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Bloodmoon

  • 1990
  • 18
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
4,7/10
852
IHRE BEWERTUNG
Bloodmoon (1990)
Slasher HorrorEntsetzenThriller

Füge eine Handlung in deiner Sprache hinzuA serial killer is loose at an all girl school, where he strangles girls with a piece of barbed wire.A serial killer is loose at an all girl school, where he strangles girls with a piece of barbed wire.A serial killer is loose at an all girl school, where he strangles girls with a piece of barbed wire.

  • Regie
    • Alec Mills
  • Drehbuch
    • Robert Brennan
  • Hauptbesetzung
    • Leon Lissek
    • Christine Amor
    • Ian Williams
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,7/10
    852
    IHRE BEWERTUNG
    • Regie
      • Alec Mills
    • Drehbuch
      • Robert Brennan
    • Hauptbesetzung
      • Leon Lissek
      • Christine Amor
      • Ian Williams
    • 35Benutzerrezensionen
    • 17Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos62

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    Topbesetzung42

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    Leon Lissek
    Leon Lissek
    • Myles Sheffield
    Christine Amor
    • Virginia Sheffield
    Ian Williams
    • Kevin Lynch
    Helen Thomson
    Helen Thomson
    • Mary Huston
    Craig Cronin
    • Matt Desmond
    Hazel Howson
    • Sister Mary-Ellen
    Suzie MacKenzie
    • Michelle
    Anya Molina
    • Jennifer
    Brian Moll
    • Mr. Gordian
    Stephen Bergin
    • Mark
    Christophe Broadway
    • Scott
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    Tess Pike
    • Kylie
    Jo Munro
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    Michelle Doake
    Michelle Doake
    • Linda
    Christopher Uhlman
    • Chip
    • (as Chris Uhlman)
    Justin Ractliffe
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    Damien Lutz
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    • Regie
      • Alec Mills
    • Drehbuch
      • Robert Brennan
    • Komplette Besetzung und alle Crew-Mitglieder
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    Benutzerrezensionen35

    4,7852
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    Empfohlene Bewertungen

    dead_dudeINthehouse

    slasher nostalgia

    BLOODMOON had major airplay on the USA NETWORK on Friday nights during some years. After 1997 I haven't seen this slasher but I can remember about it.

    It's night, full moon, a killer with a barb wire terrorizes a girls school. Great premise for a slasher! The murders are so so as the killer has only a way to kill the ladies. Anyway this is pure slasher fun, much in the style of HOUSE ON THE SORORITY ROW. The plot tries to be somewhat complex, but fails on being interesting and turns to be dumb. You discover who the killer is after 30 minutes of the movie. Slasher fans do not care about it! Don't expect too much from this slasher, just watch it and have some fun. It gets boring at some point, but it's worth a watch.

    I recommend it only for slasher fans, watch it at your own risk.

    3/10 -Terrible but tries to stand out of the garbage
    5ThrownMuse

    Christine Amor can Really Make A Scene!

    Teenagers on a college campus are brutally murdered while doing the dirty. This starts out as a typical crap 80s slasher snoozer. For the first 40 minutes I kept thinking to myself "Wow, the late 80s/early 90s was an even WORSE time for style and horror in Australia than it was in the US!" Teenagers with side-ponies stripping out of their stonewash jeans are everywhere! The theme of this slasher seems to be a killer with a circular barbed wire thingie that he uses to choke, causing his victims to see a, um, bloodmoon? I have no idea. What I DO know is that about halfway through, this movie turns from a below-average slasher, to a fabulously trashy episode of "Dynasty Down Under," thanks to the camped-out performance by the hilarious Christine Amor (who was likewise the only good thing about the Linda Blair crapfest "Dead Silence". Oh yeah, be careful because most reviews (and even the Netflix envelope) feature spoilers, but it doesn't really matter because the movie is only worth watching for the soap operatics in the second half.
    Insomniac_moviefan

    Not awful, not good

    Those were the days... Where this kind of slashers were a reason for staying home on a Friday night when being 12 or 13 years old.

    I remember this movie airing on USA NETWORK almost every 6 months, but it wasn't until the 10th time it aired that I decided to watch it. The first 10 minutes are kind of creepy, then the movie gets boring until the expected end. The killer is no way scary, and even the plenty of gore and hot girls doesn't help "BLOODMOON" being a slasher to be remembered.

    Just for die hard fans of the genre.
    5lost-in-limbo

    Sex equals death.

