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Roadhome

Originaltitel: Lost Angels
  • 1989
  • 16
  • 1 Std. 56 Min.
IMDb-BEWERTUNG
5,9/10
1119
IHRE BEWERTUNG
Amy Locane and Adam Horovitz in Roadhome (1989)
A troubled youth from a split Los Angeles family is sent to a private psychiatric hospital after a violent scrape with the police. In the hospital, he makes a connection with one of the doctors who has his own problems.
trailer wiedergeben2:27
1 Video
12 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuA troubled youth from a split Los Angeles family is sent to a private psychiatric hospital after a violent scrape with the police. In the hospital, he makes a connection with one of the doct... Alles lesenA troubled youth from a split Los Angeles family is sent to a private psychiatric hospital after a violent scrape with the police. In the hospital, he makes a connection with one of the doctors who has his own problems.A troubled youth from a split Los Angeles family is sent to a private psychiatric hospital after a violent scrape with the police. In the hospital, he makes a connection with one of the doctors who has his own problems.

  • Regie
    • Hugh Hudson
  • Drehbuch
    • Michael Weller
  • Hauptbesetzung
    • Donald Sutherland
    • Adam Horovitz
    • Amy Locane
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    1119
    IHRE BEWERTUNG
    • Regie
      • Hugh Hudson
    • Drehbuch
      • Michael Weller
    • Hauptbesetzung
      • Donald Sutherland
      • Adam Horovitz
      • Amy Locane
    • 18Benutzerrezensionen
    • 14Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 2:27
    Trailer

    Fotos12

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    Topbesetzung56

    Ändern
    Donald Sutherland
    Donald Sutherland
    • Dr. Charles Loftis
    Adam Horovitz
    Adam Horovitz
    • Tim Doolan
    Amy Locane
    Amy Locane
    • Cheryl Anderson
    Don Bloomfield
    • Andy Doolan
    Celia Weston
    Celia Weston
    • Felicia Marks
    Graham Beckel
    Graham Beckel
    • Richard Doolan
    Patricia Richardson
    Patricia Richardson
    • Mrs. Anderson
    Ron Frazier
    Ron Frazier
    • Barton Marks
    Joe D'Angerio
    Joe D'Angerio
    • Sweeney
    William O'Leary
    William O'Leary
    • Link
    Kevin Corrigan
    Kevin Corrigan
    • Gata
    Gary Riley
    Gary Riley
    • Spooky
    Mick Cunningham
    Mick Cunningham
    • D.A.B. Kid
    • (as Michael Cunningham)
    Leonard Porter Salazar
    • Paco
    Jonathan Del Arco
    Jonathan Del Arco
    • Angel
    Eddie Hernandez II
    • 10 St. Boy
    Cehlia Adair Newman Cehlia Barnum
    Cehlia Adair Newman Cehlia Barnum
    • Paco's Girl
    • (as Celia Newman)
    David Herman
    David Herman
    • Carlo
    • Regie
      • Hugh Hudson
    • Drehbuch
      • Michael Weller
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen18

    5,91.1K
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    Empfohlene Bewertungen

    7jnsgrover

    not great, but good - Horowitz does fine work

    Really a sweet movie - yes, VERY formulaic, but that does not disqualify any film. Plot - OK, crap. But Sutherland and Horowitz (yes, the guy from Beastie Boys and son of the famous playwright) do well by the roles they are given.

    It is the gentle attention that the director give to the characters that makes the movie for me. The two main characters are cast in a very typical ("Ordinary People") situation, but they transcend it with their performances. Sutherland could easily have coasted through this movie for the paycheck, but doesn't. Adam Horowitz could have just posed and postured - but doesn't.

    Or I'm nuts - could be. There is no harm, however, in a feel-good story that doesn't cheat on the difficulties of the characters' situations or their needs. This plot may speed past them, but the performances give them depth.

    Honest sentiment is no crime - and I would claim that Sutherland and Horowitz give nuanced performances (not exactly typical for either).
    7winopaul

    This is what too much leasure time does to Earthlings

    The technologist tribe gave you idiots all this leisure time, from the steam engine to the washing machine to the little glow-box spy-tech phones you glue to your heads. And this is what the privileged upper-class white boys to with that leisure time. Not to learn and explore and care and improve, but to just become wastrels. This is not an entertainment movie but more a documentary about the collapse of American greatness. That old saw, "From rags to riches to rags, in three generations" is evident here. I don't know who is worse, the phony grinding strivers, or their juvenile delinquents.

