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IHRE BEWERTUNG
Ein Gouverneur von Louisiana im mittleren Alter verliebt sich in eine junge Stripperin, was seine politische Karriere und die radikale Politik gefährdet, die ihn zu einer umstrittenen Figur ... Alles lesenEin Gouverneur von Louisiana im mittleren Alter verliebt sich in eine junge Stripperin, was seine politische Karriere und die radikale Politik gefährdet, die ihn zu einer umstrittenen Figur gemacht hat.Ein Gouverneur von Louisiana im mittleren Alter verliebt sich in eine junge Stripperin, was seine politische Karriere und die radikale Politik gefährdet, die ihn zu einer umstrittenen Figur gemacht hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 1 Gewinn & 3 Nominierungen insgesamt
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I'm happy the film Blaze came out if for no other reason than Earl Long finally got his place in film history beside his more famous brother Huey. Earl spent a lot more years in public office and maybe no man ever enjoyed just campaigning for office and the trappings thereof when elected.
I was a mere lad, but I do remember Earl's tumultuous and final term as Governor of Louisiana. The stuff you see here about Earl Long, the relationship with stripper Blaze Starr and the rest, was big news back in the day. One of the reasons that Earl could not do what George C. Wallace did was that Wallace had a most compliant first wife in Lurleen Wallace. One character we do not see here was his wife and later widow Blanche. Long was very much married at the time all of his antics were front page news, it was Blanche in fact who had him shipped to the funny farm.
Just as Blanche Long is eliminated from this story so is United States Senator Russell B. Long, son of Huey. Russell Long, who was barely the minimal 30 years old, was appointed by his uncle who happened to be Governor at the time to the U.S. Senate following the death of John H. Overton was still in the Senate when Uncle Earl's antics was big and embarrassing news. Russell Long served in the Senate for over 40 years and unlike his father and uncle became a most powerful Senator through his patient rise up the seniority ladder.
Even without Blanche and Russell, Earl Long's affair with Blaze Starr is the basis of a fine motion picture. Lolita Davidovitch is a warm and earthy Blaze Starr, a Loretta Lynn/Patsy Cline type from West Virginia without their talent. Still she might not have sung, but the woman had one fine figure. And when she pointed those glockenspiels of mass destruction at Earl Long, he was cooked. Imagine watermelon as an aphrodisiac?
Paul Newman does very well indeed as the irascible old governor just hanging on despite physical and mental problems. Today Earl Long might have been diagnosed with Alzheimer's Disease or as some have speculated with bi-polar disorder. He might have been given the proper medication.
If Blaze has a fault and it's a big one, it's the lack of secondary character development. We don't really get to know about any of the other people in the Earl and Blaze story.
But we do get to know Earl and Blaze. And if Earl K. Long was indeed bi-polar and been given the proper medication, we might have never have had this story or this film.
I was a mere lad, but I do remember Earl's tumultuous and final term as Governor of Louisiana. The stuff you see here about Earl Long, the relationship with stripper Blaze Starr and the rest, was big news back in the day. One of the reasons that Earl could not do what George C. Wallace did was that Wallace had a most compliant first wife in Lurleen Wallace. One character we do not see here was his wife and later widow Blanche. Long was very much married at the time all of his antics were front page news, it was Blanche in fact who had him shipped to the funny farm.
Just as Blanche Long is eliminated from this story so is United States Senator Russell B. Long, son of Huey. Russell Long, who was barely the minimal 30 years old, was appointed by his uncle who happened to be Governor at the time to the U.S. Senate following the death of John H. Overton was still in the Senate when Uncle Earl's antics was big and embarrassing news. Russell Long served in the Senate for over 40 years and unlike his father and uncle became a most powerful Senator through his patient rise up the seniority ladder.
Even without Blanche and Russell, Earl Long's affair with Blaze Starr is the basis of a fine motion picture. Lolita Davidovitch is a warm and earthy Blaze Starr, a Loretta Lynn/Patsy Cline type from West Virginia without their talent. Still she might not have sung, but the woman had one fine figure. And when she pointed those glockenspiels of mass destruction at Earl Long, he was cooked. Imagine watermelon as an aphrodisiac?
Paul Newman does very well indeed as the irascible old governor just hanging on despite physical and mental problems. Today Earl Long might have been diagnosed with Alzheimer's Disease or as some have speculated with bi-polar disorder. He might have been given the proper medication.
If Blaze has a fault and it's a big one, it's the lack of secondary character development. We don't really get to know about any of the other people in the Earl and Blaze story.
But we do get to know Earl and Blaze. And if Earl K. Long was indeed bi-polar and been given the proper medication, we might have never have had this story or this film.
