Das Kuckucksei

Harvey Fierstein, Anne Bancroft, Matthew Broderick and Brian Kerwin combine in a bitter-sweet comedy-drama set in the 1970's, concluding in 1980. The "Trilogy" is a collection of 3 specific pieces blended together telling the saga of Arnold Beckoff (Fierstein). The story revolves around love, relationships and family - something everyone can relate to. It was a movie before its time when it premiered in 1988. It is straight-forward and to the point. It will make you laugh and cry and understand the true meaning of love and respect. Harvey Fierstein & Anne Bancroft (Arnold's Mother) are outstanding in their roles! A must see for anyone trying to understand the complexity of love, with themselves, significant others and their family. A well-done adaption to the screen from theatre. Add this video to your collection! "I love you...enough."

Award winning writer actor Harvey Fierstein portrays a shy and loveless cabaret artist who comes to terms with his bisexual lover, with the man of his dreams, and finally (in a heartbreaking confrontation sure to leave a lump in even the most stoic of throats) with his homophobic, harpy mother. The strengths of the film are those of any adapted stage play, but this isn't just another theater piece arbitrarily transferred to the screen. The original three acts have been married into one sustained narrative, with the cosmetic benefits of skillful editing and camera-work to help smooth the rougher transitions. Of course it's Fierstein himself who holds the film together, showing a wonderful, subtle blend of confidence and insecurity, with eloquent body language and expressive facial tics reminiscent of Charlie Chaplin, and with a voice best described as unique.

A notable film on several levels. First, it was way ahead of America in being a relatively mainstream film that treated gay men as people of depth, value, humor and worth making a film about. (Although there is sad irony in the fact this huge hit play took so long to make it to the screen that AIDS had already totally altered the landscape by the time of its release. That's something the film only notes in the closing credits, and gives it a bit of a 'rose colored glasses' hue).

But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).

Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding

This film is very deep and superbly acted. It requires a viewer with a heart, but once you got that working you will surely fall into this touching drama. What is most appealing about this film is its realism and the fact that scenes of heartfelt drama are followed by light hearted humour, leading one easily through this well designed

TST is like Harvey Fierstein himself: you love it or you loathe it; I love it. Preachy and heavy-handed as "Torch" is at times, it's also a brilliant, hilarious, and truly heartfelt look at how gay men love each other and their families. Arnold Beckoff, like Harvey, apologizes to no one for who and what he his, and his pride is infectious. And Matthew Broderick, as Arnold's model lover, has never been more appealing.