IMDb-BEWERTUNG
5,7/10
1158
IHRE BEWERTUNG
Eine liebenswürdige, aber diebische Shopaholikerin versucht, ihre Fehler zu korrigieren, indem sie eine erfahrene Computerhackerin wird, was sie trotz ihres Ziels nur in noch mehr Schwierigk... Alles lesenEine liebenswürdige, aber diebische Shopaholikerin versucht, ihre Fehler zu korrigieren, indem sie eine erfahrene Computerhackerin wird, was sie trotz ihres Ziels nur in noch mehr Schwierigkeiten bringen könnte.Eine liebenswürdige, aber diebische Shopaholikerin versucht, ihre Fehler zu korrigieren, indem sie eine erfahrene Computerhackerin wird, was sie trotz ihres Ziels nur in noch mehr Schwierigkeiten bringen könnte.
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- 1 Gewinn & 1 Nominierung insgesamt
Empfohlene Bewertungen
I'm giving this movie an 8 out of 10 vote. Anyone who loves Brad Davis should really check out this movie. He did a wonderful job in his role of "Liebling the strange and quirky crop duster from Stuttgart, AR. The movie is a bit slow in parts and trying to understand Marianne Sagebrecht's heavy German accent is difficult at times. However, I see the direction that Percy Adlon was going when he directed. The film's light humor and plot makes for delightful viewing as long as the viewer understands this is an indie film shot with a small budget. It's definitely worth watching. I'm not sure of any networks running the movie on cable but I did manage to obtain a VHS version of the movie for a relatively low price.
This movie is one-of-a-kind.
Overall it's not outstanding, but it's a definite "must-see" for anyone who enjoys torturing themselves with cult-classic bizarre behavior and humor.
It's more of a wacky-bizarre than a psycho-bizarre. We've groaned our way through it several times and the title has become the enigma of "Oh no, don't make us watch that again!" However, it's painfully humorous and worth the time!
Overall it's not outstanding, but it's a definite "must-see" for anyone who enjoys torturing themselves with cult-classic bizarre behavior and humor.
It's more of a wacky-bizarre than a psycho-bizarre. We've groaned our way through it several times and the title has become the enigma of "Oh no, don't make us watch that again!" However, it's painfully humorous and worth the time!
Basically, the point of this movie is that everyone worships Marianne Sagebrecht, both the director and her fans. She's got enough charisma and personality to carry the movie on her own. Otherwise, all it's got is a thin plot with some very funny scenes; the direction inclines to pointlessly flashy camerawork. But who cares about inessentials?
A buddy of mine watched this for the first time (it was my second or third) and he captured it perfectly: "It's like 'the Addams Family' in Arkansas, without the creepiness." He was right. If you like movies with small casts, that are quirky, feature great cinematography and use subtle humor to open a window to an interesting little corner of the world, this film is for you. Percy Adlon also works this magic with "Bagdad Cafe" and "Salmonberries." The only disappointment was singer Jim Lauderdale not releasing the equally endearing country/reggae fusion end credits song, "Flyin' Back to Rosalie," an absolute gem. I liked this movie so much, I actually went out of my way while driving across Arkansas to visit the town of Stuttgart, see the Riceland Mill and see the museum, all places where the film was shot.
Wusstest du schon
- WissenswertesBrad Davis was less than 10 years older than John Hawkes, who played his oldest son. Marianne Sägebrecht, who played Hawkes' mother, is only 14 years older than Hawkes.
- SoundtracksBack to Rosalie
Written by Bob Telson
Performed by Jim Lauderdale courtesy of Epic Records
Copyright 1989 by Boodle Music
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- Bruttoertrag in den USA und Kanada
- 574.080 $
- Weltweiter Bruttoertrag
- 574.080 $
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