Shirley Valentine - Auf Wiedersehen, mein lieber Mann

Every woman - and man for that matter - experiencing or approaching their 40s-50s midlife and/or who suspects they are living a stuck-in-a-rut lifestyle ought to be required to see this movie ASAP!! A rare gem that is simultaneously interesting, hilarious AND potentially life-changing! Plus a true feminist statement that is never obnoxious. I wonder how many marriages have been rescued by this film - although some may have been ended by it too. Beats the heck out of most books on the subject. Timeless.

"He needs to feel the sun on his skin and swim in water that is as deep as forever"

It's been my dream since childhood, since I read for the first time the immortal ancient myths and legends; Greece where the sea is so blue that Aphrodite could be born only from its foam and the sun so gold that it makes the whole country glow with the eternal forever young smile, Greece that the Gods chose as their residence. I always wanted to go but the film "Shirley Valentine" (1989) directed by Lewis Gilbert and written by Willy Russell (also play) with Pauline Collins has added to my desire to see the magic country.

Pauline Collins reprises her Broadway's role as the hilariously charming and unpredictable 45 (or so) year old Liverpool housewife Shirley Valentine – Bradshaw whose life is the humorist Sam Levinson's lament: "When I was a kid, they told me to do what my parents wanted. When I became a parent, they told me to do what my kids wanted. When do I get to do what I want?" until one day she proves to herself that it is never too late to try to make your dream come true. When a friend wins the paid trip to Greece for two, Shirley joins her and finds that Greece is her dream because she always wanted to see the sunset over a blue sea. She says yes to the romance with a handsome Costas Caldes (Tom Conti) who likes her in spite her extra weight, saggy boobs and the stretch marks. She began to like herself, too. Sounds like your typical sloppy romantic comedy, ah? Wait until you see it. This is a wonderful and delightful film - clever, witty, funny, and thought-provoking. And to Roger Ebert goes my question "what is wrong with you, man?!"

Shirley had lost herself in the humdrum lifestyle of a housewife with kids grown and an indifferent husband stuck in his own boring routine. She strikes out on a vacation to Greece to get in touch with the girl she once was. The show worked better as a theatre piece - as a one woman show. Here it gets cluttered up with a lot of characters and Shirley's asides to the camera do not always work. Pauline Collins is as great in the role as she was on stage. Greek men seeing this must cringe at the Tom Conte caricature of a Greek lover. I rated it an 8 for Pauline's performance and the music.

I'm not the target audience for this film. I prefer gunfire, heroics, romance and laughs. "Shirley Valentine" has only the last element, but it's a kind of endearing film. It lets us dudes look at what your mother's or aunt's life might be like at some point. That's kind of the appeal; see how the other half lives, so to speak.

That, and it's a nice little film that doesn't take itself too seriously. Yeah, there're a lot of clichés here, but I think there's a unique enough twist in them to let viewers enjoy the film for what it is. I mean, it ain't "Quo Vadis". Heck, it ain't even "Porky's" (thank goodness). It ain't the "Godfather", "Giant" nor anything else. It's a nice little tribute to that person who took care of you when you were younger.

Remember her? Good. Because that person deserved a film, and this is it. Yeah, it's a bit over the top and smarmy, but what the heck.

Pauline Collins is a 42-year-old Liverpudlian housewife who talks to the walls. One day she gives husband Bernard Hill's Thursday steak to the hound of the snooty lady across the street; she has been keeping it on a vegetarian diet. Hill explodes when she gives him fish and chips; that's Tuesday's meal. Her friend Alison Steadman wins a trip for two to Greece, takes Miss Collins along and abandons her to her own devices. She has no issue with that. She enjoys Greek food, drinks retsina and has an affair with tavern owner Tom Conti.

In her second movie role -- she had played a stripper in an exploitation film in 1966 -- Miss Collins recreates her Tony-winning role in the stage's one-hander. Given the bareness of the actual stage production, there is a shift of tone, from fantasy to anomie, and the other characters are given little depth, Miss Collins seems to be the character she plays in this gender-switching variation on ZORBA THE GREEK. If it also seems reminiscent of EDUCATING RITA, that's because Willy Russell wrote both plays, produced their transfers to the screen under the same director, Lewis Gilbert. Miss Collins is, as you might guess from the above, wonderful.