IMDb-BEWERTUNG
6,6/10
6591
IHRE BEWERTUNG
Ein junges Mädchen, das sich in der Einsamkeit und Langeweile der Realität verliert, findet Trost bei einem kranken Jungen, den sie in einer surrealen Traumwelt besuchen kann, die sie in ihr... Alles lesenEin junges Mädchen, das sich in der Einsamkeit und Langeweile der Realität verliert, findet Trost bei einem kranken Jungen, den sie in einer surrealen Traumwelt besuchen kann, die sie in ihrem Schulheft gezeichnet hat.Ein junges Mädchen, das sich in der Einsamkeit und Langeweile der Realität verliert, findet Trost bei einem kranken Jungen, den sie in einer surrealen Traumwelt besuchen kann, die sie in ihrem Schulheft gezeichnet hat.
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Anna (Charlotte Burke), who is just on the verge of puberty, begins to have strange dreams which start affecting her in real life--especially involving a boy named Mark (Elliott Spiers) who she meets in her dreams.
Very unusual fantasy with some truly terrifying moments. Despite the fact that this is about a teenage girl and has a PG-13 rating, this is NOT for children. Also, if you hate fantasies stay far away. But if you're game for something different this fits the bill.
Well directed by Bernard Rose with a just beautiful music score and a few nice, scary jolts. The only thing that prevents this from being a really great movie is Burke--she's not a very good actress (it's no surprise that this has been her only film) and it hurts the movie. However, everybody else is just great.
Spiers is very good as Mark; Glenne Headley (faking a British accent very well) is also very good as Anna's mother and Ben Cross is both frightening and sympathetic as Anna's father.
A sleeper hit when released in 1988, it's since faded away. That's too bad--it's really very good.
Very unusual fantasy with some truly terrifying moments. Despite the fact that this is about a teenage girl and has a PG-13 rating, this is NOT for children. Also, if you hate fantasies stay far away. But if you're game for something different this fits the bill.
Well directed by Bernard Rose with a just beautiful music score and a few nice, scary jolts. The only thing that prevents this from being a really great movie is Burke--she's not a very good actress (it's no surprise that this has been her only film) and it hurts the movie. However, everybody else is just great.
Spiers is very good as Mark; Glenne Headley (faking a British accent very well) is also very good as Anna's mother and Ben Cross is both frightening and sympathetic as Anna's father.
A sleeper hit when released in 1988, it's since faded away. That's too bad--it's really very good.
Paperhouse presents an intensely entertaining fantasy/horror story of a young school girl ,Ana, enduring an illness, and experiencing a compelling fantasy that occurs when she is in the throes of the fevers brought on by her malady. She draws a house on paper, inhabited by a boy, who is also ill, and events occur in her febrile dreams which she tries to control with subsequent drawings. We get a rich and detailed insight into the girl's character as she tries to cope with two worlds in which she has serious problems to resolve. I really enjoyed Paperhouse from start to finish.
The film moves quickly and maintains an intense sense of adventure, and even some level of horror, that erupts every time Ana lapses into her dreams. I would say that the only real flaw in it is that the director seemed not to know just how to end it all. I would have preferred a tighter resolution. Still Paperhouse is well worthwhile.
The little actress who starred, did an excellent job. I understand this was her only film; one of those ironies of filmdom that is difficult to understand. She was really good. I wish this film would be released on DVD in the USA. I managed to tape it from cable but I would love to have it on DVD. I recommend that you watch Paperhouse if you see it playing.
The film moves quickly and maintains an intense sense of adventure, and even some level of horror, that erupts every time Ana lapses into her dreams. I would say that the only real flaw in it is that the director seemed not to know just how to end it all. I would have preferred a tighter resolution. Still Paperhouse is well worthwhile.
The little actress who starred, did an excellent job. I understand this was her only film; one of those ironies of filmdom that is difficult to understand. She was really good. I wish this film would be released on DVD in the USA. I managed to tape it from cable but I would love to have it on DVD. I recommend that you watch Paperhouse if you see it playing.
Paperhouse is a unique film which captures the imagination of an eleven year old girl through her continuing nightmares. Throughout the movie, the scenes are carefully thought out and the production of the 'dream house' is of superb quality. The lifeless pencil drawings of Anna's are sprung into life with an obvious amount of realism.
The horror within the film can be established during the scenes in which Anna and her father meet. The darkness of the sky during the nightmare as well as the music, come together to create a chilling atmosphere. This film should be watched.
