Nachdem sich eine Kreatur in die Gebärmutter einer Frau eingenistet hat, wird sie zur Mörderin, um den in ihr heranwachsenden Schrecken zu füttern.Nachdem sich eine Kreatur in die Gebärmutter einer Frau eingenistet hat, wird sie zur Mörderin, um den in ihr heranwachsenden Schrecken zu füttern.Nachdem sich eine Kreatur in die Gebärmutter einer Frau eingenistet hat, wird sie zur Mörderin, um den in ihr heranwachsenden Schrecken zu füttern.
- Regie
- Drehbuch
- Hauptbesetzung
- Livreur léopard
- (as François Frapier)
- Voix du monstre
- (as Roger Placenta)
- …
Empfohlene Bewertungen
This is a brilliantly entertaining variation on the killer baby theme (see 'The Unborn' and 'It's Alive'), with plenty of gore and nudity from the stunning Escourrou. I say steer clear of the American dubbed version as it is cut. 'Baby Blood' is one of the most underrated horror movies of the last twenty years. I thought it was a classic piece of exploitation and I can't recommend it highly enough!
Given the tendency of French cinema to err on the side of the extreme (especially when it comes to genre films), it's no surprise that "Baby Blood" is as unabashedly gruesome as it is. For all of its other attributes, the film is, at its core, a gross-out body horror splatter flick that delivers mind-numbingly gruesome violence that manages to be legitimately discomforting at times. The film also plays itself as something of a first-person slasher film as well, with the caveat being that the "killer" is operating by proxy.
But there's more to it than that; there is also a well-shaped psychological dimension to the film that is captured effectively through macabre voice overs in which the parasite inhabiting the protagonist's womb speaks within her mind, commanding her moves and actions and chastising her when she doesn't do what it wants. The interplay between the mind, the body, and the invader is well-realized and offers opportunity for scenes that are unnerving and scenes that are darkly funny. Emmanuelle Escourrou gives an instinctive and engrossing performance here that is impressive given she is reacting mainly to herself.
Overall "Baby Blood" is a generally strong horror flick that excels as both an exercise in psychological torment as well as a no-holds-barred body horror splatter flick. Shades of dark humor and a playful edge give the film an extra bit of zest, but it doesn't even really need it, as there is enough clever writing and buckets of blood to keep the most hardened horror fans engaged on some level. 8/10.
It's true enough that horror stories about monster babies were not exactly original by this point, but director Alain Robak gives the scenario a fresh coat of blood-red paint with his themes of maternal instinct and feminism gone berserk. (One can hardly fail to notice that most of the men in this story are incorrigible rotters or even worse.) The cast gives the visceral, sadistic material a great, straight-faced go, and Robak gives it great pace as well as dark humour. And, of course, horror fans who rate their movies based on the amount of bloodshed should be more than satisfied. There is also no shortage of nudity.
Overall, this is an engrossing exploitation-horror film that gets a lot of mileage out of the developing relationship between the reluctant mother and the monster within her.
Look for a cameo from the canine star of the French cult hit "Baxter"; director Robak supplies the voice of the monster in the original French version, and none other than Gary Oldman does the voice for the English-language version.
Seven out of 10.
Baby Blood might be stylish and filled with nasty special effects, but it also suffers from redundancy midway through. It turns into a series of murders as the lead character lures one hapless victim after another into her web, killing them, and drinking their blood. Pretty soon after, her baby gets hungry again and she does the same thing. The first few times, it's somewhat shocking and interesting, but it gets old after awhile.
Thar said, Baby Blood does deliver the gore, so if that's what you're in the mood for, you could do much worse.
The little one is very verbose, having funny conversations with its' host. Yanka is sexy and often naked, which adds to the entertainment value this atmospheric thriller. Baby blood provides buckets of the red stuff, as expected, and I thought that the acting and script were pretty good for this genre.
The director, Alain Roback, has an eye for detail and a sense of humor. The talking baby is a different twist, and it works in Baby Blood.
Wusstest du schon
- WissenswertesGary Oldman provides the voice of the fetus monster in the English dub.
- PatzerWhen Yanka is driving and talking to the monster about her preferred type of men, her car with camera equipment attached to it is reflected in the windows of the buildings.
- Zitate
Voix du monstre: What do you like about men?
Yanka: [sighs] Sad eyes. I like it when a man looks unhappy.
Voix du monstre: Unhappy?... I just thought of something. Is a man intelligent because he knows he's unhappy? After all, an animal doesn't know it's unhappy. So is unhappiness a sign of inteligence?
Yanka: [laughs]
- Alternative VersionenThe "R" rated U.S. release is missing much of the gore, and has many scenes in a different order.
- VerbindungenFeatured in In schlechter Gesellschaft (1999)
Top-Auswahl
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- What are the differences between the R-Rated Version and the Unrated Version?
Details
Box Office
- Budget
- 1.000.000 FRF (geschätzt)
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1