Ein ziviles Tauchteam wird angeheuert, um nach einem verlorenen Atom-U-Boot zu suchen und bei der Begegnung mit einer fremden Wasserart Gefahr zu laufen.Ein ziviles Tauchteam wird angeheuert, um nach einem verlorenen Atom-U-Boot zu suchen und bei der Begegnung mit einer fremden Wasserart Gefahr zu laufen.Ein ziviles Tauchteam wird angeheuert, um nach einem verlorenen Atom-U-Boot zu suchen und bei der Begegnung mit einer fremden Wasserart Gefahr zu laufen.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 9 Gewinne & 16 Nominierungen insgesamt
Captain Kidd Brewer Jr.
- Lew Finler
- (as Capt. Kidd Brewer Jr.)
Dick Warlock
- Dwight Perry
- (as Richard Warlock)
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There was a time, way back in the '80s - before James Cameron suffered head trauma and devoted his life to Avatar - when the man made blockbusters that had a humanity at their core; something instantly relatable despite the sci-fi setting. The Abyss is one of those, with Ed Harris and Mary Elizabeth Mastrantonio reconciling their failed marriage amidst mortal peril. Indeed, they're trapped miles beneath the ocean's surface, negotiating nuclear warheads, attacking subs and a hair-triggered Michael Biehn.
Cameron creates a realistic environment that still feels otherworldly, populates it with real people and ratchets the tension to unnerving heights. The effects are fantastic, ast are the performances and - as scary as this place is - I would easily come back to revisit.
Cameron creates a realistic environment that still feels otherworldly, populates it with real people and ratchets the tension to unnerving heights. The effects are fantastic, ast are the performances and - as scary as this place is - I would easily come back to revisit.
I've never really heard of The Abyss except in Fox DVD commercials. When it came out, I was only 8 and not into sci-fi movies that weren't titled Star Wars. However, now I decided to check it out and was quite pleased with this solid sci-fi movie.
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
This movie is extremely well made. Make sure you get the original director's cut, or Special Edition as they are calling it on the DVD. It includes the real ending, along with more than 20 minutes of additional footage. The morons from the studio in Hollywood decided that the public wouldn't want to see a nearly 3-hour underwater adventure, and forced James Cameron to cut it down and change the ending. The ending the studios insisted on is your typical boring old done-a-million-times happy ending, and does not work. It betrays the message of the film, and makes it nothing more than a good underwater shoot-em-up. This movie is much more than that. See the REAL ending to understand why it is so important to this film. As opposed to the canned studio ending, the REAL one makes you think. Well, what did you expect? Hollywood executives make movies for the common herd, they dumb them down to make sure every patron goes away feeling happy. God forbid that anyone actually may have to think a little. At the time, despite a few solid hits (such as the original Terminator), James Cameron wasn't enough of a power in La-La land to force the studios to release the movie as he wanted it to be. After Titanic, they will do whatever he says, so we can now expect some great Cameron films to look forward to, rather than having to wait for the REAL movie to come out years later on a Special Edition DVD.
I first saw this in the early 90s on a vhs.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
The Abyss is one of my all-time favorite sci-fi films. It mixes hard science with abject fantasy to make moral and philosophical points about the human condition and our place in the universe without the usual clichés. And it does so with good dialog, strong characterization, and intensely emotional acting. Harris and Mastrantonio are absolutely electric together and dominate the screen, but the entire cast deserves plenty of credit. The production itself is mesmerizing despite its vast scale and tastefully used special effects. The film is long, but worth every second of the experience, and the slightly lengthier, more detailed Special Edition version is even better than the original.
Ostensibly, this is a film about first contact with non-terrestrial intelligence. But the story allegorically deals with an amazing array of themes common to great dramas - violence, love, capitalism, war, courage and cowardice. The hardest, most obedient soldier in the film, played spectacularly by Michael Biehn, is a coward, and a man who is hopelessly in love with his estranged wife (Harris) turns that love into an act of suicidal heroism which might unintentionally save the world. And yet nothing is exactly as it seems to be, and there are really no spoilers in this review. There are so many subtle and sensitively developed themes in this film that it is hard to imagine a more epically human drama in the sci-fi genre. Even so, this is a film which entertains at every level, and will satisfy the action fan as much as the wannabe film critic. ;-)
Most of the film takes place on an experimental submarine drilling platform owned by a petroleum company. A nuclear sub has been lost in "the abyss" - a subduction trench near the Caiman Islands - after encountering an impossibly fast object. Soon, the US military commandeers the platform and its command ship - The Benthic Explorer - to attempt a rescue mission. As everything begins to go wrong, and the encounters with strange phenomena continue, the Navy SEAL in charge of the rescue attempt begins to crack. Meanwhile, on the surface, accusations concerning the sub are escalating between the USSR and USA, and nuclear war seems immanent. This describes just a small segment of the deliciously complex plot that unfolds in The Abyss. You'll have to see it to enjoy the rest.
