Das Alltagsleben der Menschen, die die hektische Unfall- und Notaufnahme des Krankenhauses von Holby City frequentieren.Das Alltagsleben der Menschen, die die hektische Unfall- und Notaufnahme des Krankenhauses von Holby City frequentieren.Das Alltagsleben der Menschen, die die hektische Unfall- und Notaufnahme des Krankenhauses von Holby City frequentieren.
- 7 BAFTA Awards gewonnen
- 22 Gewinne & 56 Nominierungen insgesamt
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This programme started as a superb mould-breaking drama. Each episode was an exciting thrill-ride. Now it is just a silly soap.
What made this prog so special was precisely that it was not a soap. Each week we had a glimpse into the lives of ordinary people who found themselves in the A&E department because of the accidents or illnesses that befell them. Each episode presented a whole series of accidents - from the bizarre to the mundane. As we were introduced to the casualties, we wondered how they had come to be there and how would their lives be affected by its new turn. Would they live, die or be left crippled. Would their infidelities and indiscretions be unveiled. By the end of the episode we had a snapshot of their lives.
In the late '90s Auntie Beeb threatened to turn Casualty into a twice-weekly soap. In the face of an outcry they back-peddled on this and adopted the compromise of starting a new weekday drama set in the same hospital and "Holby City" was born.
Unfortunately the script-writing team seem to have missed the point of the objection: casualty is not a soap. They have turned into a soap anyway.
Now the series simply has an interminable and tedious focus on the increasingly implausible private lives of the permanent staff. Each episode focuses on one character. And now we even have that stalwart of the soap genre - the token gay. Toby does not work in this guise for me! We now seem lucky if a single accident occurs in an episode. Instead it is the hapless staff of the "ED" who have the illness and injuries. It is the department team who have their indiscretions exposed.
It is to be hoped that this programme will return to its roots. Otherwise it needs to be pensioned off.
JDD - 14 December 2008
What made this prog so special was precisely that it was not a soap. Each week we had a glimpse into the lives of ordinary people who found themselves in the A&E department because of the accidents or illnesses that befell them. Each episode presented a whole series of accidents - from the bizarre to the mundane. As we were introduced to the casualties, we wondered how they had come to be there and how would their lives be affected by its new turn. Would they live, die or be left crippled. Would their infidelities and indiscretions be unveiled. By the end of the episode we had a snapshot of their lives.
In the late '90s Auntie Beeb threatened to turn Casualty into a twice-weekly soap. In the face of an outcry they back-peddled on this and adopted the compromise of starting a new weekday drama set in the same hospital and "Holby City" was born.
Unfortunately the script-writing team seem to have missed the point of the objection: casualty is not a soap. They have turned into a soap anyway.
Now the series simply has an interminable and tedious focus on the increasingly implausible private lives of the permanent staff. Each episode focuses on one character. And now we even have that stalwart of the soap genre - the token gay. Toby does not work in this guise for me! We now seem lucky if a single accident occurs in an episode. Instead it is the hapless staff of the "ED" who have the illness and injuries. It is the department team who have their indiscretions exposed.
It is to be hoped that this programme will return to its roots. Otherwise it needs to be pensioned off.
JDD - 14 December 2008
A great show in its day, unfortunately it's been dragged out far to long and has now become boring with absolutely pathetic storylines it's time to wrap it up.
I am not a Casualty buff, but what I do see of it is always quite good. It is drama at its most realistic - you are instantly brought into the serious, morbid, emotional world of modern hospitals. The lack of blood and gore only make everything seem even more real. When a death occurs, you sure do know about it - it manages to hit really hard, unlike in Hollywood movies. The drama itself is superb and somewhat painful at times - anyone who has been in a hospital will feel things coming back to them after an episode of this. The lack of musical score save for the credits and the complete lack of glamorisation in any form strip this down to the bare bones of realism. But sadly, this show is not perfect. While there's enough to warrant a viewing of a full episode, there really isn't much to make you want to keep coming back. And though the characters feel like real people, you just don't really know them and you can't sympathise with them - and that is the worst thing for a show like this. This is a real zombie of a show - it is moving and aware, but just doesn't feel alive, and just kind of drones for the hour each episode it plays. And, in spite of what I said earlier, there's way more blood and sweat in real hospitals too. 7/10
I wish someone would stream this entire series, I have watched clips out you tube but that was just a tease. Brit box and Amazon only have the last couple seasons... Please some nice app be santa this year, pick up the whole series.
I first started watching this show in 2001 when I seen a promo for it and it looked good. The story-line hooked me in for a few episodes and I was hooked from then on.
'Casualty' is set in a British hospital called Holby City and the show follows the doctors and nurse's lives at work and off duty. I usually dislike romantic sub-plots in shows like this (I stopped watching 'The Bill' because of it) but in 'Casualty' I really like it. We get to know the characters as people with lives, not just doctors or nurses. The story-lines are interesting and gripping most of the time. And character story lines usually carry over many episodes.
It's not the most intelligent show ever written but it has a nice charm, and if you fall for it like me you'll be hooked!
I also love the shows symbol, 'Casual+y'. Very good!
But a word of warning for new viewers, sometimes I felt the show was a little boring at the beginning. I feel this is a show that really grows on you over time. It is very character based, so you need some time to get to grips with all of the staff. I stayed in there and love it now.
'Casualty' is set in a British hospital called Holby City and the show follows the doctors and nurse's lives at work and off duty. I usually dislike romantic sub-plots in shows like this (I stopped watching 'The Bill' because of it) but in 'Casualty' I really like it. We get to know the characters as people with lives, not just doctors or nurses. The story-lines are interesting and gripping most of the time. And character story lines usually carry over many episodes.
It's not the most intelligent show ever written but it has a nice charm, and if you fall for it like me you'll be hooked!
I also love the shows symbol, 'Casual+y'. Very good!
But a word of warning for new viewers, sometimes I felt the show was a little boring at the beginning. I feel this is a show that really grows on you over time. It is very character based, so you need some time to get to grips with all of the staff. I stayed in there and love it now.
Wusstest du schon
- WissenswertesMinnie Driver, Orlando Bloom, and Kate Winslet all appeared in the series before they became famous.
- Zitate
John 'Abs' Denham: Nina, could you possibly run Ellen into town?
Nina Farr: No. But I can run her over.
- Crazy CreditsDi Botcher (Jan Jenning) was credited as Jan Jennings (with an S) for some episodes.
- VerbindungenFeatured in Room 101: Folge #1.8 (1994)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Casual+y
- Drehorte
- BBC Television Centre, Wood Lane, Shepherd's Bush, London, England, Vereinigtes Königreich(Studio, Holby A&E Department: interior - Series 1)
- Produktionsfirma
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