    By reputation "Bloodmoon" doesn't seem to stand up so well, nonetheless it just seemed to draw me in (well captivating poster artwork helps a lot too) and since it just got a local DVD release (thanks to the 2008 documentary "Not Quite Hollywood: The Wild, Untold Story of Ozploitation!") it was easy to get a hold of. It turned out to be competently stylish, but a generically penned (if sexually charged) Aussie slasher that after the opening sequence it seems to find itself in soapy TV material. This aspect is rather distracting and stodgy, before it finally goes on to build a head of steam for the last half hour of outrageous acts and jarring suspense. While not particularly successful as a whole, as it can be sloppy it still kept me watching. Something about the choice of locations constructs an effective small coastal town atmosphere (very similar to that of 1981 quirky Australian slasher "Dead Kids") and it's lit with moody visual shadings by director Alec Mills. The stalk and slash scenes are actually well executed and framed, especially in the latter half with a couple twisted acts of uncontrollable violence… but when the focus (during some long periods) is on the dramas / antics of the locals and a group of neighbouring boarding schools (girls and boys -- who are on heat with constant flashes of female nudity) the suspense is truly forgotten about and its kept grounded with an authentic flavour but the cheesy handling doesn't help and so did the lack of any development of recurring characters / side-stories. The patchy story doesn't really offer any surprises (well maybe one moment --- a death towards the end) and the revelation of the killer midway though shouldn't really come as a surprise. Actually I thought it was better off unmasking the killer, because it was obvious but their choice of weapon a piece of barb wire would leave an unpleasant mark. The performances are surefooted with the likes of Christine Amor (immensely dominating), Leon Lissek (unusually picture-perfect), Ian Williams and Helen Thomson. Australian music composer Brian May has crafted out some stunning scores, but on this occasion it isn't one of his best in what is a vibrant, but heavy-handed arrangement. When it was being ominous it worked, but for those softer and playful cues it doesn't come off. It just lacked the fineness. Nothing sensational, but a better than labelled slasher.
    Michael_Elliott

    Pretty Bad All Around

    Bloodmoon (1990)

    * (out of 4)

    Ozploitation about a serial killer going around an all girls Catholic school where he wraps a piece of barbed wire around the victim's necks. BLOODMOON is one of those films that seemed to build its reputation on hype and then when people actually saw the picture they realized that there really wasn't much to it. The idea of barbed wire being wrapped around someone's neck makes one think that you're about to view something graphic but that's certainly not the case. It almost seems as if the filmmakers watched a few American slashers and decided to copy them. It also seems like they read some negative reviews to stuff like Friday THE 13TH that put the films down for not having any sort of character development. It further seems that the filmmakers wanted to "get it right" so we're given non-stop scenes with so-called character development. There's no other way to put it but this movie is extremely bad from start to finish. There's an incredibly drawn out and downright boring dance sequence, which seems to run as long as the wedding sequence from THE GODFATHER. This scene just keeps going on and on and when it's over you realize that there wasn't a need for it. No need for it is something that most of these scenes here have going for them. The entire picture just drags along and at times you wonder if the filmmakers forgot they were making a horror film. The first hour drags by so poorly that most will probably hit the eject button. The majority of the death scenes take place off camera so we're not given too much there. What little blood there is comes from scenes showing the victim's missing their eyes. The film does offer up quite a bit of nudity but this here isn't enough to save the picture. Fans of the genre will probably be curious about this one due to its hyped reputation but sadly the film itself is quite poor and well worth skipping.

    Handlung

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    • Wissenswertes
      When this film was released theatrically in Australia, it included a William Castle-like "Fright Break", a short intermission which gave audiences a chance to walk a yellow line to the cinema's exit if the film was too frightening for them, giving those who took the so-called "Chicken Walk" to the exits their money back. The "Fright Break" sequence is included on the Australian video release.
    • Alternative Versionen
      The film received an R rating in Australia by the board of film censors. The distributor, anxious for as wide an audience as possible, decided to trim a majority of the onscreen violence and some of the raunchier sex scenes to obtain a more commercially friendly M rating. The subsequent VHS release a few months later was the uncut version.
    • Verbindungen
      Featured in Proof - Blindes Vertrauen (1991)
    • Soundtracks
      Bloodmoon
      Music by Brian May

      Lyrics by Hunt Downs

      Arranged by Alan Slater

      Performed by Vice

      Recorded at Starsound

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 22. März 1990 (Australien)
    • Herkunftsland
      • Australien
    • Sprache
      • Englisch
    • Auch bekannt als
      • Red Moon
    • Drehorte
      • Gold Coast, Queensland, Australien
    • Produktionsfirmen
      • Village Roadshow Pictures
      • Michael Fisher Productions
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    Technische Daten

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    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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