Hinter dem Haus einer jungen Familie in Maine ist ein dunkles Geheimnis verborgen, das Macht über ein Leben nach dem Tod besitzt. Als sich eine Tragödie ereignet, kann die von dieser Macht a... Alles lesenHinter dem Haus einer jungen Familie in Maine ist ein dunkles Geheimnis verborgen, das Macht über ein Leben nach dem Tod besitzt. Als sich eine Tragödie ereignet, kann die von dieser Macht ausgehende Bedrohung nicht mehr geleugnet werden.Hinter dem Haus einer jungen Familie in Maine ist ein dunkles Geheimnis verborgen, das Macht über ein Leben nach dem Tod besitzt. Als sich eine Tragödie ereignet, kann die von dieser Macht ausgehende Bedrohung nicht mehr geleugnet werden.
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- 1 Gewinn & 6 Nominierungen insgesamt
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I love this movie, It brings me the creeps. This movie just gave me a lesson "Just Accept the Death of Your Loved Ones or Bad Things will happen" This is one of Stephen King's Good Movies. He truly is the Master of Horror Movies. The Make-Ups of this Movie is Great and Realistic. Honestly, This movie was sadder than scary imo. I would recommend this movie to anyone.
This Movie is about how Parents would feel after the Death of a Child and that's what makes this movie relatable. It is quite Hurtful and Unacceptable to lose a Baby, Babies are too young to die. So this movie showed us that Keep your Eyes on your Loved Ones around threats.
This Movie is about how Parents would feel after the Death of a Child and that's what makes this movie relatable. It is quite Hurtful and Unacceptable to lose a Baby, Babies are too young to die. So this movie showed us that Keep your Eyes on your Loved Ones around threats.
The irony was, when I first watched 'Pet Sematery' I actually couldn't spell 'cemetery' therefore I didn't pick up the deliberate typo in the title! Anyway, it's another eighties Stephen King book-to-film adaptation and, as any horror fan knows, these can be hit and miss. Mainly miss. However, what we have here is a creepy little film which actually stands the test of time.
As with most 'King' films, it's set in (or around) Maine where an unusually-happy family moves into a new house... by a road! Yes, the road is a major player in 'Pet Sematery' as it's not long before a truck claims the life of the family's pet cat, Church. Luckily, their well-meaning neighbour, Judd, takes pity on the family and comes up with a novel way of sparing the children the grief of losing a treasured pet - it involves resurrecting it beyond the 'Pet Sematery.'
Now, 'Pet Sematery' is a great film. There's lots to enjoy here - it's creepy, well-acted and has plenty of memorable scenes - it's definitely worth a watch. However, it's also not without faults. I haven't read the book, so I can only assume it goes into far greater details as to all the characters' backstories. Here, everyone seems to have a deep backstory which could probably have its own film made about it. Yet all of these tales are only partially touched upon and it's like this story should have been almost a mini-series to really do them all justice.
I say the film is 'well-acted,' but whether you consider Fred Gwynne's portrayal of neighbour, 'Judd,' to be good, or just weird is entirely up to you. Personally, I love his performance and the way he seems to speak will certainly stay with you long after the credits have rolled. In fact, if you're a fan of 'South Park' then you'll start to get a lot of references in the cartoon as his character does tend to pop up here and there to explain various supernatural happenings.
So, if you can ignore the slightly 'unused' elements of the story which don't really go anywhere, you'll actually get quite a fun and novel (at the time - I still haven't bothered with the remake) horror film. There's quite a lot in it that actually borders on 'disturbing imagery' rather than horror, but when practical effects/make-up are used, they're nicely nasty - if you know what I mean.
If you can really watch this film and not enjoy Fred Gwynne's performance then I'll be surprised (and also try not to laugh at a - slightly out-of-place - 'pratfall' that comes about three quarters of the way through the film when someone seems to bang his head on some furniture out of nowhere - Frank Drebin would be proud of that one!
As with most 'King' films, it's set in (or around) Maine where an unusually-happy family moves into a new house... by a road! Yes, the road is a major player in 'Pet Sematery' as it's not long before a truck claims the life of the family's pet cat, Church. Luckily, their well-meaning neighbour, Judd, takes pity on the family and comes up with a novel way of sparing the children the grief of losing a treasured pet - it involves resurrecting it beyond the 'Pet Sematery.'
Now, 'Pet Sematery' is a great film. There's lots to enjoy here - it's creepy, well-acted and has plenty of memorable scenes - it's definitely worth a watch. However, it's also not without faults. I haven't read the book, so I can only assume it goes into far greater details as to all the characters' backstories. Here, everyone seems to have a deep backstory which could probably have its own film made about it. Yet all of these tales are only partially touched upon and it's like this story should have been almost a mini-series to really do them all justice.
I say the film is 'well-acted,' but whether you consider Fred Gwynne's portrayal of neighbour, 'Judd,' to be good, or just weird is entirely up to you. Personally, I love his performance and the way he seems to speak will certainly stay with you long after the credits have rolled. In fact, if you're a fan of 'South Park' then you'll start to get a lot of references in the cartoon as his character does tend to pop up here and there to explain various supernatural happenings.
So, if you can ignore the slightly 'unused' elements of the story which don't really go anywhere, you'll actually get quite a fun and novel (at the time - I still haven't bothered with the remake) horror film. There's quite a lot in it that actually borders on 'disturbing imagery' rather than horror, but when practical effects/make-up are used, they're nicely nasty - if you know what I mean.
