Die Studentin

This movie has many things going for it. Boy meets girl. Good pacing. Good acting.

Along the way plot elements seem to be happenings that are only found in movie scripts -- small little things such as calling your love but assuming she is not home only at the second ring -- NOT real life.

Such things are not a bother when drama takes over and wins the day. Sadly, the big dramatic climax here -- clearly planned to be over-the-top -- falls a little short.

There needed to be just a little better connection between boy and girl. The director should have gave the viewer greater familiarity with the environment that is the stage for the films final scenes. In this area, the LONG VACATION demonstrates establishing these two crucial story elements flawlessly.

One other note, Sophie Marceau is a female goddess and makes L' Étudiante very much worth watching.

Thats how awful this trash is. Full diclosure , have never drank cola, cause its disgusting. This garbge is like consuming 3l of corn syrop. Not 1 good scene.

After her withdrawal from "La septième cible", Sophie Marceau and Claude Pinoteau had a strained relationship. The director who had discovered the now ambitious actress felt betrayed by her decision to leave his movie, and didn't talk to her for four years. Still, every bad thing has some good consequences, and Sophie Marceau's participation in more complex films during her period of misunderstanding with Pinoteau allowed her to play even more convincingly when they reconciled in "L'étudiante". It was "La Boum" for the now grown-up original audience. "La Boum" in university.

Like Vic before her, Marceau's new heroine, Valentine, a student, is one of the most relatable kind. Opinionated and smart, she charms not only with her presence, but also with her words. It is though the former that she makes a young jazzman, Ned (Vincent Lindon) fall for her. Believing it to be just a one-night adventure, she goes out with him. But she can't get him out of her head on the days that pass. Is it love? For her, surely, but she can't sacrifice five years of studying for a relationship. Balancing her love life with her studies will prove to be the theme of this charming movie.

Despite having called the protagonist relatable, one can recognise that her personality has some exaggerated elements. She is, I think, too intellectual to be believable, and her arguments over sociological or political matters have no substance or purpose in a romantic comedy. It's as if she's trapped in the wrong film. For all that, though, her relatability stems from the fact that she has to balance two different aspects of her life, both prevalent in the university years. Not many people have had - or would have - relationships with touring musicians, but many would have partners for whom the importance of university would be incomprehensible. A classic workaholic, Valentine can't let Ned make her effort go to waste. She needs to succeed, and love doesn't let her do that.

Speaking of Ned, he also has his fair share of contradictory elements. While he wants to become a famous musician, he is too careless and lets valuable opportunities to unused. Too submissive to impose his presence, he unsuccessfully tries to record a film score, only to learn that his place has been taken by someone else, and does nothing. The only person understanding him is Valentine, and it is the meeting of these antithetic characters that gives the film its charm.

For this reason, the film is clearly commercial. Only a commercial film could survive with such a contradictory cast. What saves it is the cast's interaction, full of emotion, and the aforementioned plot, with its fair degree of relatability. Its resembling of "La Boum", with its relentless optimism, and its faith in true love, that prevails even in situations when it seems impossible. It is, surely, cheap, a cash-grabber, aimed to an audience that still carried their love of "La Boum" with them. But it is a gentle one. Even if it was made for money, it makes up for it using the same formula that made "La Boum " successful. One combining innocence and relevant maturity, with a soundtrack that sticks to the ear for days to come.

It is, as mentioned above, "La Boum" for university students. Nothing more and nothing less. One can't, and mustn't expect a lot from such films. They exist for other reasons. To make us dream, and feel joy. To make us travel back in a time when the University of Paris was still called the Sorbonne, and putting a Walkman in someone's ears was an indication of love.

For all its cheapness, it is as romantic and nostalgic as can get. And for that, it is invaluable.

"The Student" is a straightforward romance if there's ever one and a proof that the saying "aim small, miss small" can also apply to the movies.

The film directed by Claude Pinoteau -who had made Sophie Marceau's breakthrough coming-of-age hit "La Boum" ("The Party") 8 years earlier- covers all the required tropes of the hip chick flick but embedded in that so undefinable 80s spirit that aged quite well.

So what do we have? Boy meets girl, girl notices boy, smile-inducing awkwardness during the first exchanges, feelings that don't take too long to get mutual, first date, the night that changes it all, meeting friends and families, then out of sight but not out of mind, jealousy, arguments, misunderstanding, professional mishmash and if there's no standout scene, there's still the ending, and well, that's some last ten minutes that I will remember.

Indeed, you may say "The Student" (referring to Valentine, played by Marceau) might not be a masterpiece of originality, but I challenge you to find another movie that uses an aggregation oral examen as a canvas for a heartfelt love declaration,. Maybe it's because I spent the previous year preparing for two similar career-defining exams, including that one (and failed at both), and so I coud relate to Valentine's struggles to keep her studies on track, to her friend's panic attack and I realized that I was foolish to believe I could succeed in one year what takes year for others.