The horror within the film can be established during the scenes in which Anna and her father meet. The darkness of the sky during the nightmare as well as the music, come together to create a chilling atmosphere. This film should be watched.
The best horror movie you've never heard of. Though calling it a horror may be selling it short. Paperhouse is a profound psychological drama that deftly deals with themes of growing up, regret, sorrow, loss, resentment and leaving childhood innocence behind. Director Bernard Rose made his feature debut with this film and truly gave us something for the ages. Shot in 1988 there is very little that dates Paperhouse and it has the lasting ability to make new impressions upon every new generation.
Liberally adapted from Catherine Storr's novel "Marianne Dreams" (and not the first live-action adaptation either) the film follows a girl called Anna who falls ill with glandular fever on her 11th birthday. She draws a house on a shred of paper from her exercise book and falls into a dream in which the house exists as a lonely structure on a desolate landscape. Each subsequent dream that she has is altered by the presence of whatever she adds to the picture. In her third dream she meets a boy she thinks she has created called Marc. She befriends him and their relationship becomes stronger as the dreams become darker and scarier.
Charlotte Burke who plays Anna is a terrific actress and it is very strange that, after just one film, she should disappear and never be in anything ever again. She really does give a great performance. Eliott Spiers died in 1994 giving his sorrowful performance as Marc, Anna's dreamworld friend, a bittersweet edge. But special mention has to be made of Hans Zimmer's wonderful score. Eerie, mysterious, joyful with a hint of sadness; his score to Paperhouse has it all. It sounds a little bit too close to main melody of Broken Arrow, but when it's this good who cares? Along with Total Recall, Paperhouse proves that architects of subversive dreamworlds existed in film long before Christopher Nolan made it Inception.
Liberally adapted from Catherine Storr's novel "Marianne Dreams" (and not the first live-action adaptation either) the film follows a girl called Anna who falls ill with glandular fever on her 11th birthday. She draws a house on a shred of paper from her exercise book and falls into a dream in which the house exists as a lonely structure on a desolate landscape. Each subsequent dream that she has is altered by the presence of whatever she adds to the picture. In her third dream she meets a boy she thinks she has created called Marc. She befriends him and their relationship becomes stronger as the dreams become darker and scarier.
Charlotte Burke who plays Anna is a terrific actress and it is very strange that, after just one film, she should disappear and never be in anything ever again. She really does give a great performance. Eliott Spiers died in 1994 giving his sorrowful performance as Marc, Anna's dreamworld friend, a bittersweet edge. But special mention has to be made of Hans Zimmer's wonderful score. Eerie, mysterious, joyful with a hint of sadness; his score to Paperhouse has it all. It sounds a little bit too close to main melody of Broken Arrow, but when it's this good who cares? Along with Total Recall, Paperhouse proves that architects of subversive dreamworlds existed in film long before Christopher Nolan made it Inception.
My friend and I picked "Paperhouse" out of a random pile of movies on our weekly excursion to the Horror section-- neither of us had heard of it, but the blurb on the box was really promising. And the movie didn't disappoint, though I still probably wouldn't call it a horror movie exclusively.
11-year old Anna Madden draws a house, and visits it in her dreams. She is definitely asleep when she's seeing the house, but it's so real in a sense that it's almost like a completely separate reality. Which, in view of later events, doesn't seem like a far cry from the truth. Anyhow, she finds she can add to the house, its contents and its surroundings by simply adding to the picture.
While this is going on, Anna is getting increasingly more ill with a fever, and besides that is getting totally obsessed with the house and her drawing. On top of that, she and her mother are also dealing with her absent father; he has a job that takes him away for long stretches, though one gets the impression there's actually more to the story than that.
OK, so the drawing stuff sounds nice enough-- but frankly there's something really menacing about it. The dreamworld is eerily surreal -- the house, for instance, is just a grey block in the middle of a desolate field. The folks who made the movie did a great job of making us very uncomfortable with this alternate world/ongoing dream...
One of the things Anna adds to the house is a boy, Mark, who seems to be the same patient her doctor keeps talking about (I'm not giving that away, you know from the moment he appears that it's the same kid). In reality, Mark can't walk due to an illness; in Anna's drawing-world, he can't walk because she didn't draw him any legs. She blames herself for his real-life illness, and tries to rectify the situation, but... everything starts getting really weird. She even brings her absent father into the drawing, with disastrous results. The bits with the father are really terrifying.