If you can really watch this film and not enjoy Fred Gwynne's performance then I'll be surprised (and also try not to laugh at a - slightly out-of-place - 'pratfall' that comes about three quarters of the way through the film when someone seems to bang his head on some furniture out of nowhere - Frank Drebin would be proud of that one!
In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)
As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.
In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.
As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.
In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.
I originally saw this in my mid teens, and made a mental note myself that it 'wasn't that good' - which in turn made me forget it.
I read the book for the 1st time 2 weeks back and LOVED IT!, so I thought I'd give the movie a try again to see how it fared.
I am 36 now and i thought It was actually pretty good!
Still quite spooky for its age, (especially on your own at night) stayed pretty close to the book too! I actually thought the scary characters in the film were more scary than they were in the book.
One of Kings better film adaptations (apart from stand by me & the green mile)
Definitely worth a watch for horror fans!
7.5 out of 10
I read the book for the 1st time 2 weeks back and LOVED IT!, so I thought I'd give the movie a try again to see how it fared.
I am 36 now and i thought It was actually pretty good!
Still quite spooky for its age, (especially on your own at night) stayed pretty close to the book too! I actually thought the scary characters in the film were more scary than they were in the book.
One of Kings better film adaptations (apart from stand by me & the green mile)
Definitely worth a watch for horror fans!
7.5 out of 10
A doctor (Dale Midkiff) and his family move to a new home, dangerously close to a busy highway. After the death of the family cat, the doctor's neighbor lets him in on a secret: there is a sacred Indian burial ground where buried pets come back to life. The obvious question is: does it work on people?
Not to say this is a bad film (it's not), but the thing about this one is that its reputation and cultural impact have overshadowed the film itself. We all know that burying things in the sacred ground will bring them back to life, and that's without even having to see this film.
There is much good to say about this one: an amazing talent in Gage Creed, the little boy. Some nice violence and gore (including an Achilles tendon slice). One of the most painful things I've seen on film, when the doctor falls out of bed (I admit I winced a bit).
Mike Mayo points out that this is something of a variation on "The Monkey's Paw", and we agree it's a praiseworthy version. He says the film "lasts 30 seconds too long", and I see his point, but cannot comment on that here. Howard Maxford is considerably more critical (as usual -- he is the most negative horror critic I know) and says it is "over-extended" and could have made a good half hour of television.
Stephen King has made some good films and some bad ones (how much this is his fault or the fault of the directors is debatable). This falls firmly in the good category. Not among his very best ("Shawshank Redemption" is number one), but still worth a few watches.
Not to say this is a bad film (it's not), but the thing about this one is that its reputation and cultural impact have overshadowed the film itself. We all know that burying things in the sacred ground will bring them back to life, and that's without even having to see this film.
There is much good to say about this one: an amazing talent in Gage Creed, the little boy. Some nice violence and gore (including an Achilles tendon slice). One of the most painful things I've seen on film, when the doctor falls out of bed (I admit I winced a bit).
Mike Mayo points out that this is something of a variation on "The Monkey's Paw", and we agree it's a praiseworthy version. He says the film "lasts 30 seconds too long", and I see his point, but cannot comment on that here. Howard Maxford is considerably more critical (as usual -- he is the most negative horror critic I know) and says it is "over-extended" and could have made a good half hour of television.
Stephen King has made some good films and some bad ones (how much this is his fault or the fault of the directors is debatable). This falls firmly in the good category. Not among his very best ("Shawshank Redemption" is number one), but still worth a few watches.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
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Wusstest du schon
- WissenswertesThe role of Zelda, Rachel's terminally ill sister, was played by a man. Director Mary Lambert wanted Zelda and her scenes to frighten the audience but did not believe that a 13-year old girl was scary so she cast Andrew Hubatsek in the role to make something be "off about Zelda."
- Patzer(at around 5 mins) When Louis is checking on Ellie after she fell off the tire swing he is wearing a tee shirt without a collar and sleeves that are rolled up midway past his elbow. When Rachel gets up to rush after Gage his tee shirt is now an open shirt with stripes and a collar. In the next shot when he gets up to follow Rachel his shirt is once again back to a tee shirt.
- Zitate
Jud Crandall: Sometimes, dead is better.
- Alternative VersionenTelevision censors of some of the film's gorier moments included alternate shots from different angles that hide the more graphic images. This especially came into play with the Timmy Baterman scenes and the film's finale in the Creeds' kitchen.
- VerbindungenFeatured in The Ramones: Pet Sematary (1989)
- SoundtracksPet Sematary
By Dee Dee Ramone & Daniel Rey
Performed by Ramones
Produced by Jean Beauvoir & Daniel Rey
Courtesy of Sire Records Company
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- How long is Pet Sematary?Powered by Alexa
- Gage gets hit by a semi barreling down the road. Considering he's only 2 years old, this would almost certainly have destroyed his tiny body, which is obviously why his casket was closed, but when Lewis digs him up, Gage only has a scar on his forehead how can this be?
- Why did Lewis kill Church at the end? He only planned on killing Gage ad he came back like Timmy Baterman did, and he could have just walked in after distracting Church with the meat.
- What is a "deadfall"?
Details
Box Office
- Budget
- 11.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 57.469.467 $
- Eröffnungswochenende in den USA und in Kanada
- 12.046.179 $
- 23. Apr. 1989
- Weltweiter Bruttoertrag
- 57.470.138 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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