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4,0/10
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Ein Hexenpaar, bestehend aus Mutter und Tochter, richtet in einer Vorstadtfamilie großen Schaden an.Ein Hexenpaar, bestehend aus Mutter und Tochter, richtet in einer Vorstadtfamilie großen Schaden an.Ein Hexenpaar, bestehend aus Mutter und Tochter, richtet in einer Vorstadtfamilie großen Schaden an.
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As you probably know, Bette Davis walked off of "Wicked Stepmother" after just a week of filming, leaving writer/director Larry Cohen scrambling to rewrite his script and get the movie completed. While the end results make sense (sort of), what is really amazing is that Cohen not only managed to sell the completed movie to a major Hollywood studio, he made enough on the sale to make a profit. The movie simply isn't good, which is probably why the Hollywood studio barely released it to theaters. In her footage, Bette Davis not only looks and sounds extremely ill, she doesn't seem to give a darn about this project. The other actors come across somewhat better, but even they aren't able to generate laughs at any point in the movie. The screenplay they are stuck with simply isn't funny at all. The heavily rewritted screenplay also (perhaps inevitably) feels like Cohen is making things up as he goes along. It also doesn't help that the special effects are mostly pretty cheesy, even for an 1980s film. In short, the movie is a low point for Davis, Cohen, studio Metro Goldwyn Mayer, and everybody else involved with it.
Wicked Stepmother (1989)
* (out of 4)
Bette Davis, like so many other great actors and actresses, ended her career with a really embarrassing film. Depend on who you believe, Davis walked off the film after a week due to her not liking the screenplay, or, according to director Cohen, she was in such bad health that she had to walk off. Either way the film centers on a witch (Davis) who moves in with a family (Colleen Camp, David Rasche) and soon starts to take over the house. Her daughter (Barbara Carrera) then comes to stay and more trouble follows. The truth behind why Davis left this production will never be known but I seriously doubt the film would have turned out very good either way. Cohen, best known for various horror movies, doesn't have too much to work with his as his screenplay undoubtedly had to be rewritten with the daughter aspect added in. Some would say Davis walking off the film would ruin it all around but even the stuff she's in doesn't appear to be written overly well. We get a few campy moments because it's rather strange seeing someone like Davis doing a movie like this. She is over acting quite a lot but if she was really unhappy with the screenplay, I kept wondering if she was giving a bad performance on purpose. The comedy falls flat on its face but I must admit that there's some weird charm with the way Davis is delivering her lines. The supporting cast are all pretty bland and doesn't bring any energy to the film. Tom Bosley is pretty bad as a detective. Even with Davis walking off the film there's no excuse for all the other issues with the movie. This includes it not really knowing what it's trying to do because on one hand it tries to come off as a kids movie but then we'll have another scene, like the sex scene between the witch and the married father, which seems out of place. I find it shocking that the movie got a theatrical release because it looks like a TV movie at best and that might be an insult to TV movies. Fans of Davis might want to check this out just to see her final film but others should stay far, far away unless you're a fan of bad movies.
* (out of 4)
Bette Davis, like so many other great actors and actresses, ended her career with a really embarrassing film. Depend on who you believe, Davis walked off the film after a week due to her not liking the screenplay, or, according to director Cohen, she was in such bad health that she had to walk off. Either way the film centers on a witch (Davis) who moves in with a family (Colleen Camp, David Rasche) and soon starts to take over the house. Her daughter (Barbara Carrera) then comes to stay and more trouble follows. The truth behind why Davis left this production will never be known but I seriously doubt the film would have turned out very good either way. Cohen, best known for various horror movies, doesn't have too much to work with his as his screenplay undoubtedly had to be rewritten with the daughter aspect added in. Some would say Davis walking off the film would ruin it all around but even the stuff she's in doesn't appear to be written overly well. We get a few campy moments because it's rather strange seeing someone like Davis doing a movie like this. She is over acting quite a lot but if she was really unhappy with the screenplay, I kept wondering if she was giving a bad performance on purpose. The comedy falls flat on its face but I must admit that there's some weird charm with the way Davis is delivering her lines. The supporting cast are all pretty bland and doesn't bring any energy to the film. Tom Bosley is pretty bad as a detective. Even with Davis walking off the film there's no excuse for all the other issues with the movie. This includes it not really knowing what it's trying to do because on one hand it tries to come off as a kids movie but then we'll have another scene, like the sex scene between the witch and the married father, which seems out of place. I find it shocking that the movie got a theatrical release because it looks like a TV movie at best and that might be an insult to TV movies. Fans of Davis might want to check this out just to see her final film but others should stay far, far away unless you're a fan of bad movies.
Probably had Bette Davis been in better health and actually finished the film as planned Wicked Stepmother might have been a reasonably good black comedy about the occult. As it was with her walking out of the film for reasons of health I suspect we get both an incoherent story and only about 15 minutes of Bette Davis.
