Ultra Force IV

Also no pun intended - also no Tiger come to think of it. This is the first movie in the Tiger Cage trilogy (which is the international title of course). Not even sure how "related" the movies are ... well actually they are not ... unless you count the title as a connection. But let's get back to the beginning! And a movie that has quite a few fine actors in it.

The movie starts off with an action scene, that could easily have been the climax/highlight of the movie. But it only is here to set the tone and "introduce" us to the characters. We will find out way more about them ... how they relate to each other, but also their morality.

Don't get it twisted though: this does not get too deep into the psyche. If someone is "evil" it is not that we will know their reasoning ... not for all of them that is. We get some explanation and there are some things that try to explain the logic of the character ... but that is not the main selling point here ... that is the action part(s) of it! If you dig that, you will have a grand ol time with this ... and the movie would deserve it too.

The cast of this movie runs like who's who of popular actors of the '80s. Donny Yuen, and Simon Yam are about the only ones still active today.

There's drug trafficking in Hong Kong, and corrupt cops are in on it. Inspector Fan (Jackie Chung) is an officer working in the drug enforcement division of the Hong Kong police department. He's on the trail of the drug traffickers, and finds out that one of his associates are in on it. He video tapes the scene, and gives the tape to his girlfriend Amy. But he gets framed and gets accused of drug possession. He now must clear his guilt by somehow collecting the evidence.

The format is somewhat classic Hong Kong drama of the '80s. D&B studio made the movie. D&B had consistent good quality on almost all of their movies, and this one is no exception. The story is good, and acting is great.

It's still a fun movie to watch. As a fan of D&B studio's movies, I wish they made more movies like this today.

Recommended for viewing.

In the 70's Hong Kong gave birth to the period (classic) kung fu film. The 90's saw the rise of the `flying' kung fu film. And, the 80's saw the surge of cops and crooks films with titles like Long Arm of the Law, the In the Line of Duty series, and Tiger Cage.

Jacky Cheung plays the title role of a cop out to bust some dope dealers, and eventually the very interior of his corrupt department. Carol Do Do Cheng, Donnie Yen, and Simon Yam also star as fellow cops- Carols husband, a fellow cop, being killed by the dope gang, Donnie as a young rookie who finds out his mentor is dirty, and Simon as the two faced, nothing but evil, corrupt supervisor. Its a dark, double crossing tale offset by moments of kung fu and comedy amongst the standard police drama plotline. From the opening shootout that begins the film, you know that you are in for some rough and tumble action, as hundreds of bullets are shot, bodies fall and are hit by cars, the fighting is gritty, and so on. Donnie gets one fight scene (really the only martial arts sequence) with two drug dealing gwailos. Simon Yam is just plain bad with a capitol B. Jacky over-grimaces his way though the drama, and poor Carol gets the stuffing beat out of her a couple of times. The story is well paced, by the great Yuen Woo Ping, and is a competent addition to the Hong Kong cop film library.

There are more than the usual subtitle language errors like- "My gun has no eyes.", "I want you to be limply in jail all your life.", "I am ready for discinplinary and investify.", "They're now fugitive with arms."

You generally can't go wrong with action movies from Hong Kong, and it's also hard to go wrong with Yuen Woo-Ping. I feel as though I should eventually watch everything he ever directed or did the action choreography for, since the way he does that stuff is always so good. Words kind of fail to express what makes his take on action so good. All I know is that it's really good, and that's all that matters.

With Tiger Cage, it's him doing the kind of movie John Woo is best known for directing. Woo-Ping usually makes action movies with more hand-to-hand combat, but he can do shoot-em-ups, too. Similarly, Woo is best known for the heroic bloodshed films of his, but he also proved himself to be great at more traditional martial arts stuff with the eternally underrated Last Hurrah for Chivalry. John Woo is more well-known than Woo-Ping, and his highs are higher, but I think he's missed a little more often than Woo-Ping seems to have.

Also, to go back to Tiger Cage... well, what can be said? The non-action stuff is serviceable, and that's all it really needs to be. It's about a bunch of young cops taking on criminals and corruption, and it's all very heightened, bombastic, and bloody. The term "heroic bloodshed" is also interesting. These characters are physically impressive, but they do bleed, and sometimes die, more than American heroes from Action movies in that part of the world.

Anyway, Tiger Cage starts at a ridiculously impressive pace that it can't entirely maintain throughout, but the action was just about always very good, and I didn't mind the non-action parts all too much either. It made for a satisfying watch, and if you like Hong Kong action/crime films from around this era, it shouldn't be overlooked.

Fortunately we have an all-star cast of Hong Kong legends working their magic here, (Donnie Yen, Simon Yam, Jacky Cheung, Ka-Yan Leung) along with director Woo-ping Yuen helming this action extravaganza. The story is nothing special, straightforward with a few twists thrown in to keep the audience interested. Drug smuggling ring, betrayals, corrupt cops, and all the other usual elements of a late 80's HK crime flick. Dull in this regard however the movie wasn't intended to showcase script writing, rather we get some nice displays of martial arts fighting.

The fight choreography and shootouts are the highlights of the film, although the plot wedged in-between sequences feels painfully like filler to meet the minimum run time. In typical fashion bizarre Chinese humor is used as a device to provide character development, and as usual it feels misplaced in a serious crime movie such as this. Despite the small amount of character development it's sufficient to provoke a reaction when the protagonists end up in peril. Donnie Yen only is given a few minutes of screen time, but during his few minutes he really steals the show. The action is entertaining but not enough to deem a second watch. I would only recommend to those wanting to see Donnie Yen's early work. -6/10