Phantom der Oper

This is not just Robert Englund being Freddy yet again. The music, storyline, and direction are just awesome. The music for one is outstanding (hint try finding the soundtrack though) It is available but hard to get. But I disagree with Tim, this isnt just Englund playing a suave Freddy. Theres a lot more to the whole Phantom of the Opera storyline, and this movie, than Freddy will ever have hands down. Just ask Jason hahahah

There is no doubt in my mind that the writers of this film were trying to make an enjoyable slasher film to entertain teenagers and attract fans of "The Phantom of the Opera" at the same time. What gives this away is the casting of Robert Englund. It shows that they wanted to attract teenagers by casting Freddy Krueger. However, at the same time the writers include lots of technical stuff from the novel to try and get fans of "The Phantom of the Opera." The result can be one of two things. You can either have teens screaming saying they were fooled because they thought they were going to see Freddy Krueger kill a lot of people and you can have "Phantom" fans screaming saying they thought they were going to see a real "Phantom" film rather then some stupid teenage slasher film. Personally, I am a slasher film fan and not a "Phantom" fan. Not because I don't like the "Phantom" films, but just because I've never seen any of them. My initial reaction to this film was a positive one. It's stylish, has great acting and directing, and it's something different. It's not your typical slice and dice film but rather an interesting look at the "Phantom" and his life. Die-hard "Phantom" fans probably won't truly enjoy this as I think at the end the makers of the film quit trying to please everyone and the film degraded into the typical slasher genre. I really enjoyed this one and personally I think that it's wrong that die hard "Phantom" fans give this film negative comments. If you were expecting to see the 1925 version all over again with Robert Englund as the "Phantom" then you're way off. Die-hard slasher and horror fans as well as "Phantom" fans should find this at least marginally enjoyable. ***out of****This film is fun and really cool especially when you watch it for the first time and late at night

I like this movie. I'm a purist, which may be surprising, but I am and still like this movie. Why? Because it gives Erik his edge back. True, they give him a good bit extra, but in the novel, Erik could have cruel moments, he had an edge, a threat to him. Ever since the Lon Chaney (which is still the closest to the book version), Erik has lost his edge and become a sort of disfigured James Bond. While I don't have much of a problem, this is a nice beak from that. Robert Englund is one of my favorite actors, and this was the first or second movie I saw him in (the first, if it wasn't this one, would have been Urban Legend, decent movie on TV). He plays Erik with a sinister sensuality. His lanky frame and Kruegeresque swagger are fine qualities, he comes of confident. Erik was like that in the book many times, though he did become a lovesick puppy with Christine. Yes, it's a slasher, yes they make Erik quite cruel in it, but it does have many little tidbits from the book. Plus, it has the masked ball scene, which helps it score high with me!! Go in with an open mind and acceptance of a crueler Erik (or a sickness of a lovey-dovey Erik) and you should enjoy it. At least it's better than the Julian Sands version.

In New York, the Julliard student Christine Day (Jill Schoelen) meets her friend Meg (Molly Shannon) in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a part in a Faust version in the New York Opera.

During the audition, there is an accident on the stage and Christine faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom (Robert Englund) of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera.

"The Phantom of the Opera" (1989) is a gore and bleak version of the classic novel of Gaston Leroux. The make-up of the Phantom is impressive and gruesome. Jill Schoelen moves her lips perfectly and gives the sensation that she is really singing opera. The screenplay is original, with Christine Day living her two lives in two different centuries with the Phantom obsessed by her. My vote is seven.

Title (Brazil): "O Fantasma da Ópera" ("The Phantom of the Opera")

Often forgotten after it's release because it was critized as being a takeoff of Andrew Lloyd Webber's then current Broadway musical version of the same title. Actually, Dwight H. Little's film version isn't bad and Duke Sandefur's script actually has more originality than some of the earlier versions. Robert Englund is probably the most terrifying phantom yet, he probably can't pull it off like Lon Chaney did in the 1925 film version, but he certainly did a terrific job at playing a more darker and scarier phantom. Jill Schoelen also did a pretty amazing job playing Christine, as she is taken from present day New York to 1881 London were she is the star of the opera and stalked by the phantom and he kills anyone who gets in his way. My favorite death scene is probably were the phantom takes on three thieves and also kills an opera critic in a sauna. In addition to the originality, the phantom is cursed by the devil and his face mutilated in a Faust tradition. He is then forced to sew on pieces of skin to save his face. The production is luxurious and the costumes are authentic. But the most greatest thing about this 1989 remake is the music. This is probably the best music I have ever heard for any Phantom film. It's more malvolent and suspensful and also at the same time magicial. Misha Segal certainly did an amazing job at creating a difficult score, and it's a shame that I don't hear his music in today's films. I guess the film could have been a little better if it had a little less gore and a good falling chandlier scene, but even though this is the only Phantom film without a chandlier it was still an amazing picture. Also look for Saturday Night Live star Molly Shannon in a small role in the New York City sequences.