Harry Crumb ist ein unbeholfener und unfähiger Privatdetektiv, der angeheuert wird, um den Entführungsfall einer jungen Erbin zu lösen, den er jedoch nicht lösen soll, weil sein Arbeitgeber ... Alles lesenHarry Crumb ist ein unbeholfener und unfähiger Privatdetektiv, der angeheuert wird, um den Entführungsfall einer jungen Erbin zu lösen, den er jedoch nicht lösen soll, weil sein Arbeitgeber der Drahtzieher hinter der Entführung ist.Harry Crumb ist ein unbeholfener und unfähiger Privatdetektiv, der angeheuert wird, um den Entführungsfall einer jungen Erbin zu lösen, den er jedoch nicht lösen soll, weil sein Arbeitgeber der Drahtzieher hinter der Entführung ist.
- Jennifer Downing
- (as Renee Coleman)
- Mrs. MacIntyre
- (as Michelle Goodger)
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Harry's asinine comments make him look like a real ass but he isn't. Once you get that, it's easy to get into the humor. That's John Candy's genius; his ability to humanize a variety of unlikely or impossible characters and make us love them even if we don't believe them. this is party because of the expressiveness of his face but also because of his indefinable comic spark.
Harry Crump is a great comic impossibility. Don't watch it if you prefer to keep you dignity.
It's John Candy's FLETCH and, while paling to the Chevy Chase classic (yet far superior to FLETCH LIVES), both have various disguises for each undercover scenario, taking the Film Noir gumshoe/snoop template into the bright and glossy late-1980s (there's even an orange tree on Harry's desk, a subtle nod to CHINATOWN)...
But the funniest moments don't seem like they're meant to be, especially as Crumb flounders for the right words around comparably classy, educated people (like Annie Potts and hidden villain Jeffrey Jones) despite the comedy being hit and miss throughout...
But the characters interact well, especially the unique and flowing chemistry between Candy and "ugly duckling" Shawnee Smith as the younger sister of the kidnapped supermodel. And beware of the totally awesome mock-VHS cover: it's merely a cheap cardboard slip over the actual DVD/Blu Ray with same old artwork of yesteryear.
Wusstest du schon
- WissenswertesJohn Laroquette was John Candy's first choice for the role of Elliott Draisen, because the two had been friends since working together in "Stripes" (1981) eight years earlier. However, Laroquette was busy with "Night Court" (1984) and couldn't accept the role. Candy's good friend and frequent collaborator, John Hughes, then suggested Jeffrey Jones for the role, as Hughes had directed Jones in "Ferris Bueller's Day Off" (1986). Candy initially was hesitant because he felt the film would seem too much like a John Hughes film without the involvement of Hughes himself, but Hughes assured Candy that Jones was right for the role and he was cast.
- PatzerThe ransom money is paid in $1,000 bills, which went out of circulation in 1969. While $1,000 bills were still available in 1989, they were very rare and cost more than $1,000. No one would've paid a $10 million ransom in $1,000 bills at that time.
- Zitate
Harry Crumb: [impersonating a Hungarian hairdresser] I am Djour Djilios.
Suki's Salon Receptionist: Could you spell that, please?
Harry Crumb: I don't think so. Try it with a "D".
- Alternative VersionenThe British TV version included a scene near the end when John Candy is on top of a vehicle chasing after an aeroplane about to take off. The co-pilot looks out of the window, sees him and says, "What the fuck?!". This scene was not present in UK cinema and video releases which were cut to receive a PG rating, though the word was restored for the 12-rated 2008 Sony DVD.
- VerbindungenFeatured in Biography: To John with Love: A Tribute to John Candy (1995)
- SoundtracksOn Your Side Tonight
Music by Michel Colombier
Lyrics by Kathy Wakefield
Produced by Michel Colombier
Performed by Richard Martin-Ross (as Richard Martin Ross)
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Who's Harry Crumb?
- Drehorte
- Vancouver International Airport, Sea Island, Richmond, British Columbia, Kanada(the airport climax scenes)
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 10.982.364 $
- Eröffnungswochenende in den USA und in Kanada
- 3.862.719 $
- 5. Feb. 1989
- Weltweiter Bruttoertrag
- 10.982.364 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1