Heiße Girls und scharfe Schüsse

Donna (Dona Speir) and Taryn (Hope Marie Carlton) are back! After busting some cocaine dealers (who smuggle their stock in pineapples), our busty federal agent duo find themselves delivering a medical serum to an island for Shane Abilene (Michael J. Shane). Yes, another Abilene! Anyway, a storm causes the plane to mess up and they get way off course before landing on a deserted island. They get company quick though when a group shows up to locate some lost Japanese gold. And, of course, there is also some stranded Japanese World War II vet still living on the island. No sure why, but I enjoyed this much more than previous entry PICASSO TRIGGER (1988). Maybe because it was a bit more focused in the plot department, even though it is convoluted as hell. My mind was also reeling as this was my first "wait, who is this guy again" experience with director Andy Sidaris' roving band of players as Rodrigo Obregon is back for a third time as a new villain. Sidaris also capitalized on the Asian influence and cast James Lew and Al Leong is supporting roles. The end is the best with one of the funniest explanations/flashbacks from the Japanese warrior (who has terrible age make up). Naturally, the film is packed with nudity and Sidaris should get credit for what I believe is the world's most gratuitous airplane changing scene. Sadly, this marked the end of the road for Carlton in Sidaris-land and I'm genuinely sad to see the team of Donna and Taryn break up.

"Savage Beach" is probably one of Andy Sidaris' most technically accomplished films. He achieves some beautiful color contrasts and other cinematographic effects here (right from the opening scene, which has a samurai silhouetted against an orange sky). There is perhaps a bit too much exposition in the first half, but the movie really comes alive as soon as Dona Speir and Hope Marie Carlton set foot on the "deserted" island. They both look great in their tank tops and they are (expectedly) in tip-top physical shape. As another reviewer noted, watching them wander around the humid island and wave their guns is a pleasure in itself. And at the end, there is even a dramatic scene! Trivia note: 7 years before Pamela Anderson made the "Don't call me babe" line famous in "Barb Wire", Dona Speir had already said "Don't ever call me a bimbo again" to John Aprea in this film - and I, for one, agree with her! (**1/2)

"Savage Beach" has the most unusual story of the Lethal Ladies series. Instead of an over-equipped investigation with a plan, this is more like an accidental adventure. No Las Vegas night clubs or expensive sports-cars - "Savage Beach" plays on a lonely island where a gold treasure was lost in WW II, yet still guarded by an isolated Japanese soldier. Not a new story (I remember "Who Finds a Friend Finds a Treasure", 1981), but with Sidaris' attention grabbing techniques (from explosions to boobs) it works great. Our heroines, the two pilots Donna (Dona Speir) and Taryn (H.M. Carlton), make an emergency landing on that island after a storm (another rarity: bad weather in a Sidaris movie). More and more sinister characters arrive to make the island unsafe. Al Leong (who later played the helicopter pilot in "Hard Hunted") gets a good role as a tough bad guy. A situation that stuck to my mind is when the Leatherface samurai frees Taryn and explains later: "I can't kill those eyes again" - what a moment of poetry, folks! Oh, and would you believe a bloke who calls Donna "bimbo" survives the next few seconds? This is the 4th out of 12 Sidaris movies I reviewed (in chronological order), and one should note that after 3 successful pictures which he had financed basically from his personal money, Sidaris was offered a deal about 5 more which kept the Lethal Ladies series going. "Savage Beach" surely was an impressive start for this new... uh... pentalogy!

I don't want to call writer/director Andy Sidaris a genius but that guy knew what he was doing and he did it well. He took dreamy gals and put them in beautiful locations and made movie magic. "Savage Beach" is another solid entry in his filmography. Of course, I would have never been able to watch Sedaris' movies with my mother. But if I'm looking for a movie with my friends, "Savage Beach" is a perfect choice. Honorable mention: all of the girls.

A typical entry in the Sidaris filmography, Savage Beach features the usual assortment of well-endowed women, goofy villains, and exotic locations, and is simple minded if occasionally violent fun. The highlight of this one is Michael Mikasa's appearance as a World War II Japanese soldier stranded on a remote island--in order to age him, the makeup department seems to have submerged his head in a bowl of collodion. It's not a pretty sight.