Dead Eyes

so we all know that the first two demons movies are pretty much as good as it's going to get. i am not going to lie to you after seeing all (seven?) 'demons' movies, I can truly say that the first two entires are masterpieces and the rest are an eclectic bastard lovechildish creative, bad, and completely crazy entries.

This movie is so awful in a good way. It's also pretty hard to track down (insert obvious reasons.) It's referred too as like 7 different titles, but the one I was watching was English dubbed audio with Japanese hard subtitles. The movie shamelessly poses as 'Suspiria 2' but at the same time also seems to acknowledge what they're doing is pretty awful so they throw in a lot of funny crazy effects to distract you from the plot that includes a grand total of 4-5 people and pacing that fluctuates between wayyyyy to slow and holy crap what just happened and why?

it's not as good as the first two demons movies, but if you like to chuckle at a truly goofy and poorly made movie, this movie is a gold nugget. There's so many unintentionally hilarious moments you can't capture unless you are truly trying to make a serious effort and it just unfolds like a pile of unsorted laundry. Pretty much anything you can think may or may not explode and smoke and leak green worms and intestines WILL AND SHALL. That part's never really explained but a lot of other things are.

Hilarious dated effects guaranteed to open your eyes wider than a syfy movie creature shot. I had a fun time with it :)

"i'm in the mirror. No - i'm in the rifridgerator , Wait - I'm back in the mirror *blarchhhhh*"

Il Gatto Nero aka The Black Cat does not belong to the best horror movies Italian style, but still - the atmosphere is dark and creepy, the visuals top notch for a B-movie of the early 80s, on top we get some hand-made gore (not that CGI-nonsense of modern days). The story is maybe a little too confusing and misses some momentum here and there, but anyway, The Black Cat is classic horror Italian style and beats most of today's Hollywood "horror" movies easy, and it got that shot of nightmare-like state that makes it rather special. Recommended if works of Mario Bava, Lucio Fulci, Umberto Lenzi and Dario Argento are regulars on your menu.

Demons 6 (1989)

* (out of 4)

Here's yet another example of the Italian horror genre and their crazy titles. Lamberto Bava made DEMONS and DEMONS 2 but when DEMONS 3 had its title changed to THE CHURCH the producers then took Bava's THE ORGE and made it DEMONS III. Then, for no reason, Michael Soavi's THE SECT was released as DEMONS 4 while Mr. Bava made THE DEVIL'S VEIL, which was pretty much a remake of his father's BLACK Sunday, only it was released under the fake title of DEMONS 5. Then, that same year, director Luigi Cozzi made a film called THE BLACK CAT, which then was released as DEMONS 6. Oh yeah, Cozzi also intended this to be the third chapter of Dario Argento's at the time incomplete "Three Mothers" series, which had SUSPIRIA and INFERNO. I'm certain most fans aren't going to consider this to have anything to do with the Argento movies and I think it's fair to say that in reality there are only two movies in the DEMONS series. The rest were simply named to cash in on something.

The film has an actress (Florence Guerin) and her director husband (Urbano Barberini) getting ready to make a movie based on the witch in SUSPIRIA. They plan on making the movie but the actress/wife begins to be haunted by the witch who doesn't want a movie based on her. Soon bodies are starting to pile up as the actress slowly loses her mind and crosses over into the world of possession. No matter if you call this DEMONS 6 or THE BLACK CAT, there's no denying that this is one major disaster that doesn't work on any level let alone fit in with the Argento films or even the earlier DEMONS flicks. There are several scenes where the Argento movie is mentioned so director Cozzi certainly wanted to at least link his films to SUSPIRIA but let's get real here. This is just a major hack fest that doesn't have a single thing going for it. For starters the screenplay is a downright joke as it never really makes too much sense. We start off with the actress making a version of Poe's The Black Cat and then we jump back and forth to other events. Most of her visions have the witch showing up in a mirror and one sequence has the mean witch puking up green slime and blood. There are a couple gory deaths scenes but they too look incredibly silly including one where a woman's heart begins beating so fast that it explodes out of her chest. Another throat slashing doesn't impress either. The performances are hard to judge thanks in large part to the horrid dubbing but Euro favorites Caroline Munro and Brett Halsey appear as another actress and producer.

