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Kopf an Kopf

Originaltitel: How to Get Ahead in Advertising
  • 1989
  • 16
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,8/10
6904
IHRE BEWERTUNG
Richard E. Grant in Kopf an Kopf (1989)
Trailer for How To Get Ahead In Advertising
trailer wiedergeben1:52
2 Videos
16 Fotos
SatireFantasieKomödie

Ein zynischer Werbemanager hat eine Blockade am Werk, die zu einer Kernschmelze führt.Ein zynischer Werbemanager hat eine Blockade am Werk, die zu einer Kernschmelze führt.Ein zynischer Werbemanager hat eine Blockade am Werk, die zu einer Kernschmelze führt.

  • Regie
    • Bruce Robinson
  • Drehbuch
    • Bruce Robinson
  • Hauptbesetzung
    • Richard E. Grant
    • Rachel Ward
    • Richard Wilson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    6904
    IHRE BEWERTUNG
    • Regie
      • Bruce Robinson
    • Drehbuch
      • Bruce Robinson
    • Hauptbesetzung
      • Richard E. Grant
      • Rachel Ward
      • Richard Wilson
    • 43Benutzerrezensionen
    • 46Kritische Rezensionen
    • 63Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos2

    How to Get Ahead in Advertising
    Trailer 1:52
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising

    Fotos16

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 9
    Poster ansehen

    Topbesetzung31

    Ändern
    Richard E. Grant
    Richard E. Grant
    • Bagley
    Rachel Ward
    Rachel Ward
    • Julia
    Richard Wilson
    Richard Wilson
    • Bristol
    Jacqueline Tong
    Jacqueline Tong
    • Penny Wheelstock
    John Shrapnel
    John Shrapnel
    • Psychiatrist
    Susan Wooldridge
    Susan Wooldridge
    • Monica
    Hugh Armstrong
    • Harry Wax
    Mick Ford
    Mick Ford
    • Richard
    Jacqueline Pearce
    Jacqueline Pearce
    • Maud
    Christopher Simon
    Christopher Simon
    • Waiter
    Gino Melvazzi
    Gino Melvazzi
    • Waiter
    Victor Lucas
    Victor Lucas
    • Tweedy Man
    Dawn Keeler
    • Tweedy Woman
    Kerryann White
    • Girl in Elevator
    Vivienne McKone
    • Sullivan Bristol Receptionist
    Donald Hoath
    • Businessman
    John Levitt
    • Businessman
    Gordon Gostelow
    • Priest
    • Regie
      • Bruce Robinson
    • Drehbuch
      • Bruce Robinson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen43

    6,86.9K
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    Empfohlene Bewertungen

    outsider-2

    Deep, dark truthful mirror

    Its a brave, scathingly funny film that might be an acquired taste. This one definitely needs a memorable quotes section!! For a film made so long ago, its quite an accurate and eerie depiction of what the PR industry has mutated into...
    10David Sticher

    Awesome premise, writing, and acting; good direction

    This is a severely underrated film. Richard Grant's more-than-capable slimeball antics are put to a very worthy test in this bitter little polemic about consumerism. It's very British, and very 80's, but its message is still as universal as ever, and the execution is wickedly original, affecting, and cough-out-loud funny.

    The only negative point about the movie is the occasionally lax direction towards the end, but that's just a quibble.

    Overall, this is definitely very cool, and highly recommended to fans of Withnail and I, Network, and Fight Club who want something nice and bitter at the end of the day.

    This would make an awesome play...
    8greengene65

    Advertising exec gets a conscious...leading to challenges on the job.

    This brilliant attack on commodification and the misuse of language to cajole consumerism is a must see. I don't like to give anything away so suffice to say that Grant is excellent as the near-schizophrenic hero (anti-hero) who's copy writer's block leads to his confronting the hegemony he operates within. The film mocks the abuse of semiotics in the media; one particularly hilarious scene has Grant battling his fellow-commuters over a newspaper story designed, per Grant's character, Bagley, to lead readers to directed conclusions. In the exchange about a heroin arrest reported in the paper, police allege that a bag containing heroin "may" have also contained marijuana. Bagley burst out with, "It may have contained a f***ing pork pie!" Hilarity ensues, but not devoid of a moral lesson...you may find the rendering of William Blake's "Jerusalem" at the film's conclusion particularly ironically amusing.
    7SnoopyStyle

    British dark satire

    Denis Dimbleby Bagley (Richard E. Grant) is an amoral British ad executive. He's willing to sell anything to anyone. His next product pimple cream makes him obsessed with boils. His wife Julia Bagley (Rachel Ward) is concerned. He starts breaking down and growing a boil on his left shoulder. He's in the hospital to have it removed when it starts growing into a new head. His real head is lanced and the boil takes over his life as the new head.