The scandalous love affair that was going on between Louisiana governor Earl Long (Paul Newman) and stripper Blaze Starr (Lolita Davidovich) is poorly dramatized in this rather slow moving 1989 Touchstone release. A good cast certainly tries hard but can't save this film from being a downer in the world of biopics.
Southern politics and strip-tease dancers make for a steamy mix and although we don't feel the heat of `Big Easy' this does try to raise the temperature. But it's thwarted by its own lack of direction. There are, in effect, three stories here - firstly the fall and rise (and fall again) of Earl K Long (`fine Governor of the great State of Louisiana'); secondly, the rise of stripper Blaze Starr and thirdly, what happens when these two larger than life characters form a life-changing relationship. Shelton concentrates on the latter, leaving us feeling that there might actually have been more fertile ground in either of the first two.
Newman (as Long) dominates the proceedings as a scoundrel of a politician that y'all are gonna love. His political opponents are totally against his support for Civil Rights - and his supporters are dubious too. His relationship with Starr doesn't exactly help his political chances. The politics alone, with Starr more in the background, could have made for an intense movie. Starr arrives on the scene as a leading light in the New Orleans strip joints (although quite how she makes the leap from nervous, reluctant stripper to top of the bill is omitted). Once they get together the film loses direction, not knowing whether to delve more deeply into the politics or whether to lighten the presentation by concentrating on the relationship. Some scenes seem to be included primarily so that some cute jokes can be kept in the script - `meet my yes men and their wives' is an example of a scene that doesn't add much to depth, but seems to be there for the laugh. Overall Shelton leans to the light touch and the whole ends up begging more questions than it answers.
The film does acknowledge the changing times of the late 1950s and the advent of a more liberal society. Long foresees the advent of a successful Civil Rights movement, whilst Starr sees a future where strippers will be required to remove their G-strings. But overall this is a lost opportunity, concentrating on the veneer of a not-too-convincing relationship at the expense of a greater expose. In short Shelton should have removed the political G-string.
Newman (as Long) dominates the proceedings as a scoundrel of a politician that y'all are gonna love. His political opponents are totally against his support for Civil Rights - and his supporters are dubious too. His relationship with Starr doesn't exactly help his political chances. The politics alone, with Starr more in the background, could have made for an intense movie. Starr arrives on the scene as a leading light in the New Orleans strip joints (although quite how she makes the leap from nervous, reluctant stripper to top of the bill is omitted). Once they get together the film loses direction, not knowing whether to delve more deeply into the politics or whether to lighten the presentation by concentrating on the relationship. Some scenes seem to be included primarily so that some cute jokes can be kept in the script - `meet my yes men and their wives' is an example of a scene that doesn't add much to depth, but seems to be there for the laugh. Overall Shelton leans to the light touch and the whole ends up begging more questions than it answers.
The film does acknowledge the changing times of the late 1950s and the advent of a more liberal society. Long foresees the advent of a successful Civil Rights movement, whilst Starr sees a future where strippers will be required to remove their G-strings. But overall this is a lost opportunity, concentrating on the veneer of a not-too-convincing relationship at the expense of a greater expose. In short Shelton should have removed the political G-string.
This was one of the few times that Ron Shelton made a movie that didn't deal with sports and he did a pretty good job. Paul Newman plays the democratic governor of Louisiana and he has an election coming up but can't run for governor again, so he has a friend of his run for governor and Newman will run as lieutenant governor and right after the election the friend will step down and Newman will become governor. Lolita Davidovich plays a big time stripper who at first is suspicious of Newman when he comes on to her but the wind up falling in love. This is set in the late 50s and is down south and since segregation is a big issue Newman's rivals will use it against him in the election. It doesn't help when Newman is having an affair with a stripper and supports civil rights for black people. This is a really good film about politics and also turns out to be a good romance.
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- WissenswertesThe year this film was shot there was an election in Louisiana. One of the items to vote on was bill that had many different state projects. It was defeated the same day the crew was filming the funeral scene overnight in the Capital Building in Baton Rouge. The crew had to leave before all the props could be removed, including the coffin. The defeated bill was laid in the coffin by someone before the next daily legislative session began.
- PatzerIn the last long shot, reflection of camera helicopter is visible in glass door of building.
- Zitate
Lora Fleming: Never trust a man who says, "Trust me."
- SoundtracksMockin' Bird HIll
Written by Vaughn Horton
Performed by Les Paul and Mary Ford
Courtesy of Capitol Records, Inc.
By arrangement with CEMA Special Markets
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Details
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 19.131.246 $
- Eröffnungswochenende in den USA und in Kanada
- 1.739.701 $
- 17. Dez. 1989
- Weltweiter Bruttoertrag
- 19.131.246 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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