Luigi Cozzi's The Black Cat is a weird film! And it's not just the film itself, the release and marketing are a little strange too. The film was released as Demons 6 (apparently a fifth sequel to Lamberto Bava's 1985 original) and also as a second sequel to Dario Argento's masterpiece; thus making it Suspiria 3. The film actually does mention Suspiria and Dario Argento by name; but if it's any relation to the 1977 classic; then it can really only be considered a spin off because the film doesn't follow on from either Suspiria or the legitimate sequel Inferno. In style, the film much more closely resembles Lamberto Bava's film; although the 'Demons 6' title was clearly just to help the film sell. Anyway, the plot focuses on a horror movie production; and the film is to be based on a book called Suspiria de Profumis, which Dario Argento's film was also based on (apparently, there's enough material for 100 movies!). The film is to focus on a witch named Levana; but for some reason, the production causes the witch to come alive; and the lead actress is the only one who can stand in her way.

It has to be said, this film is a real mess. Things 'just happen' time and time again and I was left constantly scratching my head. How do you make a film about a witch going around killing people confusing? Well, I guess you'd have to ask Luigi Cozzi. The influence of Lamberto Bava's Demons is clear and obvious throughout; the gore is very similar to that featured in the earlier film and Cozzi has jam packed this film with cheesy eighties hair metal. Actually the atmosphere of the film is one of it's only saving graces; the director utilises a good colour scheme and the feel of The Black Cat is gritty and foreboding at times. The acting is typically weak; but while trying to work out what the hell is going on, most people probably wont notice. The witch featured is surely one of the most ridiculous things in the film. I have no idea how this production ever got to use Argento's name and call itself a sequel to Suspiria; but the fact that it did is surely blasphemy. Overall, this film is entertaining in an odd sort of way; but it's not a good film by any stretch of the imagination.

I've just finished watching the late eighties Italian horror The Spider Labyrinth, which was a film devoid of cheese. This film, however, is like watching a slice of Gouda. But there's a place for films like this too, and I enjoyed it.

Some sort of sequel to Suspira/Inferno, it features some film makers getting together to make a film about Levanna, the Mother of Tears. Actress and new mother Ana is all set for the part, probably because her husband is the director, which makes script writer Dan's wife very jealous (and she's played by Caroline Munro, for the record).

Things start getting immediately weird when Ana starts having visions of a grape faced lady (you heard me) coming out of a mirror and attacking here. Seems that Levanna is real and wants to come back into our world, which involves Ana and her baby and that. You know the drill.

I though it was funny when Levanna started haunting Ana's fridge and then formed a vision of a fake repairman coming to fix it! That's just cruel. Also Bret Halsey's in this because perhaps Lucio Fulci had momentarily lost his phone number.

Anyway, the director guy and the screenwriter get in contact with some medium, who warns them off, and that's when Levanna goes nuts and starts wasting everybody, causing the medium's guts to explode out of her body, just like in Cozzi's Contamination! By this time there's also a little girl contacting Ana via a television to help her, but Levanna makes this TV explode and then spew up intestines (you heard me there too).

Things then start getting pretty unpredictable and VERY eighties, visually, but Cozzi may not be the best fan of reality, but he can sure pour on the madness and crazy set pieces. Whether or not this is a better sequel that Mother of Tears is up to you. Both are very cheesy and the later film was a lot gorier, but it also had Asia Argento in it and didn't really have the tone of Suspiria or Inferno, whereas this one is more similar in look and feel. That's up to you.

Luigi Cozzi sure had a thing for Caroline Munro, eh? In this film, you get to see her take a bath, wear lingerie, put varnish on her nails, have sex and get leggy while getting into a car. For the record, my favourite Munro moment is the musical number she does in Don't Open Til Christmas.