As it was she could have and should have took her final cinema curtain call with the wonderful Whales Of August. It's not as bad a valedictory as Cuban Rebel Girl with her old fellow Warner Brothers player Errol Flynn, but it's still a mess. And Bette looked positively terrible in her scenes.
Detective Tom Bosley is on the trail of a witch who ingratiates herself in a family, loots it and then does something to them for her amusement. In the case Bosley is on they're turned into puppetoons and are found in a shoe box.
His quarry has moved on to another family and vacationing Colleen Camp and David Rasche come home and find that her father Lionel Stander is now married again to Bette Davis. Things start happening to all of them even their son Shawn Donohue as the witch switches back and forth from Davis to Barbara Carrera with Stander not noticing or figuring how lucky can an old guy get. Camp sees her family being torn away from her and she's not taking it lying down.
Not only is this Bette Davis's farewell to the big screen, but also Evelyn Keyes who plays the owner of a shop on the occult who gives lessons in magic. Both Camp and Bosley get a crash course.
Wicked Stepmother is funny in spots and the climax is nicely done, but maybe if some insurmountable problems hadn't occurred we might have seen a better film.
As it was she could have and should have took her final cinema curtain call with the wonderful Whales Of August. It's not as bad a valedictory as Cuban Rebel Girl with her old fellow Warner Brothers player Errol Flynn, but it's still a mess. And Bette looked positively terrible in her scenes.
Detective Tom Bosley is on the trail of a witch who ingratiates herself in a family, loots it and then does something to them for her amusement. In the case Bosley is on they're turned into puppetoons and are found in a shoe box.
His quarry has moved on to another family and vacationing Colleen Camp and David Rasche come home and find that her father Lionel Stander is now married again to Bette Davis. Things start happening to all of them even their son Shawn Donohue as the witch switches back and forth from Davis to Barbara Carrera with Stander not noticing or figuring how lucky can an old guy get. Camp sees her family being torn away from her and she's not taking it lying down.
Not only is this Bette Davis's farewell to the big screen, but also Evelyn Keyes who plays the owner of a shop on the occult who gives lessons in magic. Both Camp and Bosley get a crash course.
Wicked Stepmother is funny in spots and the climax is nicely done, but maybe if some insurmountable problems hadn't occurred we might have seen a better film.
This film wasn't THAT bad. I actually enjoyed it! Sure replacing Bette Davis with Barbara Carrera and THEN having them share the same body was not the smartest decision ever made in Hollywood, but it sure beats Ed Wood's solution to replacing Bela Lugosi in "Plan 9 From Outer Space". Also, it does get rather silly in the scenes toward the end. But there are some very clever scenes too, like the one involving the photograph of Lionel Stander's horrible first wife. The photograph is of Bette's rival, Joan Crawford. Colleen Camp, Tom Bosley, David Rasche, Seymour Cassel, Evelyn Keyes (!), Lionel Stander and even Barbara Carrera did wonderful in their roles. And Richard Moll was very funny in his small, but memorable, role as the inspector. But the true star of this movie is Bette Davis. She is wonderfully evil in the role of Miranda. She is so good at being bad. And even though it was not her best movie, she still is wonderful to watch. I think Larry Cohen did a fine job with this, considering all the trouble it ran into. Overall, Wicked Stepmother is an okay movie.
** 1/2 out of ****
** 1/2 out of ****
One of the most troubled productions in cinema history, resulted in Bette Davis walking off the set after just one week! The film has a young couple shocked to learn that their ailing father has just gotten married to an evil witch (Davis). Lame humor, poor scripting, and cheap production design are just a few of its problems. Feels like more of a TV movie then an actual theatrical release, and a very bad one at that. Sadly Davis' final film.
Rated PG-13; Mild Violence, Sexual Situations and Profanity.
Rated PG-13; Mild Violence, Sexual Situations and Profanity.
Wusstest du schon
- WissenswertesDespite receiving top billing, Bette Davis only appears onscreen for approximately 11 minutes of the film.
- PatzerMan pretending to be gardener mutilates hedge with electric chainsaw while soundtrack is of gasoline chainsaw.
- Zitate
Jenny Fisher: Priscilla, come quick!
Jenny Fisher: Hey!
[Priscilla enters. Jenny throws a bucket of water on her]
Priscilla: I'm melting, I'm melting!
[She laughs]
Priscilla: It didn't work, did it, Dorothy? This is reality, not MGM!
- Alternative VersionenThe version of this film that airs on cable TV edits out much of the scene involving Priscilla and Steve fooling around, including all of the references to Priscilla going back into cat form. This version implies that the two did sleep together.
- VerbindungenFeatured in Bette Davis: Größer als das Leben (2017)
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- Budget
- 2.500.000 $ (geschätzt)
- Laufzeit1 Stunde 30 Minuten
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- Seitenverhältnis
- 1.85 : 1
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