Cameron

Armand Mastroianni("Blood Wedding","Distortions")directs this slightly gruesome horror film about young boy named Cameron who has telekinetic powers.When his father and a psychiatrist run experiments on him,they unknowingly release an Aztec demon from hell who makes his home in Cameron's bedroom closet.As the demon eliminates all the adults one by one,Cameron realizes that he alone possesses the ability to defeat him."Cameron's Closet" is a pretty mediocre and bland horror flick.Still there are at least four very violent and gory scenes,in which certain characters die for no real reason.The monster from Carlo Rambaldi,who helped build the monster for "Alien",is basically a head which isn't the least bit menacing.The acting is decent,but the storyline is completely predictable.Overall,If you are a rabid horror fan like I am give it a look.6 out of 10.

I recently viewed the UK film 🇬🇧 Cameron's Closet (1988) on Prime. The plot centers on a young man with telekinetic abilities who inadvertently unleashes a demon in his closet. The demon, intent on claiming the boy's soul, proves ruthless in its pursuit, stopping at nothing to eliminate anyone who stands in its way.

Directed by Armand Mastroianni (He Knows You're Alone), the cast includes Cotter Smith (Mindhunter), Scott Curtis (Santa Barbara), Melissa Harris (Thirtysomething), Kim Lankford (Malibu Beach), and Leigh McCloskey (Inferno).

Cameron's Closet boasts several redeeming elements that contribute to its overall appeal. The opening sequence, featuring a father armed with a machete in his son's room, sets a chilling tone reminiscent of classic "monster under the bed" tales mixed with slasher. The demon itself is well-designed and exudes a palpable intensity, with impressive makeup and prosthetics enhancing its menace. Notable scenes, such as the humorous "thrown out the window" moment, add an enjoyable touch to the film. The cast delivers authentic performances, and the storyline proves engaging, punctuated by a memorable shower scene. While the kills may not reach peak intensity, the film's conclusion is satisfying and merits attention.

In conclusion, Cameron's Closet stands as an above-average entry in the horror genre, offering a worthwhile viewing experience. I would rate it 6.5-7/10 and recommend watching it once.

I enjoyed the plot of this movie. Certainly, monster in the closet is not an original idea, but they put their own spin on it. Sometimes, old plots are the best plots. I don't want this to be a spoiler, so I won't reveal too much.

This movie is about a boy with telekinetic powers. From early in the movie, we know there is something evil in his closet. The plot builds up throughout the movie and comes together nice and tight at the end. This is not some movie with a bunch of weird supernatural stuff that have nothing to do with each other, like Friday 13th part 7. This one all comes together.

My favourite scene is the one with the ceiling fan. Very exciting, though I don't see how a mere ceiling fan is cause for that much alarm. Well, thats what I love about B-movies. Some people just don't get it. I gave this 7 out of 10. It is a good horror B-movie. Not a movie for harsh critics though. Its good fun, very imaginative, but some would think its pretty stupid. If you're one of those people who hate everything, don't watch this. If you like B-movies and have a good imagination, than this, like so many films I recommend, is for you.

My review was written in April 1989 after a Midtown Manhattan screening.

"Cameron's Closet" is an ambitious but very disappointing horror film. Pic arrived tardily in Manhattan theaters months after its poster went up in subway displays, just in time for its appearance in video stores.

Attempt at a minor league "Exorcist" on a puny budget is a mistake. Levitation and other effects are merely okay and the pic lacks the scope of a horror epic. Gary ("The Howling") Brandner merely has fashioned a convoluted tale of a monster in the closet of little boy Cameron (Scott Curtis).

The kid has been experimented upon (a la Michael Powell's "Peeping Tom") by his dad Tab Hunter, combining psychokinesis with demonology to unleash a monster (a demon worshipped by the Mayans, no less).

Hunter exits early, killed by the demon, and mains tory psychically (and unconvincingly) links Cameon with the police detective (Cotter smith) assigned coincidentally o the serial murder caused by the hellish critter. Smith's real-life mate, Mel Harris of tv's "thirtysomething", is cast as a psychiatrist treating both Curtis and Smith (!), latter suffering from blackouts caused by the demon.

Not helped by flat lighting of interiors and dullish Armand Mastroianni direction, pic plods to several confrontations with the monster, poorly executed by Carlo Rambaldi to look like Batman wearing his cowl. An extraneous near-incest scene is pointlessly thrown in near the end like an audience wakeup call.

Harris adds plenty of class to the proceedings, while Smith is bland and little Curti merely competent. Chuck McCann scores in a non-comedic role as a boozing ex-scientist.

Cameron is a psychic boy. He somehow brings a demon to life by

using his powers on a statue. The demon then hides in the boy's closet. The demon is vanquished in a hail of bad FX. This movie deserves to be MST3K'd oh so very badly.