Luxus, Sex und Lotterleben
Originaltitel: Scenes from the Class Struggle in Beverly Hills
IMDb-BEWERTUNG
5,9/10
1508
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
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Pre-Voyager Robert Beltran and the the often-maligned Mary Woronov are the real stars of this show about the meaning of love and honor among those who know little of either.
While that sounds really dull and serious, keep in mind that this is one of the "sideways" comedies of Paul Bartel, the man who brought us "Eating Raoul," and starring the usual Bartel suspects.
The script is funny, all parts are fully fleshed, these are real people...not anyone I'd want to know personally, for the most part.
While that sounds really dull and serious, keep in mind that this is one of the "sideways" comedies of Paul Bartel, the man who brought us "Eating Raoul," and starring the usual Bartel suspects.
The script is funny, all parts are fully fleshed, these are real people...not anyone I'd want to know personally, for the most part.
Often laugh out loud funny play on sex, family, and the classes in Beverly Hills milks more laughs out of the zip code than it's seen since the days of Granny and Jed Clampett. Plot centers on two chauffers who've bet on which one of them can bed his employer (both single or soon to be single ladies, quite sexy -- Bisset and Woronov) first. If Manuel wins, his friend will pay off his debt to a violent asian street gang -- if he loses, he must play bottom man to his friend!
Lots of raunchy dialogue, fairly sick physical humour, etc. But a lot of the comedy is just beneath the surface. Bartel is memorable as a very sensual oder member of the family who ends up taking his sexy, teenaged niece on a year long "missionary trip" to Africa.
Hilarious fun.
Lots of raunchy dialogue, fairly sick physical humour, etc. But a lot of the comedy is just beneath the surface. Bartel is memorable as a very sensual oder member of the family who ends up taking his sexy, teenaged niece on a year long "missionary trip" to Africa.
Hilarious fun.
This film showcases so much talent from actors and performers that have now passed into Hollywood Valhalla: Paul Bartel, Ray Sharkey, and tragically, Rebecca Schaeffer who died at the tender age of 21, and would probably have blossomed into a graceful and beautiful actor. The cast is unlikely, however they work well together and seem to have fun doing it. There is harmony and refinement as they interact, making it seem as a dance. The make-out scene with Jacqueline Bisset, Ray Sharkey and a chocolate cake is passionate and sexy. Wallace Shawn is smug and manipulative as a troubled gynecologist. Arnetia Walker is a show stealer as the former porn star wife of a self-deluded playwright played by Ed Begley Jr.. Edith Diaz plays Rosa, the Aztec-descended maid who spouts the meaning of life with a cultural twist and, according to Beltran's character, has a dustpan loose. Then there is Darren the West Highland White starring as Bo-Jangles, the terrier with an affinity for black women. The scenes are well edited, and not the least bit clunky or contrived. I don't think this is Paul Bartel's best film, but certainly it has its moments. A must see for anyone interested in off-color sexy films. Paul Bartel's works are certainly not voluminous, but he gets an A+ for effort on this one. Paul, I read recently, was a little disappointed with the film. It didn't live up to his expectations, and the gay relationship between Beltran and Sharkey, which Paul had said he wanted to bring out more, is minimally, but expertly alluded. It is an amicable film, unpretentious despite its subject matter, and almost innocent in its portrayal of an elitist LA establishment. I will never turn down a screening.
Cult figure Paul Bartel probably hoped for mainstream acceptance with this film, but it actually had the opposite effect; it practically stopped his movie-directing career in its tracks. And it's not hard to see why: the film lacks a dramatic center of gravity - it has nothing to compel you to keep watching apart from the familiar names in the cast. It's basically a bedroom farce that builds to some "outrageous" events which could hardly be considered shocking in 1989. It's not terrible - just terribly pointless. *1/2 out of 4.
Great title; and in its day Bruce Wagner's extravagantly purple dialogue made a lot of eyes widen. In his fiction, Wagner scales astonishing heights of cruelty and scabrousness, but writing a SHAMPOO-style rondo, he seems miscast; it's as if Terry Southern had ambitions of being Ernst Lubitsch. There are savory performances generously sprinkled: Paul Mazursky is the wistful shade of a TV producer, brought by lust back to this mortal coil, and Wallace Shawn makes a sumptuous entrance, flanked by two LAPD officers, telling his hostess, "These perverse gentlemen have made a slanderous assertion."
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- WissenswertesFaye Dunaway was originally cast as Clare Lipkin. In the end, the role went to Jacqueline Bisset.
- Zitate
To-Bel: [to her husband] A few months ago, your buddy Howard, here, did some exploration of certain dark parts of my continent.
Howard: I don't know what you're talking about. I never met this woman before in my life.
To-Bel: The fuck you didn't! Dr. Doolittle, here, went so deep into areas unexplored by your feeble playwrightin' ass, that I got to thinkin' he was Lewis *and* Clark.
- Crazy CreditsAfter the introductory credits the following can be found: 'for L.B. who might have smiled'
- SoundtracksHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Scenes from the Class Struggle in Beverly Hills
- Drehorte
- 366 S. Hudson Ave, Los Angeles, Kalifornien, USA(exterior: Clare's mansion)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.156.471 $
- Eröffnungswochenende in den USA und in Kanada
- 25.635 $
- 4. Juni 1989
- Weltweiter Bruttoertrag
- 2.156.471 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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