And that's the trick, I related to the girl and to the boy, Edward, played by Vincent Lindon in his boyish years. I'm not 5% as attractive as he is, but there's something about his composure, his eyes, his smile, that gets him so close to us and so his struggles to reach Valentine, his obsession to get to her, his propensity to swallow his pride, anyway his neediness hit home. The craziest thing is that the stakes are higher for Valentine, she's the one who might sacrifice her professional life for a man she loves. Winning her love is not the cause, the cause is how willing you are to sacrifice a career to keep that love.

Movies like "The Student" seem apt to transcend their banality because they succeeded at handling the two essential things: the casting and the script. With her girlish rosy cheeks, Sophie Marceau is as beautiful as ever without looking like your sensual pin-up and the camera doesn't fall into trap so common in the 80s by over-sexualizing her character, like her previous husband and director Andrzej Zulawski. And on her side there's Edouard a musician preparing a score for a famous film and struggling to find the inspiration, an ordeal that echoes his own problems of communication with Valentine. Making that an obstacle would have been a cliché, but the two are in love and basically the film is about them trying to find the right pace. Both belong to different universes: intellectual upper class and Bohemian lifestyle. But the script never suggest a sort of milieu-driven antagonism, trying to keep a fair balance between the romance novel sappiness and a certain realism.

Setting half the story in the world of show business, Pinoteau emphasize the characters' ordinariness by making them coexist with real life figures like director Elie Chouraki, actress Marie-Christine Barrault and there's even a nod to Vladimir Cosma, the film composer who had an instinct for folksy scores, playful tunes, little schmaltzy ones and what could be typical "slow" hits (romantic songs allowing teenagers to stand close to each other during the famous "boums"). Ultimately the score composed by Edouard is the score of the film and Cosma who signed "La Boum"'s "Dreams are my Reality" strike it again with another 'matchmaker' "You Call it Love".

(even as a 6-year old at that time, I remember going to such parties organized by my cousins and I was looking at teens holding each other tight during these slow moments)

And what's left is the genuine spontaneity of Edouard and the fairy-tale girly quality of Valentine and their desperation to reach other despite conflicting schedules and meeting their friends and families, whatever happen to spice up the relationship isn't original but it leads to a fantastic declaration by Valentine, using her own test subject and talking about a book I happen to have read. The film might have the apparatus of a no-brain romance but I suspect the climax had taken a few sleepless nights to get on the paper. And a nice ending when we don't need to see the outcome but just to realize that sometimes love is that thing that makes us committ silly things.

I don't think the film's conclusion is that love is beyond having a professional dream, it's precisely because Valentine did the exam after all that the film aged well. Any other ending would have been manipulation. Valentine was capable to do crazy things in the name of love, except negating herself. And her dream to be a teacher was part of herself. The title says it all, she's "The student".

L'Etudiante is a film that centres around the relationship between a student teacher called Valentine (Sophie Marceau) and an ambitious but unsuccessful musician named Ned (Vincent Lindon).

Valentine is an exceptionally dedicated student, who thinks of nothing but passing her exams, which, quite unsurprisingly, has a big effect on her relationship with Ned. Ned is frequently tormented by this fact, and also that his relentless touring does not help the relationship either. The film follows them as they try to overcome these problems and settle into a life together.

Like most French films, L'Etudiante is quite dialogue-heavy. Very little actually happens in the film and most of the scenes are of the main actors talking, whether that be in flats, cafés, restaurants, cars, beds, trains or the streets of Paris. And, as is also true about most French films, it is the quality of the acting that sees this through. Lindon is highly entertaining as Ned. He portrays perfectly the man with great ambitions but not the ruthlessness needed to fulfil them. His down-to-Earthness is the perfect contrast to Marceau's highly-strung Valentine. Marceau gives an excellent performance. We've all known workaholics who put their personal success before everything else. Often we see these people as cold and unemotional but Marceau is the opposite and shows Valentine to be as human as anyone else helping us to understand what is driving her.

Again, as is also often the case in French films, there are a number of constant irritations in the picture.

Often, especially at the beginning, the director seems to just want to look at Marceau. She's very attractive but the constant goddess-like adoration does get a little waring. Fortunately, it calms down a bit by the second half of the film. A common gripe at French films is that the dialogue can get a bit precious at times. This is certainly true of L'Etudiante. When I was a student, I rarely fell out with people because of their opinions on social anthropology, political philosophy or career options. Perhaps Parisian students do. And finally, Marceau does spend quite a few scenes au naturale. This is not an unpleasant sight but,personally, I found it to be a little unnecessary.

L'Etudiante is a good French film for people who don't watch many French films. It won't change your life but it does provide you with an insight into commercial French cinema and will definitely keep you entertained for a couple of hours.