Ostensibly, this is a film about first contact with non-terrestrial intelligence. But the story allegorically deals with an amazing array of themes common to great dramas - violence, love, capitalism, war, courage and cowardice. The hardest, most obedient soldier in the film, played spectacularly by Michael Biehn, is a coward, and a man who is hopelessly in love with his estranged wife (Harris) turns that love into an act of suicidal heroism which might unintentionally save the world. And yet nothing is exactly as it seems to be, and there are really no spoilers in this review. There are so many subtle and sensitively developed themes in this film that it is hard to imagine a more epically human drama in the sci-fi genre. Even so, this is a film which entertains at every level, and will satisfy the action fan as much as the wannabe film critic. ;-)
Most of the film takes place on an experimental submarine drilling platform owned by a petroleum company. A nuclear sub has been lost in "the abyss" - a subduction trench near the Caiman Islands - after encountering an impossibly fast object. Soon, the US military commandeers the platform and its command ship - The Benthic Explorer - to attempt a rescue mission. As everything begins to go wrong, and the encounters with strange phenomena continue, the Navy SEAL in charge of the rescue attempt begins to crack. Meanwhile, on the surface, accusations concerning the sub are escalating between the USSR and USA, and nuclear war seems immanent. This describes just a small segment of the deliciously complex plot that unfolds in The Abyss. You'll have to see it to enjoy the rest.
Wusstest du schon
- WissenswertesDuring the rigorous and problematic shoot, the cast and crew began calling the film by various derogatory names such as "Son Of Abyss," "The Abuse," and "Life's Abyss And Then You Dive." Director James Cameron said that he got so tired from working 6 days a week, 10 hours a day (sometimes more), that he would sometimes fall asleep during dinner in bed, waking up in the morning with a half-eaten plate on his chest and clenching a fork in his hand. Mary Elizabeth Mastrantonio reportedly suffered a physical and emotional breakdown because she was pushed so hard on the set, and Ed Harris had to pull over his car at one time while driving home, because he burst into spontaneous crying.
- PatzerAt the depth the crew is diving, they would be breathing a mixture of gases to include helium. Regular conversations while breathing this mix of gases results in the typical "helium speech," like if you breathed in a helium balloon. Normal conversations during the entire film at depth would have been with helium speech, and not regular voices.
- Zitate
Virgil 'Bud' Brigman: When it comes to the safety of these people, there's me and then there's God, understand?
- Crazy CreditsIn the cast list, Super Seal Rover is credited as Big Geek and Mini Rover Mk II is credited as Little Geek. These are the actual models used for the unmanned submarines.
- Alternative VersionenThe end credits were famously shortened to run under 5 minutes in 1989 in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast. The credits on the extended edition were almost 10 minutes, with a bigger and slower crawl, and extended/alternate music. Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful! One VHS tape (Fox Video Selections 1561), at least, uses the original short credits; though the tape is formatted for 4:3, the credits merely gain picture information above and below the intended window (which, for some reason, is very high up in the frame after the first few names). However the new HD master, which has popped up on a few HDTV broadcasts (like Cinemax) go back to the original shortened credits, plus is in the original theatrical aspect ratio, making it the most faithful version available.
- SoundtracksWilling
Written by Lowell George
Performed by Linda Ronstadt
Courtesy of CEMA Special Markets and Capitol Records, Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El secreto del abismo
- Drehorte
- Cherokee Nuclear Power Plant, Gaffney, South Carolina, USA(two tanks - underwater scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.981.151 $
- Eröffnungswochenende in den USA und in Kanada
- 9.319.797 $
- 13. Aug. 1989
- Weltweiter Bruttoertrag
- 90.520.202 $
- Laufzeit2 Stunden 20 Minuten
- Farbe
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