    Bruce Robinson's previous directing/writing effort 'Withnail and I' is a British indie darling. Richard E. Grant returns with brilliant effect. It is a dark rant on the ills of consumerism and a little obvious. It would be great to have more plot rather than a diatribe. This would have been a great Twilight Zone episode. A story is needed around the zit cream. Otherwise, it's a good surreal effective satire.
    10funkyfry

    Great film on modern life

    Hilarious, bitter satire of adverising, humanity, and personality. Ad exec Dennis Bagley gets so hung up on boils developing a "boilbusters" ad campaign that he grows a malignant boil which takes on its own personality and eventually takes over the show. Grant is perfect in the lead role, the direction and photography are excellent, and the effects cheap but grotesque. There are so many hilarious scenes, I found myself laughing out loud through most of the film even though I saw it by myself! I love the scene where Bagley explains to his wife why the boil only talks to her when she turns away : "He's waiting for you to do it!" A classic, should be sought out by all fans of sadistic humour(especially British, i.e. League of Gentlemen, Monty Python) .

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Writer/director Bruce Robinson provided the voice of the boil.
    • Patzer
      After Bagley has lunch with his wife, she drops him back at the advertising firm's office building, but it is a different building to the one used for the interior scenes, which is the tall red building several hundred yards up the street (visible in the crane shot of their car pulling up), right next to the Lambeth bridge, as we can see from the window view in the scenes in Bagley's and Bristol's offices.
    • Zitate

      [first lines]

      Denis Dimbleby Bagley: Let me try and clarify some of this for you. Best Company Supermarkets are not interested in selling wholesome foods. They are not worried about the nation's health. What is concerning them, is that the nation appears to be getting worried about its health, and that is what's worrying Best Co., because Best Co. wants to go on selling them what it always has, i.e. white breads, baked beans, canned foods, and that suppurating, fat squirting little heart attack traditionally known as the British sausage. So, how can we help them with that? Clearly, we are looking for a label. We need a label brimming with health, and everything from a nosh pot to a white sliced will wear one with pride. And although I'm aware of the difficulties of coming to terms with this, it must be appreciated from the beginning, that even the nosh pot must be low in something, and if it isn't, it must be high in something else, and that is its health-giving ingredient we will sell. Which brings me to my final question: who are we trying to sell this to? Answer: we are trying to sell this to the archetypal average housewife, she who fills her basket. What you have here is a 22 year old pretty girl. What you need is taut slob, something on foot deodorisers in a brassiere.

      Larry Frisk: I, uh, I'm not quite sure we can go along with that, Mr. Bagley. I mean, if you look at, like, the market research...

      Denis Dimbleby Bagley: I don't need to look at the market research. I've lived with 13 and a half million housewives for 15 years and I know everything about them. She's 37 years old, she has 2.3 children, 1.6 of which will be girls, she uses 16 feet 6 inches of toilet tissue a week and fucks no more than 4.2 times a month. She has 7 radiators and is worried about her weight, which is why we have her on a diet, and because we have her on a diet we also encourage her to reward herself with the little treats. And she deserves them, because anyone existing on 1200 calories of artificial synthetic orange-flavoured waffle a day deserves a little treat. We know it's naughty but you do deserve it, go on, darling, swallow a bun! And she does, and the instant she does, the guilt cuts in. So here we are again with our diet. It's a vicious, but quite wonderful circle, and it adheres to only one rule: whatever it is, sell it. And if you want to stay in advertising, by God, you'd better learn that!

    • Verbindungen
      Edited into Video Macumba (1991)
    • Soundtracks
      Oscillate Wildly
      (uncredited)

      Written by Johnny Marr

      Performed by The Smiths

      Courtesy of Rough Trade

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 29. März 1990 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizieller Standort
      • Handmade Films Website
    • Sprache
      • Englisch
    • Auch bekannt als
      • How to Get Ahead in Advertising
    • Drehorte
      • Datchet Railway Station, Datchet, Berkshire, England, Vereinigtes Königreich(scene where train pulls into station)
    • Produktionsfirma
      • HandMade Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 418.053 $
    • Weltweiter Bruttoertrag
      • 418.053 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 30 Min.(90 min)
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      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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