In einer teuflischen Scheidungsschlacht versucht ein Ehepaar einfach alles, um den jeweils anderen aus dem Haus zu treiben.In einer teuflischen Scheidungsschlacht versucht ein Ehepaar einfach alles, um den jeweils anderen aus dem Haus zu treiben.In einer teuflischen Scheidungsschlacht versucht ein Ehepaar einfach alles, um den jeweils anderen aus dem Haus zu treiben.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 2 Gewinne & 9 Nominierungen insgesamt
Empfohlene Bewertungen
A very good movie, one that holds up well after repeated viewings. Even if you're familiar with the story, DeVito's methodical and precise direction makes it thoroughly absorbing all over again. This movie has the directorial perfection of a good Alfred Hitchcock thriller, but it's not either a thriller or a comedy; it's a unique mix of elements from several genres, that does contain some laughs and sardonic humor, but also has serious undertones, mostly thanks to Michael Douglas' three-dimensional character and surprisingly sensitive performance. Strongly recommended.
Director Danny Devito and the writers are to be credited for following
this story's dark premise straight to its grim conclusion, and not
opting for a cop-out 'happy ending'. Maybe that accounts for the
movie's relatively low user rating. Whatever. Turner and Douglas are
superb here. I saw Douglas on the Carson show after the movie came out,
relating how, after a day's shoot, he and Turner would get together to
remind each other that they were still friends. Seeing the movie shows
why they had to do this.
Note how the movie begins in the openness and light of Nantucket in summer and gets progressively darker, ending in the claustrophobic closeness of the nailed-up house. Note how Kathleen Turner's hair changes from sleek at the start to straw at the end. Note the role the Baccarat crystal plays. Note the frequent emphasis on the chandelier throughout. All masterful touches.
A classic black comedy for grownups. Don't watch this one with your spouse unless you are on really good terms.
Note how the movie begins in the openness and light of Nantucket in summer and gets progressively darker, ending in the claustrophobic closeness of the nailed-up house. Note how Kathleen Turner's hair changes from sleek at the start to straw at the end. Note the role the Baccarat crystal plays. Note the frequent emphasis on the chandelier throughout. All masterful touches.
A classic black comedy for grownups. Don't watch this one with your spouse unless you are on really good terms.
There isn't a plethora of funny lines in "The War of the Roses" (it's just not that kind of comedy), but the blistering cynicism about marriage makes them stand out all the same (the stabbing victim in the hospital claimed most of these). If you want to call this a cautionary tale of divorce, I'm just fine with that. Watching these people bitterly drift apart is uncomfortable, and the filmmakers know this because the whole third act is the literal destruction of everything they've labored so long to build. The absurdity is almost a salve.
It's a comedy, but also dark as hell. The dialogue, on the other hand, that's fantastic.
7/10
It's a comedy, but also dark as hell. The dialogue, on the other hand, that's fantastic.
7/10
Gavin D'Amato (Danny DeVito) is an expert divorce attorney as he recounts the case that drove him to restart smoking. Oliver Rose (Michael Douglas) met Barbara (Kathleen Turner) as they battle over an antique Japanese carving in the rainy last day of the season in Nantucket. They get together that day. They get married. They have a couple of kids. He becomes a successful lawyer. She gets her dream house. However they slowly drift apart. Little irritants creep into their relationship. He works too much. She gets tired of her empty life. She's angry at him and he doesn't know why. Their fairy tale marriage deteriorates into an acrimonious divorce. Through a loophole, he forces his way back into the house.
This is a dark comedy walking a fine line. I'm not sure if it doesn't stray over the line. It is so dark at times that it becomes uncomfortably unfunny. Then it snaps back with big laughs once in awhile. Danny DeVito is pushing hard visually to create something interesting and dark. The second half of the movie is where the couple starts on a course of tit for tat. It hits some dark comedic tones. The two angry combatants are so serious that it's hard to laugh at them. It is really better to see this as a dark cautionary tale rather than a funny comedy.
This is a dark comedy walking a fine line. I'm not sure if it doesn't stray over the line. It is so dark at times that it becomes uncomfortably unfunny. Then it snaps back with big laughs once in awhile. Danny DeVito is pushing hard visually to create something interesting and dark. The second half of the movie is where the couple starts on a course of tit for tat. It hits some dark comedic tones. The two angry combatants are so serious that it's hard to laugh at them. It is really better to see this as a dark cautionary tale rather than a funny comedy.
First off let me say that Michael Douglas and Kathleen Turner were the perfect choices for this movie! They both gave electric powerful performances and really proved themselves as fine artists. They have awesome chemistry too, we first saw that in Romancing the Stone, but their chemistry in The War of the Roses is a very different kind of chemistry. Yeah sure in the first 15 minutes it shows them making passionate love and becoming infatuated with one another, then comes the kiddies, but really this film is not at all about love, this is NOT a romance story. No it's a movie about an extremely bitter married couple going through a divorce. Neither of the two are willing to give up the elegant nice house they live in. So thus the war begins. "The gloves are off" as Douglas's character states at one point in the film. The script is very well written, it doesn't waste any time or drag on, it entertains the entire runtime, there was not a single moment. Danny DeVito is a talented actor and director, he proves that in this film. Both his acting and his directing are both great. The events that happen throughout the film are bitter and full of anger, but it's very interesting to watch. It runs deep in character development, a movie like this would have to in order to be successful. The movie is not one to view for a "feel good" mood or for when you want something sweet and romantic. If you're in the mood for a dramedy starring two fine actors that is interesting and well written, then I suggest The War of the Roses. 8/10.
Wusstest du schon
- WissenswertesWhile shooting the scene where Michael Douglas (Oliver Rose) and Kathleen Turner (Barbara Rose) are sitting in the chandelier, director Danny DeVito pretended to break for lunch while the two actors were 30 feet above ground.
- PatzerIn the final scene in the chandelier, Barbara goes from being barefoot, to shod, back to barefoot again.
- Zitate
Oliver Rose: I think you owe me a solid reason. I worked my ass off for you and the kids to have a nice life and you owe me a reason that makes sense. I want to hear it.
Barbara Rose: Because. When I watch you eat. When I see you asleep. When I look at you lately, I just want to smash your face in.
- Crazy CreditsThe fanfare in the 20th Century Fox logo at the beginning of the movie segues into the opening theme of the movie.
- SoundtracksOnly You (And You Alone)
Written by Buck Ram and Buck Ram (as Ande Rand)
Performed by The Platters
Courtesy of PolyGram Special Projects a division of
PolyGram Records, Inc.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Der Rosen-Krieg ... bis daß der Tod uns scheidet
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 86.888.546 $
- Eröffnungswochenende in den USA und in Kanada
- 9.488.794 $
- 10. Dez. 1989
- Weltweiter Bruttoertrag
- 160.188.546 $
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