Die Bombe

TV Movie about the creation and use of the atomic bomb in World war II, that is impeccably well researched, detailed, inteligently made and graced by an All-Star collection of secondary actors.

Unlike many north American movies and docs, Day One avoids patriotism (in fact it tilts against the use of the bomb) or the temptation of proposing Oppenheimer as a martir. Instead, Oppenheimer's real life ambiguity is represented perfectly. He doesn't want to betray a friend that was investigated for communism but he does it. He thinks about using the bomb as a demonstration at some point but turns into the opposite side: arguing that it may fail or give the Japanese a chance to prepare for an eventual attack. History will never fully understand the person that was Oppenheimer.

Another key figure is Leslie Groves. He's a perfectly efficient militar who runs every possible detail of what happens in Los Alamos. He's the force behind the making of the bomb and he makes it sure that it will be used. Brian Dennehy portrays Groves' old fashioned strenght, intelligence and single-mindness perfectly.

The third most important person here is Szilard, a physicist whose ideas were key for the development of the bomb but who turned against it's use against Japan (or any other nation) asking President Truman not to deploy the bomb over Japan. He's perfectly captured by Michael Tucker who even resembles the real Szilard. Szilard proposed a demonstration (deploy the bomb without killing anyone to show it's power) that was rejected.

The movie poses the debate: Should the US of the time be accountable for the use of the bomb?

I myself see arguments for both sides:

On one hand, the atomic bomb had to happen. It was a natural conclussion of the ever inspiring scientific and physic discoveries at the start of last century. Also, throwing it as a demonstration would have indeed been risky if it failed. The Japanese military was scattered and divided at the time, and it's difficult to negotiate with a bubble of voices. Civilians (kids and women) are killed with other weapons too. They were in Dresden for example. The bomb ended the war.

On the other hand the bomb had cost too much money not to use it. They wanted to know what was it's devastation power. They didn't try a serious effort to negotiate a surrender with Japan. They picked cities where the devastation could be bigger. The Japanese were weak at the time, they may have been defeated by other medium.

The movie also offers some curiosities as Kyoto not being one of the bombed cities due to the fact that one military authoriy respected it's traditions and Arts too much and the division between the Navy wanting to give fair play to the Japanese (with at least some hours-long warning) and the Army just wanting to bomb the hell ouf it.

This was a very ambitious project for any movie, let alone one made for TV. To make a historically accurate movie on the development and deployment of the atomic bomb, encompassing the scientific, political, diplomatic and military aspects, is, to put it mildly, daunting. Yet this movie largely succeeds, due primarily to a great script and an over-the-top cast. Dramatic tension is maintained throughout, and the script draws the viewer in to the multifarious issues involved. Many viewers have objected to the issue of the morality of the bomb's use being discussed, yet surely this is a legitimate issue for discussion and was raised by various players at the time. Ralph Bard, Undersecretary of the Navy, did indeed resign over its use. The movie, however, is in no way a pacifist screed. All in all a very well-made and thoroughly absorbing treatment of a momentous historical moment.

This is a very good film on the Manhattan Project, the building of the atomic bomb. It is especially a faithful adaptation of the book, DAY ONE, by Peter Wyden. Other reviews here have done a good job of description--I will add that it is far superior to the Paul Newman film on the same topic: FAT MAN AND LITTLE BOY.

In addition, this film is a good teaching tool. I used to show clips from the movie to my U.S. History classes, particularly the latter portion of the film where multiple viewpoints are given of the reasons for and against the dropping of the bomb, whether or not it was necessary, and what would be the moral consequences if such a weapon was used. These viewpoints, from the military and civilian leaders in Washington and at Los Alamos, are not conjured up from the mind of some scriptwriter--they are historically accurate.

Brian Dennehy's Commanding Performance as Brig. Gen Leslie Groves drives this TV-Docudrama about "The Manhattan Project", the Scientific/Militaristic Collaboration to Design and Build the First Atomic Bomb.

But Producing the "Super Weapon" opens up a "Pandora's Box" of Conflicting Philosophies and Strategic Questions that Human Beings were Forced to Answer, and Answer Quickly.

History is Played Out quite Accurately, or as Accurate as something like a TV-Movie is Capable. It's an Astonishingly Detailed Account of the much Talked About Event.

"The Manhattan Project, Los Alamos, Oak Ridge, Trinity, Fat Man & Little Boy, Oppenheimer, Hiroshima, Nagasaki, Fall Out", and other Terms enters and remains in the Lexicon of Nervous Language to this Day.

This is a good Dramatization. David Strathairn is Excellent as Robert J. Oppenheimer, "Oppie", to His Friends and Colleagues. He is more of a Complex Person than Groves and it wasn't as Easy to Flesh Out, but is given His Due and enough Screen Time to be a Fair Account of the Man.

Overall, the Movie is a Must Watch for Historians and for Anyone Interested in War Room and Laboratory Intrigue where America's "Hawks and Doves" Mated and the "Love Child" and its Offspring are Still Alive and the Biography is Not Yet Complete.

This is quite a good depiction of the history of the development of the bomb, and I was quite enjoying it. Then in about the last half hour the "revisionist" history began to creep in - the type where all good people at the time felt we shouldn't use the bomb, and only the evil military folks were for its use. The dialog at this point sounds absolutely absurd for a wartime 1945, and comes across more like a demonstration at Berkley in the 60s. "Yes we used the bomb, but we were very conflicted about the decision, and we were wrong to do it." Spare me this drivel.

If you agree with this point of view and felt the US was wrong to use the bomb you'll love the movie.