    Yeah, the production values are dated, but this is still a well-made flick. When I lived in Silicon Valley I commented how San Jose did not really have a ghetto, like Cleveland and Detroit, cities I had also lived in. A guy I met at traffic school (the second one run like a therapy session) told me the real wastrels were in Mountain View, the rich suburb. He explained the parents did not raise their kids. They just gave 'em 300-dollar shoes and a car, and told them to not bother them. So the kids ran wild. But since mommy and daddy were middle-class, they could buy their kids out of trouble, unlike in the inner city.

    I also saw the middle-class kids trying to be bad, whether it was with Mafia wanna-bees in Cleveland or outlaw motorcycle gangs in Cali. One nice thing is that it is not hard to cast this movie in LA. These nepo-baby wastrels are everywhere. Perhaps the whole acting profession is a form of delinquency.

    So a whole lot of this movie rang true, though it is a bit '80s dated. If you can apply the principles to today, the story still holds up. After all, going to a party-school college and taking a party major is just a more socially acceptable form of juvenile delinquency. A solid 7, good to kill time until Astrid comes on PBS at 10:00.
    8massic

    A story about growing up in the city with uncaring parents

    I was really moved by this movie. I grew up in similar circumstances and was really able to relate to what was happening to the character. Growing up in the city around drugs crime can really wear a kid thin. If you don't make the right choices you'll end up either dead or in jail. This movie portrayed exactly that, but it's happy ending was unnecessary.
    5reverendtom

    Adrock gives a good performance, but the film is a dud

    Adam Horowitz a.k.a. King AdRock of the Beastie Boys puts in a surprisingly good performance as a troubled teen here, but overall the film is pretty unremarkable. King AdRock and Donald Sutherland? That lineup has cult classic written all over it, but unfortunately, there really ain't a whole lot going on here. There are some great scenes where Adrock gets mad, gets in fights or complains about things, but they are the only high points. Worth watching if you're a Beasties fan, if only to see that Adrock is actually a good actor, but that's it. The film is slow moving and very serious and not even Adrock and Donald Sutherland can save it. Adrock should get back into acting, he's funny as hell, too.
    7Sho Nuff

    Beastie Boy Ad Rock puts on a surprisingly good performance

    I only watched this movie because Adam Horovitz of the Beastie Boys was in this movie. What I found is a very realistic (until the end) movie about suburban teenage angst. Horovitz plays the lead, who ends up getting institutionalized because his parents are too busy. Horovitz surprised me by his acting skills as his anger was shown strongly. He is in need of fitting in, and that's where his step-brother comes in and influences him to get out of the institution and wreak havoc with him. His love interest is institutionalized too, but when she is free, she is stuck at home drugged out, with her mom not caring for her. Donald Sutherland plays the institution's only caring person. He says "Yeah, they care. They care for a couple hours because they're paid to care." That's another conflict in this movie is his caring for his patients, but it strains his relationship with his real family. This movie is very strong, and shows the pain of being a rich teen in suburban L.A. with no support of the family. I just feel the ending was a cheap cop out to a very good movie.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The mental institution used was Camarillo State Hospital in Camarillo, CA, which was closed and converted to California State University Channel Islands (CSUCI).
    • Zitate

      Dr. Charles Loftis: We used to say it took a year. Remember? A year to put a kid right. Sure, that just happened to be what the insurance covered. But now they cut it back to two, three months, and presto! we cure them in two or three months.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Miss Firecracker/K-9/Criminal Law/Scandal/84 Charlie Mopic (1989)
    • Soundtracks
      Do It Better
      Performed by Happy Mondays

      Written by Paul Ryder, Shawn Ryder, Mark Day, Paul Davis, Garry Whelen

      Courtesy of Factory Communications Ltd.

    Top-Auswahl

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    FAQ17

    • How long is Lost Angels?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 5. Mai 1989 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Lost Angels
    • Drehorte
      • San Antonio, Texas, USA(Multiple scenes: Private psychiatric hospital interiors only. This was the real world location of San Antonio State Hospital; Walden Meadows home scenes.)
    • Produktionsfirma
      • Orion Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.247.946 $
    • Weltweiter Bruttoertrag
      • 1.247.946 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 56 Min.(116 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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