IMDb-BEWERTUNG
6,1/10
9117
IHRE BEWERTUNG
Ein kleiner Junge, der in den Vororten der 1950er Jahre lebt, vermutet, dass seine Eltern kannibalistische Mörder sind.Ein kleiner Junge, der in den Vororten der 1950er Jahre lebt, vermutet, dass seine Eltern kannibalistische Mörder sind.Ein kleiner Junge, der in den Vororten der 1950er Jahre lebt, vermutet, dass seine Eltern kannibalistische Mörder sind.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
London Juno
- Sheila Zellner
- (as Juno Mills-Cockell)
Empfohlene Bewertungen
It's been 13 years since I saw this movie, but it made such an impact on me that to this day I can close my eyes and visualize the characters, and feel the mood that make this film worth watching. Not too many movies scare me like this one did. It wasn't the use of vast quantities of blood, or the killings that scared me, as much as it was the Ward and June Cleaver-ness of the parents. What really did it for me was the mind twist the director built into this film, and the way it was pulled off by the actors. If you're squeamish then this probably isn't for you, but if you can watch a movie and appreciate it for the art it is, I recommend it.
This was a very creepy & uneasy to watch movie. The ending could've been better.
If asked which movie has been the most uncomfortable watch for me, it has to be this one. Bob Balaban has put together a film that encompasses all those dark feelings about our parents. With a beautiful performance from Randy Quaid as the strangest father in the world, it is from the dark place where all great black comedies come from. His dizzying combination of gruesome and mundane is incredibly well crafted, not falling into either one but dancing back and forth between them. I HIGHLY recommend this movie. Strange it comes from the man who played the chummy cartographer in Close Encounters of the Third Kind.
I had never heard of this movie before, and it looked like it had the same sort of weird zany surrealism as Society, which I massively enjoyed. What I was not expecting was how much darker in tone this film was going to be, and how massively uncomfortable it can be at times with some of the thematic undertones.
It taps into the inherent surreal nature of 1950's idyllic suburbia and builds wonderfully off of that horror, as well as delving into the true horror of being stuck in the same house as people who might want to hurt you. While there was a lot that just didn't hit and some spots where I felt the movie lacked, overall I found the movie to be interesting and kind of fun.
This movie is definitely not for everyone and is bound to disappoint quite a few horror fans, but for those that like surrealism in the vein of Society, this is definitely worth the watch. It's a solid movie and even if it's not the best out there, it has some merit as a film and some solid thematic undertones.
It taps into the inherent surreal nature of 1950's idyllic suburbia and builds wonderfully off of that horror, as well as delving into the true horror of being stuck in the same house as people who might want to hurt you. While there was a lot that just didn't hit and some spots where I felt the movie lacked, overall I found the movie to be interesting and kind of fun.
This movie is definitely not for everyone and is bound to disappoint quite a few horror fans, but for those that like surrealism in the vein of Society, this is definitely worth the watch. It's a solid movie and even if it's not the best out there, it has some merit as a film and some solid thematic undertones.
Interesting movie, but far from a total success. The director uses his camera cleverly and executes some fine visual tricks, but they don't lead anywhere, because the film has such an "one-joke" premise and a repetitive script. Great music score, astonishingly mature work by the boy who plays the central character, a few scares at the end, but the movie still rings hollow, and gets no more than a 6/10 from me.
Wusstest du schon
- WissenswertesThe film's appropriately-bizarre title for its Germany release was 'Daddy ist ein Kannibale', or 'Daddy is a Cannibal!'
- PatzerWhen Nick Laemle slaps the cinder-block basement wall, it visibly flexes.
- Zitate
Lab Attendant: I have here an opportunity--
[holds out a pen to Michael]
Lab Attendant: this pen is made of chemicals, but if I took these same chemicals and recombined them, I could make an automobile, or an electric light! The whole world is made of chemicals, Michael--you can make anything! And if you're smart... you'll make opportunities.
- SoundtracksCherry Pink and Apple Blossom White
(Cerisier Rose et Pommier Blanc)
Music by Louiguy
French lyrics by Jacques Larue
English lyrics by Mack David
Performed by Dámaso Pérez Prado
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Parents
- Drehorte
- Kelly Gulch - 1801 N. Topanga Canyon Boulevard, Topanga, Kalifornien, USA(Grandparent's cabin)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 870.532 $
- Eröffnungswochenende in den USA und in Kanada
- 277.952 $
- 29. Jan. 1989
- Weltweiter Bruttoertrag
- 870.532 $
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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