Für Königin und Vaterland

The first time I saw this film was back in the early Nineties, and I hadn't really heard of Denzel Washington either, therefore I presumed I was watching a low budget film about a Falklands Veteran returning to life in Civvy Street.

What I actually got was an eye opener about Life within Her Majesty's Armed Forces versus Life on the outside. Reuben, having been discharged from 2 Para, returns to London after a tour of duty in Northern Ireland and the Falklands, where he was decorated as a war Hero. However, given his vocation to his country, he finds interviews for jobs surprisingly difficult to arrange, even though they were sorted out by his careers officers in the army. Within time, he realises his illustrious army record holds no sway in everyday life.

This film makes you realise how easy it is to fall into the criminal side of life as Reuben becomes a body guard to a drug dealer. The ending is as grim as his life has become, therefore don't expect a smart, streetwise, cocky character to race through the film avoiding trouble. This is a Gritty urban Drama. I felt that as you watch Reuben's hopes for the future fade away, there truly is no justice for the little man.

Washington's British accent is impeccable, you would believe he was born, and lived his life in Milwall or Bermondsey. I read an interview that he learnt the native accent by getting drunk for a fortnight in London.

What an early Denzell Washington's performance. I admit that his was not as good as he is now, but that's more his character that is interesting than himself. I like this kind of scheme, usually used by the American directors and speaking of Vietnam war vets who have the greatest difficulties to get back to civilian life. With everything that means. It is question this time of the Faulklands war, back in 1982. Here it is also a social crime drama, a criticsm of the Margaret Thatcher's political regime, poverty, ghettos, dangerous suburbs, soldiers who fought for UK in the war and for whom England refuses the British citizenship; so many British films were - and still are - oriented in this direction. Washington is definitely an anti hero here, trying to desperately make it. It is downbeat, sometimes gloomy, it may hurt. But I love this film.

I have to disagree with the previous commentator's opinion. Washington's accent was about as spot on for a "Yank" as was we'll say Pitt's was in "Snatch" to an Irish tinker's. The movie while obviously low-budget (no different than we'll say "My Beautiful Laundrette" or "Mona Lisa" at this particular time in UK productions), yet its concentration on the inherent drama of a confused and conflicted ex-Para in a non-empathetic society totally over-rode its budgetary limitations.

This was an above-average movie (and a rare one) of its genre and adequately displays Washington's versatility as an actor.

This film is a harsh reality of life after the army. The British Paras are an elite fighting force, but they are there to kill the enemy. You don't really have a trade when you leave, except how to jump out of planes & kill. However, the British Army today has an excellent support sytem, unlike the mid 1980s when this film was set. This is highlighted in the movie as we see Reuben returning after leaving the Paras, during which he did a tour in Northern Ireland and fought in the 1982 Falklands war. We see him struggling to get any meaningful employment until he links up with a criminal friend. His mate Fish, who was wounded in the Falklands, is living on disability allowance, and is suffering too, being in a wheelchair. It is a sad, gritty look at life at the lower end of the scale in a run-down urban council estate in London. Having served his country with pride as a British paratrooper, he is left with nothing except the prospect of drifting into crime.

A hero returning from war and finding that he`s no longer wanted isn`t one of the most original ideas for a screenplay but it is one of the best . Unfortunately FOR QUEEN AND COUNTRY is one of the weaker of these types of films . The budget doesn`t help because the scenario of the Falklands War is relegated to a brief scene to a bunch of soldiers looking out of a ship doorway seeing flashes of gunfire away in the distance , and that`s the extent the film paints of the Falklands War . It`s not only this scene that irritates , I couldn`t help noticing that many of the interiors look like they were filmed in a film studio . But perhaps the most unconvincing thing about the film is Denzil Washington`s London accent , I can`t believe some people think its any good because I find it as irritating as Dick Van Dyke`s in MARY POPPINS . And let`s not forget that when this film was made Washington wasn`t the double Oscar winning mega star he is today but was best known as a TV star due to ST ELSEWHERE . Indeed FOR QUEEN AND COUNTRY feels like an overproduced TV play similar to the excellent PLAY FOR TODAY that the BBC produced in the 1970s but not as well written . The ending is just too coincidental . I know it`s trying to be bitter and ironic but is completely contrived .

" Soldiers don`t fight and die for Queen and country. They fight and die for one another" Major Chris Kebble . 2 Para