IMDb-BEWERTUNG
5,5/10
2626
IHRE BEWERTUNG
Eine Gruppe verschiedener Amerikaner überlebt einen Flugzeugabsturz auf einer Karibikinsel und stellt fest, dass sie von kriechenden Schlangen und anderen giftigen Bestien befallen ist.Eine Gruppe verschiedener Amerikaner überlebt einen Flugzeugabsturz auf einer Karibikinsel und stellt fest, dass sie von kriechenden Schlangen und anderen giftigen Bestien befallen ist.Eine Gruppe verschiedener Amerikaner überlebt einen Flugzeugabsturz auf einer Karibikinsel und stellt fest, dass sie von kriechenden Schlangen und anderen giftigen Bestien befallen ist.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Rick Washburn
- Parker
- (as Michael Ryder)
Lorayn DeLuca
- Maria
- (as Lorayn Lane Deluca)
Charles Kay-Hune
- Hardwick
- (as Charles Kay Hune)
Empfohlene Bewertungen
This movie is a spoof of all those Rambo/Norris/Ahnuld commando bloodbath movies from the 80's. It is very unsubtle, full of cartoonish shootouts where the same bad guy terrorists get mowed down by the good guy plane crash survivors, some cheesy sex and boob scenes, with an original hard rock background music score. Basically, a random bunch of people crash on a Caribbean Island: punk rocker, Wall Street yuppie, hysterical woman, priest, etc etc; owned by Cuba. The island is a terrorist training camp for a motley bunch of cartoonish terrorists, loosely based on the 80's Communist types. There is a pig snouted redneck terrorist, a psycho Nazi Jew hating one, Russians, Arabs, a ninja, and even two Siamese twin leaders. They are going to land in the US and undermine us with AIDS and random violence, ala "Invasion USA", I guess. So this motley bunch of survivors, led by an ex Airborne Vietnam vet, start kicking some serious butt instead.
There isn't too much of a plot after that, but plenty of gratuitous violence on the level of Monty Python, with more shootout scenes than ten action movies put together. But the same bunch of terrorists keep getting mowed down by our heroes. It is funny yet the overkill grows on you after a while. But it definitely is chock full of special effects and weapons, especially for a low budget flick.
To call this a politically incorrect movie is a euphemism for a totally bad taste movie. But it does have it's charm, in a cheap, exploitative but not a stupid way. Definitely not for the weak at heart, while not gory compared to modern horror movies, it has some real bloody hamburger scenes
There isn't too much of a plot after that, but plenty of gratuitous violence on the level of Monty Python, with more shootout scenes than ten action movies put together. But the same bunch of terrorists keep getting mowed down by our heroes. It is funny yet the overkill grows on you after a while. But it definitely is chock full of special effects and weapons, especially for a low budget flick.
To call this a politically incorrect movie is a euphemism for a totally bad taste movie. But it does have it's charm, in a cheap, exploitative but not a stupid way. Definitely not for the weak at heart, while not gory compared to modern horror movies, it has some real bloody hamburger scenes
Author: plazma_dragon wrote 'The makers of this film tried to combine a comedy movie with an action movie'.
no, that's not what they did. what the wonderful folks at troma did in this film is to take all the conventions of all Hollywood action films set in the contemporary era, and push them to their logical extremes.
the action film is inherently illogical - that's exactly why we watch them. in the action film you identify with the hero and blow away a criminal as soon as you can, and move on to the next criminal to blow away.
in real life, if you shoot someone you think is committing a crime, you may miss and get shot; you may only wound him, in which case you have to listen to his squeals of pain, and later, in most states, he has the right to come back and sue you for aggravated assault with a deadly weapon - no joke. and if you do kill him, then you have to justify it to the police, and sometimes to a judge, and you have to listen to his mom weep in agony, and then she sues you for 'wrongful death' and you have to wonder - was causing so much pain to others and one's self really worth it - a question that may haunt you the rest of your life. finally, there's the possibility that he may shoot you - setting aside your possible demise, there's the problem of getting crippled for the rest of your life. you can sue the criminal, but if he's just the corner thug, you'll never see a penny.
this doesn't mean that you don't shoot the criminal - you may need to - if he's threatening a loved one, and i got a good shot, i certainly would. but what all this does mean is that you're stuck with all kinds of consequences that never happen to Stallone or snipes or Jackie Chan.
troma takes this basic principle - shoot the guy and move on, hero - to the extremes. any of the airliner survivors who show compassion are deemed wimpy and abandoned. the Rambo-wannabe wades into a whole regiment of enemy soldiers and doesn't get shot. the pacifist priest is sadistically tortured and shot in the goriest fashion, condemned to die by a neo-Nazi for being Jewish - even though he's clearly not - simply because the Nazi thinks everyone he kills must be Jewish, since he's a Nazi and Nazis kill Jews.
as for the nudity - it is rumored that steven seagal actually used to have it in his contract that there would be at least one female nude scene in any movie he made. nude scenes are pro-forma to the genre - but since this is troma's war, of course they need to be done as ineptly as possible.