I don't want to give anything away, so I'll stop there... There seems to be a lot going on in this film. I'm sure you'll have a ball analyzing this thing do death with your pals after you watch it-- Is it a simple a story as it seems, or are there actually layers of meaning? I don't know, but either way it's quite fascinating. There was a "Nightmare On Elm Street"-ish quality about it, in that at a certain point reality and dreams intersect. I love things like that.
My only complaint is that it feels like it COULD have ended many times, but didn't. I'm satisfied with the ending it had (some of you sensitive types might want to have Kleenex handy!), though it really could have a variety of conclusions. Anyway, it doesn't exactly feel drawn out once it's actually over, but while you're watching and it keeps fading back in, it's a little nerve wracking.
Still, "Paperhouse" is a really GOOD film. It's well done, and acting-- especially Charlotte Burke as Anna-- is top notch. Burke, who has never before or since appeared in a film, is a real gem. I don't know why she never went onto do anything else, but either way she's really convincing and enjoyable to watch.
"Paperhouse" isn't exactly a horror movie, it's sort of a fantasy/suspense/something else type of movie, with some definite horroresque moments-- but you can still watch it with your family and not be worried that your little brother or grandmother will get grossed out by blood splashing or something.
Give it a chance, you won't regret it! And maybe you should read the book, too...
11-year old Anna Madden draws a house, and visits it in her dreams. She is definitely asleep when she's seeing the house, but it's so real in a sense that it's almost like a completely separate reality. Which, in view of later events, doesn't seem like a far cry from the truth. Anyhow, she finds she can add to the house, its contents and its surroundings by simply adding to the picture.
While this is going on, Anna is getting increasingly more ill with a fever, and besides that is getting totally obsessed with the house and her drawing. On top of that, she and her mother are also dealing with her absent father; he has a job that takes him away for long stretches, though one gets the impression there's actually more to the story than that.
OK, so the drawing stuff sounds nice enough-- but frankly there's something really menacing about it. The dreamworld is eerily surreal -- the house, for instance, is just a grey block in the middle of a desolate field. The folks who made the movie did a great job of making us very uncomfortable with this alternate world/ongoing dream...
One of the things Anna adds to the house is a boy, Mark, who seems to be the same patient her doctor keeps talking about (I'm not giving that away, you know from the moment he appears that it's the same kid). In reality, Mark can't walk due to an illness; in Anna's drawing-world, he can't walk because she didn't draw him any legs. She blames herself for his real-life illness, and tries to rectify the situation, but... everything starts getting really weird. She even brings her absent father into the drawing, with disastrous results. The bits with the father are really terrifying.
I don't want to give anything away, so I'll stop there... There seems to be a lot going on in this film. I'm sure you'll have a ball analyzing this thing do death with your pals after you watch it-- Is it a simple a story as it seems, or are there actually layers of meaning? I don't know, but either way it's quite fascinating. There was a "Nightmare On Elm Street"-ish quality about it, in that at a certain point reality and dreams intersect. I love things like that.
My only complaint is that it feels like it COULD have ended many times, but didn't. I'm satisfied with the ending it had (some of you sensitive types might want to have Kleenex handy!), though it really could have a variety of conclusions. Anyway, it doesn't exactly feel drawn out once it's actually over, but while you're watching and it keeps fading back in, it's a little nerve wracking.
Still, "Paperhouse" is a really GOOD film. It's well done, and acting-- especially Charlotte Burke as Anna-- is top notch. Burke, who has never before or since appeared in a film, is a real gem. I don't know why she never went onto do anything else, but either way she's really convincing and enjoyable to watch.
"Paperhouse" isn't exactly a horror movie, it's sort of a fantasy/suspense/something else type of movie, with some definite horroresque moments-- but you can still watch it with your family and not be worried that your little brother or grandmother will get grossed out by blood splashing or something.
Give it a chance, you won't regret it! And maybe you should read the book, too...
Wusstest du schon
- WissenswertesWhen it was decided two days before the film was theatrically released that the character of Kate should be British, American actress Glenne Headly had to very quickly dub all of her dialogue using an English accent.
- PatzerWhile in the car with her mother, Anna puts her father's telegram in her pocket twice.
- SoundtracksRequiem
Music by Gabriel Fauré
Performed by Choristers of Westminster Cathedral
Published by Editions Harnelle
Arranged by Stanley Myers (uncredited)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Paperhouse
- Drehorte
- Brittania Hotel, Ilfracombe, Devon, England, Vereinigtes Königreich(Anna and her parents stay here)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 241.278 $
- Eröffnungswochenende in den USA und in Kanada
- 6.687 $
- 20. Feb. 1989
- Weltweiter Bruttoertrag
- 241.278 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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