Charlie - Alle Hunde kommen in den Himmel

I can understand why some people like this movie, and why some people don't. For me, though, I really like it, even if I noticed some good bits, and not so impressive bits. The animation was actually excellent, like Charlie's dream. The characters were a mixed bag, the best being Anne-Marie, voiced by the late Judith Barsi.(I was physically ill when I read what happened to her) Also, Carface is a very convincing villain,especially voiced by the wonderful Vic Tayback(I particularly loved "Morons I'm surrounded by Morons") and along with Rasputin and Warren T.Rat is probably the most memorable of all the Don Bluth villains. Charlie and Itchy only just lacked the same sparkle, but I loved King Gator and his song. Some of the film is very haunting, like Annabelle's "You can never come come back", which kind of scares me still. Unfortunately, there were some bits I didn't like so much. The story had a tendency to become clumsy and unfocused, but Disney's Black Cauldron suffered from the same problem. Also there were some dark scenes, that young children would find upsetting, but the ending is very poignant. However the biggest flaw was the rather bland songs and the way they were sung. None of them in particular stick out, with exception of "Let's Make Music Together" and "Love Survives", and Burt Reynolds can't sing and Dom DeLuise has done much better singing. All in all, a watchable movie, that could have been more, but is definitely memorable, and I would definitely watch it again. 7/10. Bethany Cox

Ever had a feature film where you really don't know how to feel about it? You don't hate it by any means, but you also don't really love it all that much either? For me, it's Don Bluth's All Dogs go to Heaven. Noted to be the first Don Bluth feature made after his brief stint with Steven Spielberg (which got him to beat Disney at their own game), the film was practically slaughtered on its original release by The Little Mermaid, although it did gain a massive cult following on home video. In spite of that however, many critics of Bluth's work have stated this marked the beginning of his dark period, and even I can see why.

The film tells the story of Charlie B. Barkin, a casino gambling German Shepherd who gets murdered by his former partner, Carface Carruthers, but leaves Heaven to go to Earth with a rewindable watch. On Earth, he and his best friend, Itchy Itchiford, get back at Carface by using a young orphan girl named Anne-Marie, who teaches them an important lesson about kindness, friendship and love. What sounds convoluted plot-wise is even more muddled in the execution, as the film goes from an inner world in New Orleans with dogs who plot and scheme one-another to then having this orphan child come in out of left field. Throughout the feature, the initial goal of Charlie getting back at his foe feels almost sidelined to focus more on Anne-Marie, as if the filmmakers couldn't make up their minds on how to drive the narrative forward. What's even more frustrating is that both archs work well on their own: the revenge angle presents some fun concepts in this world where dogs coincide on their own and Anne-Marie's presence helps provide the feature with a good amount of heart and emotions. It's just unfortunate that the jumbled tone on deciding whether it wants to be serious or light hearted got in the way of a cohesive story.

Now in terms of characters, Charlie himself comes off more unlikable than the film may have intended. Even when he learns about the meaning of kindness, his actions towards Anne-Marie feel undeserved and rather petty. Yes he's meant to be the wise cracking con artist with a heart of gold, but there are times when his bitterness to others is more mean spirited than necessary. Meanwhile, Itchy is a charming albeit neurotic comedic relief, Carface and Killer are the generic smart and dumb villain types, and anyone else. If any credit must be given to the voice actors, Burt Reynolds and Dom DeLuise make a great duo as Charlie and Itchy, as their improvisational banter and sardonic remarks are more entertainmenting than most of what goes on in the feature. Also, in spite of this being the last film for child actress Judith Barsi, the sincerity she gave in her performance as Anne-Marie feels like that of a genuinely innocent child who understands right and wrong and wants someone who will love and care for her. I guess for every mangy trait, these characters do have some good in them after all.