one can say that 'this is not my kind of comedy', and leave it alone. however, don't for a minute think these people don't know what they're doing.
personally i think this movie is a jaw-dropping, over-the-top satire of the best kind. i hold back one star because there's no doubt the editing could have been a little tighter.
no, that's not what they did. what the wonderful folks at troma did in this film is to take all the conventions of all Hollywood action films set in the contemporary era, and push them to their logical extremes.
the action film is inherently illogical - that's exactly why we watch them. in the action film you identify with the hero and blow away a criminal as soon as you can, and move on to the next criminal to blow away.
in real life, if you shoot someone you think is committing a crime, you may miss and get shot; you may only wound him, in which case you have to listen to his squeals of pain, and later, in most states, he has the right to come back and sue you for aggravated assault with a deadly weapon - no joke. and if you do kill him, then you have to justify it to the police, and sometimes to a judge, and you have to listen to his mom weep in agony, and then she sues you for 'wrongful death' and you have to wonder - was causing so much pain to others and one's self really worth it - a question that may haunt you the rest of your life. finally, there's the possibility that he may shoot you - setting aside your possible demise, there's the problem of getting crippled for the rest of your life. you can sue the criminal, but if he's just the corner thug, you'll never see a penny.
this doesn't mean that you don't shoot the criminal - you may need to - if he's threatening a loved one, and i got a good shot, i certainly would. but what all this does mean is that you're stuck with all kinds of consequences that never happen to Stallone or snipes or Jackie Chan.
troma takes this basic principle - shoot the guy and move on, hero - to the extremes. any of the airliner survivors who show compassion are deemed wimpy and abandoned. the Rambo-wannabe wades into a whole regiment of enemy soldiers and doesn't get shot. the pacifist priest is sadistically tortured and shot in the goriest fashion, condemned to die by a neo-Nazi for being Jewish - even though he's clearly not - simply because the Nazi thinks everyone he kills must be Jewish, since he's a Nazi and Nazis kill Jews.
as for the nudity - it is rumored that steven seagal actually used to have it in his contract that there would be at least one female nude scene in any movie he made. nude scenes are pro-forma to the genre - but since this is troma's war, of course they need to be done as ineptly as possible.
one can say that 'this is not my kind of comedy', and leave it alone. however, don't for a minute think these people don't know what they're doing.
personally i think this movie is a jaw-dropping, over-the-top satire of the best kind. i hold back one star because there's no doubt the editing could have been a little tighter.
WAR! is another quickie exploitation film churned out by the Troma Team. Like all of Troma, the film is heavy on the bad taste (even comes with AIDS jokes) nudity, action, etc. etc. At the end of the film, all the film's heroes and heroines face the camera and cheer "America!" I guess this is so we don't boo and hiss the film too bad. I saw TROMA WAR's in the best possible enviorment for a Troma film, the old Times Square, in a run down theatre with a wall made up of tarp, along with a local lunatic who decided to sit in his seat in the lotus position and face the audience during the film. Now it's all Disney and Yuppie-Moneytraps on 42nd Street. Too Bad.
Forget Coppola´s "Apocalypse Now" and Spielberg´s "Saving Private Ryan" because this film is the ultimate contribution to the genre of war movies! Typically Troma, you´ll find lots of cheesy F/X and bad acting in it, however this shot is not as awful as many other flicks produced by this company: "Troma´s War" is REALLY entertaining, what´s absolutely no guarantee for the other works of Lloyd Kaufman´s firm. The humor is not too silly this time, although there are many politically not correct jokes about Aids or Siamese twins. The violence in this film is business as usual, so prepare for cut off ears and fountains of blood! With its exaggerated patriotism "Troma´s War" is also a nice parody on all those soldier-movies like "Rambo" or "Delta Force", which were very popular in the Reagan-ruled 1980s. And some nudity of pretty silicon-chicks doesn´t hurt either..! I liked this movie even more than "Combat Shock", that is alleged to be a touching anti war-drama, but after all only a cheap and boring film! This one doesn´t take itself too serious and that´s no mistake!! So if you´re going out tonight to rent a Troma-flick... take this one!!!
Troma's War, about a group of refugees from a plane crash stranded on an island with wild Commandos led by a two-headed politician planning the extinction of America... is some ridiculous s***.
But for the first two thirds Kaufman and Herz and company manage to find a balance between the one liners and gags, and the more serious elements (or at least as serious as a goofy cartoon like Troma can get) such as the commandos on the island who are, behind the jokey Schwarzenegger captain who is funny every time he speaks and the (Jesus Christ!) AIDS guy who is out to rape women so they get it, its a war movie that is intentionally BIG and MANIC and just nuts, but with a purpose.
When Troma's War is at its most impressive and eye catching when Kaufman skewers 80s action movies and Regan era militarism. As an ex hippie it's clear he didn't like what he was seeing, in bloated B movies and over the top spectacles, so... why not make his own, the Troma way? Where it lost me a bit was in the last third. There is what feels like a natural climax like two thirds into the movie, where some of the heroes (like Lost they're not all likable but their bond is a plane crash) save the others from being killed and raped and maimed by the commandos. and then it just keeps going. And the acting doesn't get better.
