Fetzig, frei und frisch verliebt

`This was our last weekend together, and we didn't feel like going to Ft. Sumter and touring goddamn colonial homes! We wanted to go to the beach! And meet boys! And go to wild parties! And dance!' One of the most overlooked but greatest girl-movies all time, *Shag* is a meticulously crafted period piece that takes a look back at the summer of '63 - a hallowed summer cinematically, supposedly representing an innocent America untouched by the coming traumas of the Sixties. It is the story of four girls who have just graduated from high school who hightail it to Myrtle Beach - the forbidden zone of boys and booze. As they whoop it up, each of them has their eyes opened to a reality that is not part of the world their parents laid out for them. `Y'all, I'm *wild*,' Cates' character tells her friends towards the end of the movie, `I guess I always have been - I just didn't know it,' and Cates' youthful beauty and innocence make it completely believable. Hannah seems to not take herself as seriously as her more famous sister does - and her hilarious portrayal of the tight-assed Luanne morphs from rigid propriety to semi-unbridled lust. Pudge finally meets a boy who loves her for everything she is, and Gish has a field day with the character. But it is Fonda's portrayal of the bad-girl preacher's daughter who steals the show. Described by one reviewer as `*Dirty Dancing* meets *Mystic Pizza* meets *American Graffiti*,' as a coming-of-age film, *Shag* is nothing less than enchanting.

This movie isn't going to win best picture anytime soon, but short of "Dirty Dancing" this might be the best fun summer romance there is. It's one of those stories that lets you spend time with several female archetypes: The Bad Girl, The "Fat" Girl ready to come into her own, The Goody-Two-Shoes/Nerd and The Dutiful Pretty Girl. While this may seem cheesy, it's a structure that's been working since Jane Austen gave us Jane, Elizabeth, Mary, Kitty and Lydia Bennett. Women enjoy trying on various identities vicariously, and (to move back into the future) we all have a little bit of Carrie and Samantha in us. Of the actresses in this movie only two have much name recognition - Bridget Fonda's delicious bad girl and Phoebe Cates' debutante about to marry the wrong man. But all the actors suit the tone and contents of the movie, and it ends up feeling realistic, if only because this particular formula - the summer fling on vacation - is something that often happens in real life. This movie is a joy to watch for its Myrtle Beach period location, its sexy but not explicit romance, and, of course, the titular dancing of the shag. Download it with your girlfriends and have a fantastic slumber party.

Contrary to British bawdy-speak, the Shag is a dance that is a smooth cross between the Jitterbug and the 50's Bop. One can Shag only to the beat of "old school" rhythm and blues music, referred to in the Carolinas, Virginia and parts of Georgia as "Beach Music". It is not an easy dance to master, although like riding a bicycle once you learn how, you never forget.

I was a regular visitor to Myrtle Beach during the 70s and 80s when Beach Music had progressed from a hometown tradition to a potential new fad with marketing potential. "New" Beach Music bands and songs were becoming popular (with acts like The Band of Oz and the Fantastic Shakers making popular tunes like "Ocean Boulevard", "Myrtle Beach Days" and "Shaggin"; even the old-school Embers wrote a new song, "I Love Beach Music"). I spent much of the summer at Myrtle Beach when this movie, Shag, was being filmed at Atlantic Beach. I even saw Phoebe Cates and Bridgette Fonda at the After Deck (nightclub) one night.

I recently bought the DVD of Shag and found it was better than I remembered. It is full of fun and silliness and in general the story is pretty true to life if not a little more sedate than my years at the beach. The movie does a good job of demonstrating the appeal of the beach. It was always about getting out of our small southern home-towns and meeting some new faces, having some fun and hopefully finding true love, at least for a few days. The music and the dancing became integral to the process. Today that music is still loved my many southerners who came of age at the Carolina beach towns from the 50s through the 80s.

I recently toured Myrtle Beach for the first time in about 12 years. It has changed more in that time than it ever did from my first memories of it from the late 50s until I was last there in the early 90s. Shag gives an accurate snapshot of what it was like there in its glory days in the 60s. The music, the dancing, the fun and friendships new and old were what it was all about. Those were days that brought songs like Billy Stewart's definitive version of "Summertime", or the Catalina's "Summertime's Calling Me" into reality. While those tunes aren't on the soundtrack of the movie, "Shag" does of good job of preserving the essence of that lifestyle.

IF you're not from the southeastern US, you can get a fairly accurate picture of what growing up was like for many Baby Boomers from that area. If you are a southerner and love Beach Music, the movie is about the best we have available at picturing that happy time.

Two of my friends informed me I absolutely had to see this movie and they were right. I just moved to the South, and it gave me a whole new understanding of Southern life. The movie is set in South Carolina in the 1960s. Four funny, funny girls take a road trip to Myrtle Beach and spend half the movie making sure their families don't find out. Phoebe Cates steals the show and teaches the audience a valuable lesson: You shouldn't marry if you're in your teens!

Why do all the incredible movie have no awards whatsoever? I swear the crappy movie Capote got more Oscars and awards than Star Wars (exaggeration). This movie contains all of the basic necessities that made Godfather, Back to the Future, Indiana Jones great. It gave an experience. It gave a feeling so emotional that an audience could sit back, eat popcorn, and look at their watch 2 minutes later and realize two hours had already gone by. All of the characters had versatile, inspiring personalities.Pudge was innocent but outgoing. Carson, strict on her parents' and societies' rules but nonetheless up for a risk when it came by her way. Luanne, strict at rules but more apt for adventure than Carson. Finally, Melaina, an obvious go flirting, drinking, sucking up to people, but to the boys' dismay: no bedding.

This 80s movie had no computer graphics, no detailed special effects, .

It had only the necessities: acting, experience, camera angles, and emotional, rather than physical love.