Domino sucht die Liebe

The title kind of says it all. I have no idea what this movie is supposed to be about in any way, shape, or form. It's deliberately stylized and makes little to no sense. However, it does have Brigitte Nielsen at her most striking prime, taking her clothes off a lot for little or no reason. The woman has serious charisma and her acting inexperience is not a problem here because the movie doesn't make sense anyway! The European version is much better with far more nudity that's cut out of the American release. If you like how Ms. Nielsen looks it's worth watching. Just put music on or something so you aren't tempted to actually pay attention to what's going on in the movie.

Matt

This is not so much a review as it is a warning: when you see the video cover for this film, you may think "Brigitte Nielsen + Domino + black leather = dominatrix". Well, forget it. Despite a few soft-core scenes, "Domino" basically wants to be an "art" film, and it is - a plot less, pretentious, pseudo-philosophical one at that. Nielsen has a nice body, but some unflattering close-ups of her face reveal signs of early aging. She does have one steamy scene, about 70 minutes into the film, where she pleasures herself on her bed. Watching that scene (and fast-forwarding through the rest of the movie) is the only pleasure YOU can get out of this cinematic nightmare. 0.5 out of 4 stars.

All of the other reviews posted here notwithstanding, I found this movie to be uniquely charming.

This is soft-core erotica from a woman's viewpoint, with a lens on the feminine mystique. Guys, if you (like me) have ever gotten all worked up with that "get laid or bust" feeling; found someone to get your rocks off with; but then felt like "Is that all there is?" … this film is about what was missing sexually. It depicts arousal as much more than an eager boner. Time slows down. A river of warm, liquid feelings is flowing by. It looks like an art deco moon; it sounds like Billie Holliday's slow, unhurried voice, womanly and girlish at the same time; and it feels like a woman's hot, naked body writhing in a stretchy white lace body stocking. This is not a 30-second ad for Pepsi or Viagra; this is the journey of a warm-blooded soul experiencing urban life.

Yes, the plot may seem disjointed and meandering, like the way we dream.

One of the intriguing images in the movie is a jet-black male mannequin, in a fedora or a white bow tie, which Domino adopts as a partner. It makes me wonder: Is this what women really want in a man: someone who will just be there when they come home, waiting for them, ready to listen, with no drama or needs of their own and nowhere to go?

There's no hurry here — Wait until you get bored with the whiz-bang titty-poppers (which I also love dearly), and then give yourself an evening with this film. Watch it with your partner if you have one; compare impressions; and don't have anything planned after that.

I didn't quite know what to expect of Ivana's Massetti's, Domino, and was pleasantly surprised how engaged I was by the end of the first scene. Famed model, Brigitte Nielsen plays a glamorous director named Domino who's on a quest of self discovery to see if she can truly fall in love. Meanwhile, she's become the object of a stalker who's had his eye on her for some time. When Domino becomes obsessed with his identity, she quickly turns the tables on her pursuer.

Even today there's an eroticism found in this late '80s film not seen in American pictures. While the sex and glamour don't necessarily drive the movie, it's integral to the plot and a high selling point. There are some interesting conversations made about the viewpoint of sex versus love making, particularly through the eyes of a woman. Throughout the movie there are images and sounds that evoke elements of Argento, Lynch, or even Cronenberg films. While a plethora of characters come and go, Nielsen's Domino remains the contestant, occasionally appearing unintentionally wooden, but showing the sincere emotions of a woman cutting herself off from the rest of the world.

This is a unique film I had wanted to see for years. There's a depth not found in many of Briggite Nielsen's movies. I'm hard pressed to name another film exactly like it. But it is entertaining and thought provoking.

Okay, let's set the record straight: this film was made in the mid 80's when Music videos were still rare and female film directors were even rarer. After the original Director had to drop out, Ivanna Massetti was given the picture. She was a well-respected commercial director in France and this film was her directorial debut. Using the techniques learned from esoteric commercials and music videos she gambled and lost in attempting to tell the story of "DominoÓ visually without much connective narrative. It simply didn't work. But attempting to tell a story without dialogue is still something Directors attempt today, twenty years later, and still fail. The storyline was acutally of a woman named DOMINO, a successful but jaded video director, who having lost the ability to love searches first through her friends and then Paris-by-night trying to find something, anything to teach her to love again.

As regards this being "soft porn" at no time did Ms. Massetti intend or attempt to make this a "soft porn" film. Remember this was Europe where showing nudity doesn't mean it's "porn". And especially not back in the 80's. As regards Ms. Nielson; it's true she doesn't appear very attractive in this film. Which really hurt the film as you need to believe how beautiful this Domino woman is. Her appearance was due to being over weight from a pregnancy. A pregnancy that she lost during the shooting of the film. The film was shut down for two weeks while she recouped.

First time Director, attempts to break the laws of narrative storytelling, a miscarriage during the film shoot and a very nasty and very public divorce from Slyvestor Stalone... Is any of this an excuse why the film isn't that good? Maybe not... To the hard hearted of you out there.