Civil War: Der amerikanische Bürgerkrieg

Contrary to the only other comment so far, I found this inspiring and elevating. I understood the civil war in a way nothing else in 17 years of formal education did. Burns was trying to tell what is perhaps the most compelling story since this country was founded. He had no footage, and was not interested in dramatizing the battles (which is notoriously difficult to to without boosting one side). Instead, he found a way to take the still images and remnants of the war and the stories of individuals and make them more real than any movie could do. Eleven hours of reenactments would have been interminable - and silly - as vaunted as the reenactors are, they get away with it because they are romanticized - can you imagine reenacting Ardennes or Khe Sanh? In a world where TV viewership is measured in 5-minute chunks if you're lucky, Burns kept viewers' attention for 11+ hours - and with no commercials - quite a feat.

When The Civil War first aired in 1990, it became a phenomenon. I

was a little kid, but I remember "Ashokan Farewell" and the

intriguing black and white images and voiceovers from the screen,

and people talking about it all over the place. To be sure, the

intimacy of the film eventually made me a Civil War buff, as it has

for tens of thousands across the country.

The fact is, Ken Burns created a monumental piece of television

that chronicled, if not in a general fashion, by far the most defining

moment in our history and an incredibly groundbreaking way.

The film is simple, yet is so profound in it's simplicity and style,

using just pictures and accounts and music and some bursts of

color from modern cinematography. For the first time, we heard the

accounts of real soldiers and people, and instead of taking sides,

it gave a sense of humanity to both sides in a war that is riddled

with political and social posturing, but was ultimately all slaughter.

It's a technically revolutionary film. Burns and his colleagues have changed the nature of the documentary. Working with old photos on glass plates, an unpromising base, the occasional talking head, and often penetrating and sometimes poignant voiceovers, he contributed to our cultural iconography. His touches have been imitated often in the following decade: the sound of buzzing locusts, the voice-over reading a letter and then signing off by reading the name of the writer aloud, are now taken-for-granted techniques in documentaries (and commercials as well).

Before this series, interest in the Civil War was practically nonexistent. I'm not referring to seeing pretty ladies bounce down the stairs of the big house wearing hoop skirts and ribbons, but the ghastly things taking place at locations that previously had barely rung a bell, like Shiloh.

I was teaching at an eastern university when this series appeared, roughly fifty students, known to be among the brightest available, majoring in communications. I asked the class how many had watched at least one episode. One hand went up, tentatively. I asked why she'd been so hesitant and she said, well, she hadn't really "watched" it, but her husband was a CW buff and was taping it while she passed through the living room. Fewer than fifty percent of our High School seniors can pin the Civil War down to the correct half-century. I'm tempted to click the "Spoilers" box to warn those who don't know who won.

It's against this background of general ignorance that "The Civil War" should be viewed. The film's intent was as much popular as academic, and it seems to have had a good deal of general appeal, my elite class notwithstanding. Popular enough so that a book appeared shortly afterward, "Historians Respond," edited by Bob Toplin, which predictably consisted almost entirely of carping over details, and of claims that Burns missed the whole point of the CW, that he didn't pay enough attention to the role of women and African-Americans. In other words, that he didn't make the kind of movie that THEY would have made. They demand too much. For one thing, a viewing of the series makes it clear that Burns does present the points of view of women and African-Americans. If the prevailing professional opinion is that he didn't go far enough, well, every book has a last page. A program dealing exclusively with the part that slavery played in the CW would have been another program.

A word about the commentators. Bearse knows combat; he was a marine on Guadalcanal. He sticks to military facts, mostly tactical. Senator Symington is surprisingly smooth and knowledgeable. The two chief commentators represent the original opposing points of view. Shelby Foote states proudly in the epilogue to one of his historical volumes on the CW, "I am a Mississippian."

But he's a gentleman, not a stereotypical redneck. He admires the Confederate Southern Army without disparaging the Federals. (Who could help admiring the CSA as a military force?) But, like all polite Southerners, he seems slightly ill at ease discussing the CW in a public venue. He seems like a nice guy and is a marvelous story teller. Barbara Fields, an academic historian, has less screen time. The first impression the viewer gets is that, wow, she's a knockout! The second is that she's cool as a cucumber and presents the modern view that the CW was all about slavery, that whites were almost peripheral to the issues. It's hard to argue with her. After all, slaves were suffering for two hundred years while whites were engaged in "the pursuit of happiness". Yet her anger flares up and it seems misplaced to me. "I don't have much patience with people who say that abolition was difficult because of political circumstances". I hope future historians are kinder to us than our current ones are to Americans of the 1860s.

Slavery should never have been sanctioned under the Constitution but if allowances hadn't been made, the South would not have joined the Union. It was the slaves that paid the price for that union. Given that it was already in place, what could Lincoln have done about slavery that he did not in fact do? Declare it illegal at the firing of the first shot? Hardly. There were slave states that did not secede. Any attempt to turn the CW from a fight to preserve the union into a fight to free the blacks might have turned them back into the Southern camp. Moreover, Lincoln's support in the legislature depended on Democrats, and Republicans too, who were opposed to any attempt to make the CW into a struggle for black freedom. If Lincoln lost his majority in congress he might have lost the whole game. As it was he jumped at the first chance to issue his Emancipation Proclamation. Fields was wrong, too, in saying that we're still fighting the CW today. The chief issues of the war have been resolved. There is no more slavery. African-Americans can vote if they want to. They can take whatever empty seat on the bus is available. Affirmative action works to their benefit. If she means that "social equality" has still not been achieved, she's quite correct. One of the reasons perfect equality hasn't been achieved is that the achievement would involve our completely ignoring the fact of race in this country, and at this point it's inconceivable.

Equality depends on everyone's ability -- and willingness -- to ignore race and ethnicity. I'm all for it. These tribal loyalties are nothing if not bothersome. Burns's series shows one earth-shattering step that has brought that still impossible goal a little closer than it was.

Ken Burns is a genius and we owe him a huge debt of gratitude for making this wonderful documentary on the American civil war. Even though this is several hours long, I have watched it over and over and still never tire of it. Each time I see it I learn something new. The voices doing the various parts are perfect, the pictures are perfect, EVERYTHING IS PERFECT! From the experienced historian to the novice all will enjoy this. So many things touched my soul from the start of the war to that lovely true letter from the soldier, Sullivan Ballough written to his wife when he knew he would die... (many tears were shed at this point) to the end. In my opinion I could comment on this for pages and pages but no matter what I said it could not show my depth of gratitude for seeing this masterpiece. It will go down as the best documentary ever about the civil war.

Not only is "The Civil War" Ken Burns' best documentary, it is one of the best out there, also. It easily mixes emotions with facts, while keeping an eye on narration.

It doesn't go for cheap "recreation" moments; in other words, we don't see a redo of the tale told with about five soldiers who look like they're dressed for Halloween; we instead see real pictures while listening to vivid narrations by such actors as Jason Robards, Laurence Fishburne, Morgan Freeman, Jeremy Irons, M. Emmet Walsh, Pamela Reed, and more.

If you haven't seen this four hour epic yet, then go find it at a video store right now.