Of course, being a Don Bluth film, you're going to have gorgeous visuals, although here it comes with a mixed bag. On one hand, it's cool to have the dogs look and act in a more exaggerated and cartoony manner than the more realistic humans presented, but at times the animals look so exaggerated to the point of looking unappealing and they can't decide whether they want to walk on all fours or be anthropomorphic. Alternatively, the backgrounds are rich in detail, color and atmosphere, whether they be the gorgeous Louisiana landscapes, the surreal dreamlike heaven and hell, or even the abstract multicolor environments with strange creatures (like one such alligator). Also, there are some really bizarre edits in this film, as in you'll get a key shot of a sequence and then it will go away to another shot that will last less than five seconds (seriously, blink and you'll miss some stuff). Lastly, the musical numbers are what I like to call entertaining show stoppers, because as upbeat and catchy as they can be, most of them stop the story dead in its tracks and could have been cut out altogether.

So in the end, All Dogs remains a well intentioned albeit disjointed and somewhat jumbled hodgepodge with a mix of positives and negatives. For every intriguing and freshly new concept, luscious animation, likable character and fun filled song, there's a competing sub plot, bad archetype, questionable filmmaking choice and weak execution that makes the experience feel all over the place. I do recommend this film to a family audience and especially Don Bluth fans, because as scattered as the film feels in its presence, it does offer at least some stuff for people to get acquainted with, whether unintentionally or not.

This movie has been overlooked so much, it saddens me every time I see an empty review about it that fusses over tiny elements.

Yes, "All Dogs" is weird; There are dogs, orphans, corruption, murder, gambling, alcohol, afterlife, machine guns and a singing alligator, all mixed-up in the same movie. Yes, "All Dogs" has plot holes; Charlie can't talk to horses but can talk to alligators, the bad guy is allowed to enter heaven and the story is overall confusing.

So what?

This is one of the few movies that managed to make me "feel", in the true sense of the word. Have you ever been sad and hopeful at the same time? "All Dogs" made me feel that way. It makes me smile every time I watch it -without even knowing why-, and occasionally makes me cry. "All Dogs" has one of the most powerful endings I have ever seen in my life. The art is sublime; the characters' expressions, the backgrounds and special effects are astonishing. The symphonic and jazzy musics rolling in the background make whole with the 30's atmosphere. The dialogs are all fitting where they should belong. There are so many things to tell about this movie... I've noticed that many reviewers have been disturbed by the unusually dark tone spilled throughout the film. In real life, people are able to drink, gamble and/or kill. Don Bluth seems to be one of the few directors that takes children seriously, and present them the not-so-bright sides of life.

For those who are unsure about watching "All Dogs" or not because of some disturbing interpretations of the movie; Give it a try. You'll either hate it or love it to death, but one thing is sure: you won't be seeing anything like that in the near future. This is one of the strangely addicting movies that you love without knowing why (see also "Six-String Samurai" and "The Man Who Saves The World" to see what I mean).

When I was a little girl (and my dad owned a video store), this was among my favorite movies. I hadn't heard much about it since then, nor did I really remember anything about it, it having been forgotten in the wake of Don Bluth's other, probably better films. I managed to track it down a few weeks ago, however, and was pleasantly surprised again. Set in New Orleans in the 1930s, the animation is delightful and the songs are memorable. There are a few goofs in continuity if you look hard enough, but they generally don't detract from the storyline, which leaves you smiling (and maybe even a little misty-eyed, if you are a lover of animals). The characters are believable (maybe even a little too grown-up for younger watchers), as well. Two paws up, and for those of you who haven't seen it in a while, definitely worth a re-watch.

I've seen this movie when I was young, and I remembered it as one of the first films I have truly liked that was not an action movie or a comedy. So, in my later years I decided to watch it again and see if it was just nostalgia or was there really something in that movie. To my surprise, the movie held to my every expectations. It's a great movie. Emotional in the right amount, some jokes, nice songs (not great though, and that actually explains why I did not remember it was a musical) and all in all a great use to my time. I was surprised because the last movies from my childhood that I have revisited did not even pass my minimal demands of a decent movie and yet this movie, which I first saw in the second grade, made me cry today just like it made me cry then. Maybe that's because my dog died recently and maybe not, but the important thing is that it made me feel, and that's why filmmakers make films (that and the money, of course). Yes, there are continuity glitches. Yes, the script has holes, but it doesn't matter. The movie itself is fun and smart. So don't be fooled by cynical people who always look for the bad things in life, because nothing is perfect, and this movie gets a 10 not because it is perfect. It gets 10 simply because it made me feel.