, and heartfelt. It is also, however, a bleak and dark film, and the vantage it provides into American capitalism is a haunting one. Much like Kopple's previous documentary: "Harlan County, U.S.A.," "American Dream" is more than an examination of a labor dispute. (Specifically, the 1984 strike of Hormel, Inc. meatpackers in Minnesota). This film asks that we look at the bigger picture, and it was made during a time when the American economy was faltering. Through her frank and journalistic interactions with various stakeholders, Kopple presents a riveting deconstruction of the working class in America, as well as big business and the interworkings of organized labor. Underneath it all, though, this is a human interest story, and watching the strike unfold chronologically - from various viewpoints - is magnetizing. Brother is pitted against brother, union against union, and Kopple's delicate political handling is masterful. Anyone interested in organized labor in America, as well as the sometimes fleeting notion of the American Dream, this is one you SHOULD NOT MISS. This is gripping, psyche-dwelling stuff. (PS: During the film's closing credits, take note of the huge amount of organizations and people who contributed their money, and volunteeered their talent to this project. Perhaps nothing else is greater testament to its importance). ---|--- Was this review helpful?
Remaining in obscurity, this is another Union strike documentary from director Barbara Kopple, the brilliant filmmaker who brought us the landmark masterpiece documentary "Harlan County, USA", this time chronicling a strike of meat-packers in Austin, Minnesota -- around the time where Reagan put the clamp down on Unions, with his decision to fire the striking air-traffic controllers. Is it as great as "Harlan County, USA"? No. Is it worth seeing? Most definitely, especially for those who were fans of the previously mentioned film, for while it is not on the same level, American Dream is a very fine film in its own right, bringing some more interesting things to the table.
It starts a little slow, and I am not sure how relevant the film remains today, but it slowly becomes more and more absorbing. If Kopple's previous film, 14 years earlier, was a profound documentation of the power of the working class and the success of the Unions and people working together -- then "American Dream" is a documentary about the FAILURE of the Unions. This is a rather bleak film, augmented by the shots of the snow-covered, frozen land of Minnesota winter, giving the film at times a very cold mood. I would say that this film, although obviously taking sides with the strikers, is fairly even-handed. More importantly, however, it shows the major divisions in the Unions in how to achieve their goals and how to avoid the worst outcome, which is everyone losing their jobs and in essence being crushed by the companies.
As in "Harlan County, USA", the film is at its best when dealing with individual dramas and human moments between the people. While Kopple does offer some occasional narration and an added musical score, her presence is often unseen, allowing the people to tell the story, with the drama ultimately being created by the film's editing. We essentially see how the people of the Union, from the top down, are basically torn apart as their cause becomes more and more hopeless. How people of the community have to pick between crossing the picket line and reviving their job, or keeping their promises and integrity to the Union and to the community. We see people in heated arguments, we see people in brawls, best friends against best friends, brothers against brothers. There are some fantastic moments of drama. Like in "Harlan County, USA" where we feel the overwhelming feeling of a people united, standing up against the powers that be, here we see it all crumbling and falling down. For this alone it, it makes "American Dream" very much so worth seeing, as it is works as a very interesting continuation of Kopple's previous film, only 14 years later, and this time the vision of the American worker and the community it creates is only ever more bleak.
It starts a little slow, and I am not sure how relevant the film remains today, but it slowly becomes more and more absorbing. If Kopple's previous film, 14 years earlier, was a profound documentation of the power of the working class and the success of the Unions and people working together -- then "American Dream" is a documentary about the FAILURE of the Unions. This is a rather bleak film, augmented by the shots of the snow-covered, frozen land of Minnesota winter, giving the film at times a very cold mood. I would say that this film, although obviously taking sides with the strikers, is fairly even-handed. More importantly, however, it shows the major divisions in the Unions in how to achieve their goals and how to avoid the worst outcome, which is everyone losing their jobs and in essence being crushed by the companies.
