IMDb-BEWERTUNG
6,4/10
34.472
IHRE BEWERTUNG
Der Geist eines kürzlich verstorbenen erfahrenen Piloten betreut einen neueren Piloten, während er beobachtet, wie er sich in die Freundin verliebt, die er zurückgelassen hat.Der Geist eines kürzlich verstorbenen erfahrenen Piloten betreut einen neueren Piloten, während er beobachtet, wie er sich in die Freundin verliebt, die er zurückgelassen hat.Der Geist eines kürzlich verstorbenen erfahrenen Piloten betreut einen neueren Piloten, während er beobachtet, wie er sich in die Freundin verliebt, die er zurückgelassen hat.
- Auszeichnungen
- 3 Nominierungen insgesamt
Ascension Fuentes
- Child on Bus
- (as Acencion Fuentes)
Empfohlene Bewertungen
One of his lesser films, Always is a nice, touching story that seems to never have found its proper audience.
Wonderfully shot, well acted, the 1989 film is a departure from Spielberg's usual fantasy and historical pictures but has echoes of both. The firebomber sequences hint at some of the battle scenes from Saving Private Ryan years down the road.
Well worth checking out if you haven't seen it. Hepburn's final screen appearance is gentle and touching. Spielberg is restrained in this film. Perhaps he considers it a small film, but it is a forgotten gem in many ways.
Wonderfully shot, well acted, the 1989 film is a departure from Spielberg's usual fantasy and historical pictures but has echoes of both. The firebomber sequences hint at some of the battle scenes from Saving Private Ryan years down the road.
Well worth checking out if you haven't seen it. Hepburn's final screen appearance is gentle and touching. Spielberg is restrained in this film. Perhaps he considers it a small film, but it is a forgotten gem in many ways.
If there is only one reason why someone should rent or buy this film, it is simply to see Audrey Hepburn in her final screen performance. There was no better way to end her magnificent career than making a final, but all too brief appearance as an angel - she was cast beautifully - almost poetic. She was truly remarkable, and sadly, there will never be anyone else like her.
My husband asked me to marry him after we saw this movie. He was a helicopter pilot and we had met at an air show. We both loved vintage aircraft so this seemed to be just the movie to see. We both laughed and cried so hard during the movie. Little was I to know that 13 years later I would lose my husband while he was flying. It took me some years to watch this movie again and I too cried through the whole thing. It is so personal to me. There are times when I feel, like Holly did, that I can hear my husband talking to me and guiding me. There is a lot to be learned from this picture about life and love. I highly recommend this picture.
I'll just be honest here --- when I originally saw Always at the cinema in 1989, it was just a few months after my big brother passed away prematurely at the age of forty, and I'm not at all afraid to say that I cried like a baby. Like so many Americans, I have watched far too many films that i have taken to heart, but you know, Always is probably one of the final American films to ever really explore and display such deep human issues as unconditional love, mortality, and what a hero really is -- and isn't. It may be mushy, romantic, and a bit flawed, but I am proud that Spielberg made this bitter-sweet film -- I just saw it again and, if anything, it comes across as even more humane and honest in today's America of aggression, greed, and "relative" truth. If you've ever really, honestly, been so in love and committed to someone that you were willing to unconditionally put their needs before you own, or if you've ever lost anyone who meant the world to you, check it out. It changed my life when I first saw it because it made consider death in a new light... and it is about to totally change my life again as I have decided to live every moment for the rest of it as honest and decent and true to myself as possible --something that few of us today are willing to admit is lacking in our lives.
After seeing a movie with Marg Helgenberger made in the 90's "Death Dreams" with Christopher Reeve, I felt the need to look for other Marg Helgenberger performances besides her famous turn in CSI - To my surprise, not many, except "Death Dreams" where she gives a performance that goes straight to something truly personal. She is amazing, amazing! That's how I got to Always. The only Spielberg film I hadn't seen. The film is a sort of remake of "A Guy Named Joe" charming with a lovely central performance by Holly Hunter but where is Marg? She's way back in the background. Beautiful and real but way too far away in the background. The most memorable memorable moment, at least for a film buff - is the last film appearance by Audrey Hepburn, as an angel.
Wusstest du schon
- WissenswertesThis was Audrey Hepburn's final film before her death on January 20, 1993 at the age of 63. She accepted the role of Hap because she wanted to work with Steven Spielberg.
- PatzerThe Douglass A-26 Invader Air Tanker is powered by two 2,000 HP engines and empty, weighs about 23,000 Lbs. When it drops its 1200 gallons of fire retardant, it suddenly loses almost 11,000 Lbs. There should be no problem in getting the plane to climb after the drop. In fact, after a drop, keeping the plane from climbing too fast can be a problem.
- Zitate
Dorinda Durston: It's not the dress... it's the way you see me.
- Crazy CreditsOn the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death."
- Alternative VersionenIn the bar scene early in the movie, when Pete is trying to give the wrapped gift to Dorinda and she is resistant, this is almost perfect duplication of a scene early in the movie "A Guy Named Joe," upon which this movie is based. In both movies, Jack finally jokingly throws the box over Dorinda's head and it lands on a flight of stairs, falling open, revealing the elegant dress. And in both movies, Dorinda's attitude and manner completely change when she turns around and sees the dress.
- SoundtracksSmoke Gets in Your Eyes
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
Performed and Produced by JD Souther
Top-Auswahl
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Details
Box Office
- Budget
- 31.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.858.790 $
- Eröffnungswochenende in den USA und in Kanada
- 3.713.480 $
- 25. Dez. 1989
- Weltweiter Bruttoertrag
- 74.134.790 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Always - Der Feuerengel von Montana (1989) officially released in India in English?
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