And not that one should be looking for a totally consistent tone in this junk food, but there was a better grasp of what the film was and trying to do for a while. By the time it nears its real climax, there's still some more mayhem, relentless violence, all shot and edited with flair even as its with little to no budget (outside of the special effects - the highlight for me is a montage of soldiers in trees who all get shot down and fall off the same way, tree after tree). But it kind of devolves into dumb antics and one liners (and I mean DUMB for a movie by these f****rs), though it's almost saved by a side characters stunt from a truck onto a boat.
I want to like it more - it's shot with more competency than other Troma movies, has ambitious and exciting stunts and effects, and up to a point has some really good music (up to a point as in not too much but still there crappy 80s songs put over scenes unnecessarily) and though some of the acting is cheesy and over the top, some of it really works for it being a ludicrous mockery. There's even some arcs for characters, like the guy who gets his truck onto the boat at the end. And yet there is a line that, sometimes, Kaufman and Herz have to not cross but do a lot of the time which is the film being the same carnage extravaganza with bullets flying and guts spilling and squibs popping like there's no tomorrow and became something like Commando.
But... if you wanna get some buddies together, and are in the mood for some comic book characters and set ups and pay offs (including a British dude who talks like Peter O'Toole and has a shtick with poison darts), this ain't bad. It's just not AS memorable as Toxic Avenger and Nuke em High.
But for the first two thirds Kaufman and Herz and company manage to find a balance between the one liners and gags, and the more serious elements (or at least as serious as a goofy cartoon like Troma can get) such as the commandos on the island who are, behind the jokey Schwarzenegger captain who is funny every time he speaks and the (Jesus Christ!) AIDS guy who is out to rape women so they get it, its a war movie that is intentionally BIG and MANIC and just nuts, but with a purpose.
When Troma's War is at its most impressive and eye catching when Kaufman skewers 80s action movies and Regan era militarism. As an ex hippie it's clear he didn't like what he was seeing, in bloated B movies and over the top spectacles, so... why not make his own, the Troma way? Where it lost me a bit was in the last third. There is what feels like a natural climax like two thirds into the movie, where some of the heroes (like Lost they're not all likable but their bond is a plane crash) save the others from being killed and raped and maimed by the commandos. and then it just keeps going. And the acting doesn't get better.
And not that one should be looking for a totally consistent tone in this junk food, but there was a better grasp of what the film was and trying to do for a while. By the time it nears its real climax, there's still some more mayhem, relentless violence, all shot and edited with flair even as its with little to no budget (outside of the special effects - the highlight for me is a montage of soldiers in trees who all get shot down and fall off the same way, tree after tree). But it kind of devolves into dumb antics and one liners (and I mean DUMB for a movie by these f****rs), though it's almost saved by a side characters stunt from a truck onto a boat.
I want to like it more - it's shot with more competency than other Troma movies, has ambitious and exciting stunts and effects, and up to a point has some really good music (up to a point as in not too much but still there crappy 80s songs put over scenes unnecessarily) and though some of the acting is cheesy and over the top, some of it really works for it being a ludicrous mockery. There's even some arcs for characters, like the guy who gets his truck onto the boat at the end. And yet there is a line that, sometimes, Kaufman and Herz have to not cross but do a lot of the time which is the film being the same carnage extravaganza with bullets flying and guts spilling and squibs popping like there's no tomorrow and became something like Commando.
But... if you wanna get some buddies together, and are in the mood for some comic book characters and set ups and pay offs (including a British dude who talks like Peter O'Toole and has a shtick with poison darts), this ain't bad. It's just not AS memorable as Toxic Avenger and Nuke em High.
Wusstest du schon
- WissenswertesLloyd Kaufman planned for the film to be rated R for theatrical cult status: "It was our answer to Rambo, Reaganomics, to the new interest in war. We based the violence in the movie on 'Die Hard' and 'RoboCop.' Michael didn't think there would be one cut from MPAA. But the end result was the movie was totally disemboweled, totally disemboweled, to the point where bullet hits were removed, men on fire were removed, Siamese twins were removed. In order to get an R rating, the movie was rendered unwatchable." Following the film's poor critical and financial performance, Troma experienced financial hardship and jettisoned the company from the Hollywood mainstream.
- PatzerIn the finale, one of the female characters gets shot in the back, wherein for a moment a bloody wound can be seen. However when the shot goes behind her, the wound has disappeared.
- Crazy CreditsAt the end of the credits, the frame unfreezes as the survivors walk away, then all the cast, including the dead bodies strewn all over the place, turn to the camera, smile and wave.
- Alternative VersionenThe complete version runs at about 104 minutes, a full 15 minutes longer than the edited R-rated version.
- VerbindungenEdited into A Nymphoid Barbarian in Dinosaur Hell (1990)
- SoundtracksAlive
Written by Christopher De Marco
Top-Auswahl
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Details
Box Office
- Budget
- 3.000.000 $ (geschätzt)
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