As in "Harlan County, USA", the film is at its best when dealing with individual dramas and human moments between the people. While Kopple does offer some occasional narration and an added musical score, her presence is often unseen, allowing the people to tell the story, with the drama ultimately being created by the film's editing. We essentially see how the people of the Union, from the top down, are basically torn apart as their cause becomes more and more hopeless. How people of the community have to pick between crossing the picket line and reviving their job, or keeping their promises and integrity to the Union and to the community. We see people in heated arguments, we see people in brawls, best friends against best friends, brothers against brothers. There are some fantastic moments of drama. Like in "Harlan County, USA" where we feel the overwhelming feeling of a people united, standing up against the powers that be, here we see it all crumbling and falling down. For this alone it, it makes "American Dream" very much so worth seeing, as it is works as a very interesting continuation of Kopple's previous film, only 14 years later, and this time the vision of the American worker and the community it creates is only ever more bleak.
the most obvious parallel is michael moore's "roger & me." both films look at one community dealing with a corporation's decision to either cut the work force (roger and me) or drastically cut its wages (american dream). michael moore interjects himself into his films a great deal - he is in front of the camera, he uses voice-overs - instead of intertitles - to fill in needed information, etc. some think this is to his detriment, but i think it is honesty...he clearly acknowledges that there is an author and that's a good thing. american dream, on the other hand, attempts to appear objective by choosing to use intertitles and keeping the filmmakers behind the camera. the storytelling and pacing of this film isn't as good as that of "roger and me," but when it comes to documentaries there is room for error in these areas. documentaries ultimately, at least for me, are judged primarily on the story they tell, more than how well they tell it; and i think that's less true for feature films. this film tells a good story. through the film we are able to see the entire process a union undertakes when they have a dispute. if you don't know much about unions then this is a great place to start. if you hate corporations then this will fuel your fire. if you like good documentaries then add this to your list. B.
American Dream (1990)
**** (out of 4)
Barbara Kopple's Oscar-winning documentary follows a meat packing strike in Austin, MN and those familiar with the director's HARLAN COUNTY, USA will certainly have a lot to compare. This film follows the unions decision to pull their workers after Hormel reported a $29 million dollar profit and then asked their workers to take a pay cut and have their benefits reduced. While this film doesn't reach the same heights as HARLAN COUNTY, there's no question that this here is still a pretty remarkable documentary in its own right. There's no question that Kopple knows how to tell a story and more importantly find the passion, fire and energy of a story and exploit it to make sure the message of those individuals get across for the viewers. The documentary was clearly on the side of the workers as this is where we spend the majority of the running time. The first forty-minutes of the film focuses on the pre-strike as we get to know the main people involved and we get a very good idea of the working conditions in America at the time and it's clear that going on strike is very dangerous for a number of reasons. The final hour of the picture deals with the strike as the workers get dragged along for months and the end results aren't anywhere close to a happy ending. As someone who has worked for a union I can see both sides of the coin but it really does seem that the majority of the people lost here and that's a real shame. Kopple does a remarkable job at telling this story and there's no question that your attention will be glued to the film from start to finish.
**** (out of 4)
Barbara Kopple's Oscar-winning documentary follows a meat packing strike in Austin, MN and those familiar with the director's HARLAN COUNTY, USA will certainly have a lot to compare. This film follows the unions decision to pull their workers after Hormel reported a $29 million dollar profit and then asked their workers to take a pay cut and have their benefits reduced. While this film doesn't reach the same heights as HARLAN COUNTY, there's no question that this here is still a pretty remarkable documentary in its own right. There's no question that Kopple knows how to tell a story and more importantly find the passion, fire and energy of a story and exploit it to make sure the message of those individuals get across for the viewers. The documentary was clearly on the side of the workers as this is where we spend the majority of the running time. The first forty-minutes of the film focuses on the pre-strike as we get to know the main people involved and we get a very good idea of the working conditions in America at the time and it's clear that going on strike is very dangerous for a number of reasons. The final hour of the picture deals with the strike as the workers get dragged along for months and the end results aren't anywhere close to a happy ending. As someone who has worked for a union I can see both sides of the coin but it really does seem that the majority of the people lost here and that's a real shame. Kopple does a remarkable job at telling this story and there's no question that your attention will be glued to the film from start to finish.
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- Auch bekannt als
- Американская мечта
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- Bruttoertrag in den USA und Kanada
- 269.823 $
- Eröffnungswochenende in den USA und in Kanada
- 9.291 $
- 22. März 1992
- Weltweiter Bruttoertrag
- 269.823 $
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