High Desert Kill

The film is very different and good at the same time. Chuck Connors was great. Marc Singer was good and I thought he looked a lot like Kevin Bacon in the film.This movie looked at a different way of aliens. If you like Chuck Connors and strange films about aliens then see High Desert Kill!

Three guys (2 buddies and the nephew of their dead friend) go on a hunting trip that happens every year. They meet up with always good Chuck Connors who plays expert hunter Stan Brown. He tells them there is no game anywhere, but the three brush it off and go off on their hunting expedition anyway. But once the hot female campers disappear and they catch themselves eating some raw bear it's time to hit the road Jack, but they find out it's not that easy.

Now, there really is some mystery shrouding the story, some good music throughout and Chuck Connors is good and not wasted. Yet the execution on the story needed to be reworked I thought in order for this to hit the mark. The final act works best, but the opening act is bad. As well there is this evil or bad guy P.O.V. while the characters are sleeping that is down right cheesy and not scary at all. It gets old real fast, but they keep going to it during the movie. Also starring Marc Singer.

I did wonder when watching this movie though how many days were they planning to go without a change of clothes? Did they not bring any with them?

Close, but not close enough 5/10

This is one film you don't want to miss! This could become a cult classic, if enough people would view it with the right attitude.

Here are some of my random thoughts:

The Cover: The cover has a cool looking design, even though it really has no resemblance with anything in the film.

The dialogue: Probably improvised by the actors as they went along. "What's driving all the animals away, is it the drought?" (As Chuck Connors and Anthony Geary are walking past a large flowing river, in a lush, green forested area)

Cinematography, editing: In one scene, where the guys are scattering Pauls ashes, the scenes alternates many times between overcast skies, with dim illumination to bright sunny skies, casting long shadows on the actors faces and surrounding scenery.

Chuck Connors, playing Stan, the "Professional Hunter": What was he thinking, taking on this role? The poor guy must have really needed the cash. He does all that he can with the material, however. His voice inflections and facial expressions are top notch.

The drunken party with the "Hippie Girls" is a classic. Many memorable moments.

Micah Grant, playing Ray Bettencamp: Why did they even bring Ray along on their hunting trip? He's not their friend, he's not a hunter, he's half their ages... But hey, he delivers some of the worst lines in the film, (and he had access to his dead uncle's 4wd vehicle) so its ok.

Four men in the desert, on a hunting trip. But something is watching them... and affecting their moods/behaviour...

The cast are good - particularly Chuck Connors and Marc Singer - and the story pulls the viewer in, right from the start. Some of the odd behaviour (like the orgy with the two 'hippy girls') is a genuinely weird viewing experience. But it works because, just like the characters, you are constantly wondering 'what the heck is going on?'

None of the characters are particularly likeable. Deliberately so. And the points made about male bonding and friendship are well observed. There's plenty of tension and a small amount of action. It's never dull or boring, there is always something new/interesting happening. And the ending is good. Both the way the surviving characters use to escape, and the twist in the final seconds.

One of the first TV movies made for USA Network.

Marc Singer ("V" & "THE BEASTMASTER") and Chuck Connors ("FLIPPER" & "SOYLENT GREEN") in a campfire orgy of primal machismo and lustful desires? And no I hate to break it to you, nothing happens between the two. Even though there are plenty of glistening shirtless moments. And no, Connors doesn't go that far either. I know the disappointment. But no question, this is just one of a few strange developments making its way into the psychotronic made-for-TV feature "HIGH DESERT KILL".

Two friends along with their recently deceased friend's nephew head out on a yearly annual bonding hunting trip in the desert. At the camping site they come across another grizzled old hunter who informs them that something has spooked away the wildlife. They decide to stick it out anyway, but in doing so they unknowingly fall under the influence of some unknown force that uses the appearance of their dead friend/uncle.

It's a fairly forgotten little b-film that doesn't deserve to be a hidden away. Since it's something a little different to the norm. Sure the genre hybrid-of-sorts plot is beyond dubious nevertheless this no-frills desert mystery remains quite fascinating in its psychological and manipulative make-up. Think along the lines of a "TWILIGHT ZONE" narrative, where the perplexity leads to something much more going on. The danger and weirdness slowly grows from the anxious build-up, as the unknown force watches and coordinates through looming POV shots. And when it does come to its symbolic reveal, to some extent it's ingenious and silly rolled into one. Where it might lack the depth in its reasoning. On the other hand you might find yourself laughing at the confrontational climax, but at least the final seconds does end on a haunting, if ambiguous note.

As for the acting, it's a bit of an up and down affair with Anthony Geary ("NIGHTLIFE" & "PASS THE AMMO") and Micah Grant ("WAXWORK" & "TO DIE FOR") in the leads. Still the interactions between the characters have believability and their sudden in-and-out behavioral transformations of uncontrollable instincts brought upon by this alien force are amusingly presented. The sketchy script with some beguiling dialogues ("Open you up like a sack of manure!") is part of that. On what was most effective is the use of eerie sound effects or simply a lack of it. It goes hand-to-hand in creating unease from the forlorn New Mexico desert. Even if the acting wasn't the greatest, I thought the cast do sell the strangely unsettling nature of the situation. TV director Harry Falk's tight handling in due to limited resources, but the back-to-basic structure works to its favour. It's worth-a-look.