Ein Anwalt gelangt während des Zweiten Weltkrieges in die Fänge der Besatzer, die ihn, praktisch vom Mittagstisch weg verhaften und ins Gefängnis stecken. Als er durch ein Los zur Erschließu... Alles lesenEin Anwalt gelangt während des Zweiten Weltkrieges in die Fänge der Besatzer, die ihn, praktisch vom Mittagstisch weg verhaften und ins Gefängnis stecken. Als er durch ein Los zur Erschließung gelangen soll, handelt er im sein Leben.Ein Anwalt gelangt während des Zweiten Weltkrieges in die Fänge der Besatzer, die ihn, praktisch vom Mittagstisch weg verhaften und ins Gefängnis stecken. Als er durch ein Los zur Erschließung gelangen soll, handelt er im sein Leben.
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- 1 Primetime Emmy gewonnen
- 1 Gewinn & 3 Nominierungen insgesamt
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A prisoner makes a deal with another prisoner to save himself from being executed they swap places in exchange for everything the one owns including a secluded mansion.
I won't spoil the story or bore you (if you have seen it) with more of the plot.
It is well done...the acting good...the screen adaptation of the book not ponderous like they sometimes are trying to cram too much in.
Anthony Hopkins like Anthony Perkins before him was type caste by one horror role. This younger version of him makes it easier to forget.
A good watch. RECOMMEND.
This means its presentation suffers from a lot of dated clichés, such as a saccharine Hallmark Channel musical score that often detracts from the powerful acting, bright lighting & sets which give it a slightly cheap look, and it also feels a bit rushed in pace, not giving the dramatic moments enough time to sink in. But if you can overlook these small flaws, the story and acting will sweep you away.
Though set during WW2, this is not a war movie, there isn't much violence, and when there is violence it's handled in a safe PG-13 way. This is mostly a sentimental film that focuses on the characters' feelings more than action and plot twists. The plot does get twisty toward the end, bordering on crime thriller, but really this movie is more for people who enjoy slow, nostalgic films with themes of regret, forgiveness, morality and a dash of romance.
I would compare this film to "Somewhere in Time" (1980) though the stories are nothing alike; they both share the same sentimental vibe, a bit syrupy in presentation but with first class acting and a great story.
Three years later, a bearded Hopkins is free and goes to his estate, where Kristen Scott Thomas and an ailing Brenda Bruce are in possession. They wait with fear and hatred Hopkins' return, so he claims to be a nobody and gets a job with them as a common laborer. Then one day,collaborator and fugitive Derek Jacobi, the son of one of the other men in the hundred, shows up, fleeing from the Resistance. He claims to be Anthony Hopkins.
It's based on a novel by Graham Greene that he turned into a script and left in the MGM archives in the mid-1940s. Director Jack Gold handles the film like it's a TV movie with enough of a budget for some extra location shooting. Hopkins plays his role in a repressed combination of shame for what he has done, love for Miss Thomas, and fear for the consequences of any revelation. With a better director, or a better lighting cameraman, the role might have worked. As it is, those who are familiar with Greene's world will understand what is going on. Those who approach it without any background will just find it bizarre.
Wusstest du schon
- WissenswertesGraham Greene wrote this when he joined MGM as a contract scriptwriter in 1944. It sat in their archives until it was discovered in the early 1980s, and was originally intended to be a major cinema release.
- PatzerWhen the deed of gift and will are written in the prison cell, the sister's name is spelled 'Terese'. The French spelling is 'Thérèse'.
- Zitate
German Officer: There were outrages committed in the city last night. The second in command to the military Governor was murdered. Also a girl on a bicycle. We do not complain about the girl. Frenchman have our permission to kill French women if they wish to.
- VerbindungenEdited into Hallmark Hall of Fame (1951)
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- Hallmark Hall of Fame: The Tenth Man (#38.1)
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